
Pterodactyl Woman from Beverly Hills (1996)
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- R
- 1h 37min
- Comedy
- 24 Jan 1996 (USA)
- Movie
Pixie is cursed with turning into a Pterodactyl when her husband is caught messing with bones on an ancient burial ground. Her husband, children, friends, and neighbours must come to terms with Pixie's new "look". Her only chance to return...
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Complete, Cast awaiting verification
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Jonathan Ball | ... |
Officer Othello
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Cabiria Cardinale | ... |
Karen / Mrs. Goldberg
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Holley Chant | ... |
Mrs. Hoffman
(as Holly Chant)
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Sonia Nassery Cole | ... |
Mystic Woman
(as Sonia Cole)
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Bruce Critchley | ... |
Dr. Smegburger
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Beverly D'Angelo | ... |
Pixie Chandler
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Aron Eisenberg | ... |
Tommy Chandler
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Danny Ferrington | ... |
Stealth Bomber Pilot
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Douchan Gersi | ... |
Thompson
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Francesca Hilton | ... |
Helene
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Barry Humphries | ... |
Bert / Lady Shopper / Manager
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Brion James | ... |
Salvador Dali / Sam
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Maxine John-James | ... |
Michelle / Mrs.McKenzie
(as Max John-James)
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Ruta Lee | ... |
Mrs. Poole
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Floyd Levine | ... |
Golf Partner
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Sharon Martin | ... |
Jenny Chandler
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Stephen McHattie | ... |
Dr. Egbert Drum
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Georges Mora | ... |
Children
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Madeleine Mora | ... |
Children
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Philippe Mora | ... |
Dr. Louis Blum
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Tilo Pander | ... |
Aerobics Instructor
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Aleks Shaklin | ... |
Dr. Zavenbrot
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Ron Soble | ... |
Pablo Picasso
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Barbara Stuart | ... |
Mrs. Seidel
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Eddi Wilde | ... |
Janensch
(as Eddie Wilde)
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Brad Wilson | ... |
Dick Chandler
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Moon Unit Zappa | ... |
Susie
(as Moon Zappa)
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Carmine Zozzora | ... |
Dr. Harold Harold
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Directed by
Philippe Mora |
Written by
Philippe Mora | ... | (written by) |
Produced by
Scott Billups | ... | co-producer |
Bruce Critchley | ... | producer |
Beverly D'Angelo | ... | associate producer |
Brion James | ... | associate producer |
Marc Lévy | ... | associate producer (as Mark Levy) |
Philippe Mora | ... | producer |
Karen Penhale | ... | line producer |
John Remark | ... | executive producer (as John F. Remark) |
Jay Rifkin | ... | executive producer |
Music by
Roy Hay |
Cinematography by
Walter Bal | ... | director of photography |
Editing by
Ross Guidici |
Editorial Department
Michael Dronge | ... | assistant editor |
Lois Trent-Bring | ... | negative cutter |
Deedee Valentine | ... | assistant editor |
Production Design by
Pamela Krause Mora |
Art Direction by
Marty Capune |
Set Decoration by
Susan Karmel | ... | (as Susan A. Karmel) |
Costume Design by
Reve Richards | ... | (as Rève Richards) |
Makeup Department
Jaremy Aiello | ... | prosthetics (as Jeremy Aiello) |
Elaine Alexander | ... | prosthetics |
Kevin Brennan | ... | prosthetics |
Jill Cady | ... | key hair stylist / key makeup artist |
William Czlapka | ... | prosthetics |
David Greathouse | ... | prosthetics |
Martina Kohl | ... | hair stylist / makeup artist |
Pamela Krause Mora | ... | makeup supervisor |
Brian Sipe | ... | prosthetics |
Pamela Krause Mora | ... | hair stylist supervisor (uncredited) |
Production Management
Karen Penhale | ... | unit production manager |
Second Unit Director or Assistant Director
Carla Brand Breitner | ... | second assistant director |
Karen Penhale | ... | first assistant director |
Sound Department
Slamm Andrews | ... | re-recording assistant |
Jane Boegel | ... | boom operator |
John H. Gilman | ... | production sound mixer (as John Gilman) |
Eric Hoeschen | ... | foley mixer |
Tyler Hubby | ... | sound editor |
LaNessa Phearson | ... | boom operator |
Doug Reed | ... | foley artist |
Melissa Sherwood Hofmann | ... | re-recording mixer (as Melissa S. Hofmann) / re-recording mixer |
Joey Siciliano | ... | boom operator (as Joseph Siciliano) |
Gregg Silk | ... | re-recording assistant (as Gregg W. Silk) |
Brian Slack | ... | supervising sound editor |
James Wright | ... | dolby consultant (as Jim Wright) |
Special Effects by
Scott Billups | ... | special effects supervisor |
Visual Effects by
Scott Billups | ... | director of digital productions |
Mark Lambert | ... | geometry meister |
Ed Lazor | ... | digital meister |
Becca Souder | ... | paint meister |
Camera and Electrical Department
Bruce Critchley | ... | still photographer |
Prince Cullum | ... | grip |
Roman Jakobi | ... | gaffer |
Joachim Jung | ... | electrician |
Ned Kendall | ... | second assistant camera |
Anthony T. Mazzola | ... | first assistant camera (as Anthony Mazzola) |
Lincoln Morrison | ... | additional photography |
Larry Mossing | ... | key grip |
Costume and Wardrobe Department
Missy Mosher | ... | set wardrobe |
Location Management
Marty Capune | ... | location manager |
Music Department
Steve Gurevitch | ... | score recording |
Alan Meyerson | ... | score mixer |
Steven M. Stern | ... | music editor (as Steven Stern) |
Hans Zimmer | ... | music kvetch |
Script and Continuity Department
Licia Wolf | ... | script supervisor |
Additional Crew
Jeanette Arveschoug | ... | production coordinator |
Chuck Atkins | ... | production assistant (as Charles Atkins) |
Lisa Ann Baer | ... | production assistant |
Jonathan Ball | ... | craft service |
Michael R. Blaha | ... | legal services |
Brett Born | ... | production assistant |
Casey Conroy | ... | production assistant |
Suzi Fellows | ... | production executive (as Suzanne Wilson-Fellows) |
Matthew K. Grigsby | ... | production assistant (as Matt Grigsby) |
Michael Hagemeyer | ... | production associate |
Ladonna Owens | ... | production assistant (as LaDonna Owens) |
Brant Rose | ... | production assistant |
Thanks
Ronald Berens | ... | special thanks |
Jali Chapeaurene Chapeaus | ... | special thanks |
Karyn Cooks | ... | special thanks |
David L. Corley | ... | special thanks |
Leigh Critchley | ... | special thanks |
Dhiren Fonseca | ... | special thanks |
Anthony Galliers-Pratt | ... | special thanks |
Gary Grossman | ... | special thanks |
Brigitta Gyllenheimer | ... | special thanks |
Mike Jamani | ... | special thanks |
Jim Kirsner | ... | special thanks |
Laura Kirsner | ... | special thanks |
Douglas Levin | ... | special thanks |
Jen Lin | ... | special thanks |
Gilda Marks | ... | special thanks |
Patrick McDowell | ... | special thanks |
Paul Power | ... | special thanks |
J. David Riva | ... | special thanks |
Brian Rix | ... | special thanks |
Jack Santry | ... | special thanks |
Joseph Taetle | ... | special thanks |
Jane Ubell | ... | special thanks |
Production Companies
Distributors
- Troma Team Video (1999) (United States) (VHS)
- Troma Team Video (2004) (United States) (DVD)
Special Effects
Other Companies
- Arrow Market (special thanks)
- Brasher Sound (foley services)
- Champions (special thanks)
- Cine Video (lighting/grip equipment)
- Ears Sound Design (post sound)
- Four Media Company (production laboratory)
- Hang Ten (special thanks)
- Media Ventures (re-recording at)
- Mi Casa Apartmenthomes (special thanks)
- Otto Nemenz International (camera equipment)
- Pony (special thanks)
- Ptero Pictures (production services)
- Ray-Ban (special thanks)
- Santa Monica Women's Medical Clinic (special thanks)
- Treasures from Afar (special thanks)
- View Point Digital Pictures (avid provided by)
- Woolworth (special thanks)
Storyline
Plot Summary |
Pixie is cursed with turning into a Pterodactyl when her husband is caught messing with bones on an ancient burial ground. Her husband, children, friends, and neighbours must come to terms with Pixie's new "look". Her only chance to return to her normal state is to find the shaman who inflicted the curse on her.
Written by Josh Pasnak |
Plot Keywords | |
Taglines | A perfect Beverly Hills housewife by day - a prehistoric flying reptile by night. See more » |
Genres | |
Parents Guide | View content advisory » |
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Did You Know?
Trivia | During an interview on the short-lived talk show Episode #1.2 (1993), it was revealed by Beverly D'Angelo that she was shooting this movie at the same time as Lightning Jack (1994), having combined the two schedules and using the time she had free on one movie to work on the other. See more » |
Movie Connections | Referenced in Doomed: The Untold Story of Roger Corman's the Fantastic Four (2015). See more » |
Soundtracks | Blue Martini See more » |
Crazy Credits | Final cast during end credits is listed in alphabetical order. See more » |