In Detroit, a lonely pop culture geek marries a call girl, steals cocaine from her pimp, and tries to sell it in Hollywood. Meanwhile, the owners of the cocaine, the Mob, track them down in an attempt to reclaim it.
Mickey Knox and Mallory Wilson aren't your typical lovers - after killing her abusive father, they go on a road trip where, every time they stop somewhere, they kill pretty well everyone around them. They do however leave one person alive at every shootout to tell the story and they soon become a media sensation thanks to sensationalized reporting. Told in a highly visual style.Written by
Michael Madsen was initially considered for the role of Mickey, but Warner Brothers wanted somebody less intimidating, and with a softer persona, as they felt this might alleviate the brutality of the character somewhat. See more »
Leading up to the Super Bowl the number of victims that Mickey and Mallory murder change several times from fifty six to fifty seven to forty eight and other numbers in the deleted scenes and unrated cut. This might have been done deliberately by the film makers to give the killers the larger than life pop lore they wanted. See more »
At birth, I was cast into a flaming pit of scum forgotten by God.
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The end credits are superimposed over a vast amount of stock footage, ranging from the future of Mickey and Mallory, stock A-Bomb tests, childhood photos of Mickey and Mallory, time-lapse footage, scenes from the movie, and so on. See more »
The Director's Cut was originally released by Vidmark Video, after Warner Bros. refused to distribute it because of a company policy that won't allow them to release unrated or NC-17 rated tapes (the Director's Cut was unrated). The Warner Bros. logo was thus removed from the beginning of the film. However, in 2009, Warner Bros. did release their own edition of the Director's Cut, in which the logo was restored. See more »
Natural Born Killers is a disturbing film. It is a great film as well. Visually it looks great and between all that violence there is a message. Criticizing the influence of media with another form of media called film.
With a lot of cuts, strange camera angles, different colors, the kind of music and a lot of symbolism the sick world of mass murderers Mickey (Woody Harrelson) and Mallory (Juliette Lewis) is presented. And the sick world of how people react to their violence. Director Oliver Stone shows it to us with this satire in a great and really disturbing way.
Harrelson and Lewis hit the right tone for Mickey and Mallory. Tom Sizemore as a cop, Robert Downey Jr. as a journalist (representing the whole media) and especially Tommy Lee Jones as the prison warden are great too. Originally written by Quentin Tarantino, although he was not too happy with the result in the end, this is one of the best satires I have seen. May be it is not for everyone, the images are not always that nice, but the meaning must be for everyone.
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