In Detroit, a lonely pop culture geek marries a call girl, steals cocaine from her pimp, and tries to sell it in Hollywood. Meanwhile, the owners of the cocaine, the Mob, track them down in an attempt to reclaim it.
Mickey Knox and Mallory Wilson aren't your typical lovers - after killing her abusive father, they go on a road trip where, every time they stop somewhere, they kill pretty well everyone around them. They do however leave one person alive at every shootout to tell the story and they soon become a media sensation thanks to sensationalized reporting. Told in a highly visual style.Written by
Although famously distancing himself from the final film, Director of Photography Robert Richardson and Quentin Tarantino later became frequent collaborators, and as of 2018 made five films together. That constitutes half of Tarantino's filmography. See more »
Several times during the Prison riot scenes people's weapons constantly reload 'magically' as no one (save Mickey) is ever seen to be reloading their weapons, nor even seen to be procuring shells or magazines from the bodies of guards, yet they still continue to fire. Again, this comes from reading the film too literally; the riot is not supposed to be taken as a realistic depiction of a riot. See more »
Mister rabbit says, "A moment of realization is worth a thousand prayers."
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The end credits are superimposed over a vast amount of stock footage, ranging from the future of Mickey and Mallory, stock A-Bomb tests, childhood photos of Mickey and Mallory, time-lapse footage, scenes from the movie, and so on. See more »
The Director's Cut was originally released by Vidmark Video, after Warner Bros. refused to distribute it because of a company policy that won't allow them to release unrated or NC-17 rated tapes (the Director's Cut was unrated). The Warner Bros. logo was thus removed from the beginning of the film. However, in 2009, Warner Bros. did release their own edition of the Director's Cut, in which the logo was restored. See more »
From director Oliver Stone comes this flashy but frustratingly uneven and unfocused story of a sadistic, recently married couple who brutally butcher random people across the United States as part of their honeymoon. Their heinous acts and eventual apprehension attract the attention of the media and interested viewers all over the world, but instead of punishing them they would prefer to tell their life story. Well-crafted film holds your interest by making social points that are poignant, provocative, at times even satirical, but alas, they're set in the midst of noisy and excessive action scenes that are relentless and headache-inducing, not to mention extremely violent. Cast is good, especially Harrelson and Lewis who make a good match, but they need much more sturdy direction. **
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