When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) are two hit men who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace (Ving Rhames). Wallace has also asked Vincent to take his wife Mia (Uma Thurman) out a few days later when Wallace himself will be out of town. Butch Coolidge (Bruce Willis) is an aging boxer who is paid by Wallace to lose his fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents.Written by
Upon receiving the one hundred fifty-nine-page screenplay to read after TriStar dropped the project, Harvey Weinstein remarked, "What is this, the fucking telephone book?" See more »
Vincent shoots Marvin with a M1911A1 pistol. This kind of pistol needs to be cocked prior to shoot. See more »
Forget it. Too risky. I'm through doing that shit.
You always say that. That same thing every time, "I'm through, never again, too dangerous".
I know that's what I always say. I'm always right, too.
But you forget about it in a day or two.
Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
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The opening credits end with Produced by Lawrence Bender. Usually movies end opening credits with the Director's credit, however Written and Directed by Quentin Tarantino starts the end credits. See more »
The network television version makes the following alterations:
Dubbed dialogue in Pumpkin and Honey Bunny's opening conversation
Omission of the entire scene after Vincent and Jules get off the elevator talking about foot massages
Omission of a part of the drug transaction scene starting with Vincent's discussion of how his car was keyed
Omission of the "shooting-up" sequence
The audio of Uma Thurman snorting cocaine as "Son of a Preacher Man" plays is absent
Inclusion of the "Mia Wallace" interview scene
Omission of the scene where Vincent finds Mia in her overdosed condition
Omission of the "oral pleasure" scene
When Butch opens the door to reveal the sodomy of Marsellus, an image of Maynard has been superimposed to prevent from seeing Zed's actual thrusting
Omission of the entire scene where Jules and Vincent argue after blowing Marvin's head off (both in the car and in Jimmy's bathroom)
Omission of the entire scene of Jules and Vincent cleaning up the back of the car
Among the list of words cut out: all variations of "fuck", "shit", "God damn", and "nigger". The use of the word "bitch" is permitted in some cases ("Does he look like a bitch?") but not in others ("Tell that bitch ['babe' in the TV version] to be cool!")
To put this in context, I am 34 years old and I have to say that this is the best film I have seen without doubt and I don't expect it will be beaten as far as I am concerned. Obviously times move on, and I acknowledge that due to its violence and one particularly uncomfortable scene this film is not for everyone, but I still remember watching it for the first time, and it blew me away. Anyone who watches it now has to remember that it actually changed the history of cinema. In context- it followed a decade or more of action films that always ended with a chase sequence where the hero saved the day - you could have written those films yourself. Pulp had you gripped and credited the audience with intelligence. There is not a line of wasted dialogue and the movie incorporates a number of complexities that are not immediately obvious. It also resurrected the career of Grease icon John Travolta and highlighted the acting talent of Samuel L Jackson. There are many films now that are edited out of sequence and have multiple plots etc but this is the one they all want to be, or all want to beat, but never will.
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