A cowardly boy, who buries himself in accident statistics, enters a library to escape a storm, only to be transformed into an animated illustration by the Pagemaster. He has to work through obstacles from classic books to return to real-life.
This is the story of a young boy named Richard Tyler, who spouts statistics about the possibility of accidents. So much so, he is scared to do anything that might endanger him, like riding his bike, or climbing into his treehouse. While riding his bike home, Richard finds shelter from a storm inside a nearby library. Richard slips and is knocked unconscious while exploring a rotunda in the library. Upon awakening, he is led on a journey through conflicts and events that resemble fictional stories, keeping him from finding the exit from the library.Written by
Anthony Pereyra <email@example.com>
With its curious mix of Time Bandits-like enchantment and plain sense of fun, The Pagemaster represents the least-annoying and most enjoyable contribution Culkin has made to the industry since Home Alone. This won't be the monster hit that movie was, but children venturing into The Pagemaster should be no less beguiled. Grownups who often feel insulted by the too-juvenile tone of most so-called "family features" will likely find this movie long enough to catch their attention, but short enough not to lose it -- in essence, a surprisingly affable (and occasionally even sophisticated) movie-going experience. Most importantly though- This film is even more relevant today 25 years on.
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