Lewis is a young Sydney amateur theater director at his first experience: he is offered a job with a Governmental program for the rehabilitation of mentally ill patients in a Sydney ... See full summary »
Against the background of an Australian desert, Sandy, a geologist, and Hiromitsu, a Japanese businessman, play out a story of human inconsequence in the face of the blistering universe. ... See full summary »
Strait-laced Rose breaks off relations with her party girl sister, Maggie, over an indiscretion involving Rose's boyfriend. The chilly atmosphere is broken with the arrival of Ella, the grandmother neither sister knew existed.
A mob mix-up in Chicago sends two chanteuses screaming for L.A., where they score a perfect gig: posing as drag queens on the dinner theater/cabaret circuit. Things get extra-weird when a guy falls for one of the girls.
Muriel finds life in Porpoise Spit, Australia dull and spends her days alone in her room listening to ABBA and dreaming of her wedding day. A slight problem is she never had a date. Then she steals some money to go on a tropical vacation, meets a wacky friend, changes her name to Mariel, and turns her world upside down.Written by
When Muriel is trying on a wedding dress in the shop, and is admiring it in the full-length mirror, to the right in the mirror, you can clearly see a crewmember standing there, before quickly darting out of the reflection. See more »
The theatrical release clearly showed a woman dressed as Wonder Woman and a man dressed as Robin during the talent show scene when Muriel and Rhonda are presented with the over-sized check and champagne. In the DVD/video release, Robin is only partly shown and Wonder Woman is not shown at all. See more »
Quirky, Uneven Film with Outstanding Lead Performances
The film has a biting satiric edge to it & offers a refreshingly unsentimental, non-judgmental portrait of a young woman deemed a loser by both "friends" and family. Toni Collette is magnificent as Muriel, capturing the character's wide range of emotions, from the oblivious to the gushingly enthusiastic. Collette is solidly paired with Rachel Griffith; the two come across as long-time buddies. The open-faced surrealistic sarcasm of the film is in key places undermined by melodramatic tragedies (reminding me of the turkey "Terms of Endearment"), but at least these solemn moments are treated in an un-Hollywood, non-mawkish fashion. This is a fascinating, memorable film.
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