In Detroit, a lonely pop culture geek marries a call girl, steals cocaine from her pimp, and tries to sell it in Hollywood. Meanwhile, the owners of the cocaine, the Mob, track them down in an attempt to reclaim it.
Former musician and gunslinger El Mariachi arrives at a small Mexican border town after being away for a long time. His past quickly catches up with him and he soon gets entangled with the local drug kingpin Bucho and his gang.
Joaquim de Almeida
Mickey Knox and Mallory Wilson aren't your typical lovers - after killing her abusive father, they go on a road trip where, every time they stop somewhere, they kill pretty well everyone around them. They do however leave one person alive at every shootout to tell the story and they soon become a media sensation thanks to sensationalized reporting. Told in a highly visual style.Written by
Although famously distancing himself from the final film, director of photography Robert Richardson and Quentin Tarantino later became frequent collaborators, and as of 2018 made five films together. That constitutes half of Tarantino's filmography. See more »
Blood from a previous take is visible on the wall before the blood splatters on it when the cook is shot. See more »
Remember the last time you got fucked? What I want you to do is close your eyes, and remember the last time Mickey gave you the high hard one. You thinking about it? Good. Well you can forget it, 'cause it's never gonna happen again. Because when they get through with all the electroshock shit they got lined up for that cocksucker, ol' Mickey ain't gonna be worth a damn.
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The end credits are superimposed over a vast amount of stock footage, ranging from the future of Mickey and Mallory, stock A-Bomb tests, childhood photos of Mickey and Mallory, time-lapse footage, scenes from the movie, and so on. See more »
The Director's Cut features roughly 4 minutes of material removed from the theatrical version prior to release in order to get a R rating. Here are details of the additional scenes, in chronological order:
there are three additional shots in the pre-credits scene in the diner. The first is found when Mallory knocks Sonny (Richard Lineback) over the partition. In the theatrical cut, the scene immediately cuts to Sonny's friend (James Gammon) getting up out of his chair to intervene. But in the Director's Cut however, there is an additional shot of Mallory slamming Sonny's head into a table, and blood spraying across the surface of the table. Next, when Mickey slits Sonny's friend's stomach, there are three additional slashes not found in the theatrical cut. Lastly, as Mallory jumps up and down on Sonny's back, there is an additional shot of her grabbing his blood soaked head and pounding it into the ground;
the death of Ed Wilson (Rodney Dangerfield) has one additional shot as Wilson is leaning up against the wall prior to being dunked into the fish-tank, and Mickey hits him with the tire-iron across the back of the head;
as Mallory drives to the garage after arguing with Mickey about the hostage (Corinna Laszlo), there is a brief shot of Mickey raping the hostage in the motel room;
Jack Scagnetti's (Tom Sizemore) murder of Pinky (Lorraine Farris) contains an additional shot of Scagnetti with his hands around her throat and her struggling underneath him, whilst he keeps on saying to her, "I'm only kidding, I'm only kidding";
when Mickey kills the pharmacist (Glen Chin) at DrugZone, there are two additional shots; one showing the pharmacist's blood spraying onto the glass divide, the other showing the clerk falling to his knees and dying;
the scene where the police beat up Mallory outside the pharmacist contains a few extra shots of policemen punching her;
as Mickey attempts to kill the guards in the cell after the interview has been terminated, there are several additional shots showing members of Wayne Gale's (Robert Downey Jr.) crew being shot and killed;
after Mickey has taken control of the TV crew, he 'persuades' Kavanaugh (Pruitt Taylor Vince) to come with them by breaking his fingers;
the prison riot sequences contain numerous additional shots. Four particularly obvious ones are: a guard is shoved into a washing machine, which is then turned on; a guard has his head pushed in under a steam press; a guard is thrown into an industrial oven; a guard is flung from the top story of the prison;
the scene where Scagnetti sprays mace in Mallory's eyes is longer, with a more sustained spraying, whilst the guards hit her;
a tracking shot in a barber's during the riot show inmates slitting the throats of other inmates;
during the riot, the scene where the prisoner throws a stick of dynamite into a door way is extended; after the dynamite has been thrown, there is a shot of the explosion and a prisoner being flung from the room and rebounding off the wall;
in the scene where Mickey rescues Mallory from Jack Scagnetti, there are additional shots of the bullets hitting the guards;
there are more shots of Jack Scagnetti trashing about on the ground after being stabbed, prior to being shot;
when Mallory holds the gun to Scagnetti's head and asks him if he still wants her, in the theatrical version, she pulls the trigger immediately. In the Director's Cut, there is a shot of Scagnetti screaming;
as Mickey, Mallory, and the others flee Mallory's cell, they are ambushed, and Wayne Gale's crew is wiped out. In the theatrical version, little is seen of this, but in the Director's Cut, there are clear shots of his crew being gunned down, especially Julie (Terrylene), who is killed in slow motion;
during the standoff at the stairs, Dwight McClusky (Tommy Lee Jones) orders the guards to open fire at Mickey because Kavanaugh (Pruitt Taylor Vince), who Mickey is using as a shield, is already dead. In the theatrical version, when McClusky gives the order to fire, there is an awkward cut to Mallory holding Wayne Gale, and the guards never fire. In the Director's Cut, the guards open fire, riddling Kavanaugh's (still living) body with bullets.
after Mallory shoots Wayne Gale's hand, there is a brief shot through the hole created by the bullet, looking down at McClusky;
McClusky's death is far more explicit. After being dragged down from the gate by the inmates, in the theatrical version, we never see him again, but in the Director's Cut, after a moment, a prisoner raises a spear, with McClusky's severed head perched on top;
Wayne Gale's death scene is longer and includes more shots of the bullets hitting him;
numerous additional shots of the subliminal demons are scattered throughout the film.
There was a time when I used to respect Oliver Stone. That time has elapsed. This film is the equivalent of a XXX porno movie that's protesting XXX porno movies. I'm sure that many will disagree with me. And that's partly because this movie's point is not really clear. Everything in this movie is reflective of something else (i.e. "...it's violent because the world's violent, that's point..." ect. ect.)so any criticism against the film is pointless. A satire without a clear point amounts to a lot of sound and fury and that's exactly what this movie amounts to. But I'm sure critics will hail this film as a great satire of American pop culture. At the same time it will surely inspire disaffected or disgruntled people with revenge fantasies. I'm sure they'll find it Columbine-tastic.
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