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Natural Born Killers (1994)

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Two victims of traumatized childhoods become lovers and psychopathic serial murderers irresponsibly glorified by the mass media.

Director:

Oliver Stone

Writers:

Quentin Tarantino (story), David Veloz (screenplay) | 2 more credits »
Reviews
Popularity
821 ( 636)
Nominated for 1 Golden Globe. Another 5 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Woody Harrelson ... Mickey Knox
Juliette Lewis ... Mallory Knox
Tom Sizemore ... Det. Jack Scagnetti
Rodney Dangerfield ... Ed Wilson, Mallory's Dad
Everett Quinton Everett Quinton ... Deputy Warden Wurlitzer
Jared Harris ... London Boy
Pruitt Taylor Vince ... Deputy Warden Kavanaugh
Edie McClurg ... Mallory's Mom
Russell Means ... Old Indian
Lanny Flaherty ... Earl
O-Lan Jones ... Mabel
Robert Downey Jr. ... Wayne Gale
Richard Lineback ... Sonny
Kirk Baltz ... Roger
Ed White ... Pinball Cowboy
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Storyline

Mickey Knox and Mallory Wilson aren't your typical lovers - after killing her abusive father, they go on a road trip where, every time they stop somewhere, they kill pretty well everyone around them. They do however leave one person alive at every shootout to tell the story and they soon become a media sensation thanks to sensationalized reporting. Told in a highly visual style. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

In the media circus of life, they were the main attraction. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for extreme violence and graphic carnage, for shocking images, and for strong language and sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Navajo | Japanese

Release Date:

26 August 1994 (USA) See more »

Also Known As:

Asesinos por naturaleza See more »

Filming Locations:

Las Vegas, New Mexico, USA See more »

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Box Office

Budget:

$34,000,000 (estimated)

Opening Weekend USA:

$11,166,687, 28 August 1994, Wide Release

Gross USA:

$50,282,766
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Dolby Digital

Color:

Black and White | Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Robert De Niro and Juliette Lewis had worked together on Cape Fear (1991). When De Niro praised her work in the film, Lewis explained that she improvised most of her lines, which De Niro did not like. He admonished the young actress for disrespecting the film's writers. See more »

Goofs

When Mallory attacks Scagnetti in her cell and the guards rush to unlock it, you can clearly see it is at the end of a hallway (one guard pushes the other one out of the way as they both scramble to unlock it. But when Mickey reaches Mallory's 'cell' to rescue her, he enters two doors before where hers would be. See more »

Quotes

[McClusky tackles an inmate]
Dwight McClusky: Put him in F Block for a month, then bring him to see me!
Jack Scagnetti: Jesus Christ, Dwight. You could be on "American Gladiators".
Dwight McClusky: Thirty minutes a day, just shake and roll it... doesn't take much. Someone goes for you, you go right for the throat, Jack.
See more »

Crazy Credits

The end credits are superimposed over a vast amount of stock footage, ranging from the future of Mickey and Mallory, stock A-Bomb tests, childhood photos of Mickey and Mallory, time-lapse footage, scenes from the movie, and so on. See more »


Soundtracks

Judgement Day
Written and Performed by Diamanda Galás
Courtesy of Mute Records
by arrangement with Warner Special Products
See more »

Frequently Asked Questions

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User Reviews

 
Cinematic excellence
7 November 2004 | by TBJCSKCNRRQTreviewsSee all my reviews

I haven't seen too many Oliver Stone pictures; JFK, Scarface(which he wrote, not directed), and this one. I don't know too much about his directorial style, but if any of his other films are like this one, I'll have to watch more of them. The visual style is amazing. The whole film has sort of a psychedelic visual style, and utilizes constant cuts and constant change in color scheme, often changing between powerful green, blue, red and even black/white. Of course, none of this is random. It's there to project symbolism and keep the mood intense and constantly evolving, and, believe me, it works perfectly. With many references to popular media(television, mainly), demons and the desensitizing effect of television. The effect of half of the imagery being seen through a television screen or hallucinated is amazing. The film is experimental and psychological. As Stone puts it in the documentary, it's a film about two people breaking the rules, so it's only fitting that the film-makers are also breaking the rules. It's chaotic and wild, insane and mentally exhausting. It's a film about pain, violence and giving in to cravings and desires. But it in no way romanticizes the aforementioned three points. Quite the opposite. I believe someone once told me that the film makes killing and violence look appealing. I can't even explain how wrong that is. This truly is an amazing film. If you can sit through this, and you (honestly) think of yourself as perceptive and intelligent, you have to see this movie. It's not just recommended or a good idea to watch, it's mandatory for anyone that 'get' it. The plot is great and well-paced. It's never boring. The acting is great. The characters are well-written, credible and so easy to understand and sympathize with that many will hate the film for it. The whole film is amazing on so many levels. I recommend it to any person who believes himself or herself to be hardened and intelligent enough to sit through it, and, more importantly, understand it. I recommend you get the directors cut, as it keeps everything that the other released version cut off. Highly recommendable. 10/10


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