Simon Yam plays a former big city cop who had a very bad experince with an AK-47. So he's been assigned duty on one of the Hong Kong Islands as a police chief of a small village. He spends m... Read allSimon Yam plays a former big city cop who had a very bad experince with an AK-47. So he's been assigned duty on one of the Hong Kong Islands as a police chief of a small village. He spends most of his time drinking beer and smoking hash while daydreaming. But when a group of thug... Read allSimon Yam plays a former big city cop who had a very bad experince with an AK-47. So he's been assigned duty on one of the Hong Kong Islands as a police chief of a small village. He spends most of his time drinking beer and smoking hash while daydreaming. But when a group of thugs armed with AK-47's and .45's invade his terrain, he must over come his fear of that weap... Read all
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The first third of this movie or so is absolute insanity. Not in an over the top good way, but in terms of absolute incoherence. Hard as I tried, I couldn't get more than a rudimentary grip on what was going on. Maybe the literally dozens of characters who we're supposed to magically know one thing or another about as they're paraded in and out of scenes with no real rhythm or reason had something to do with it. It kind of felt like one of those 70's chop socky Kung-Fu flicks where two movies were edited together to make one very confusing and usually crappy film.
Thankfully, the cinematic epileptic seizure ended eventually and the movie started to slowly but surly got itself together. Don't get me wrong, it's by no means great or even solid in my opinion, but it crawled out of the hole it was in.
Incoherent plot, villains with next to no motivation, sub-par acting, shoddy fight scenes, a few near comical scenes in a movie that's supposed to be the epitome of nihilism (A guy blocking bullets with two bricks in the middle of a huge firefight where innocent people are being killed by the dozen) and a "hero" who is too cowardly and incompetent. I can understand him being crippled by his fear... But come on... It gets asinine when the film makers literally rub your face into that fact constantly.
Speaking of incompetence, every "hero" in this film is incompetent. It was almost funny at times. They set elaborate death traps for the villains, and then innocent people are killed in them. Whoops! Didn't seem to be a very big deal either.
Ah, how did I forget this until now... The subtitles are the absolute worst I have ever seen. Peroid. Look at some of the other films I've reviewed and you'll see I'm no stranger to foreign films. They're almost all I watch, so it's not like I'm a stranger to bad subtitles... But this movie... My god. It literally looks like an eight year old did them. Sentences, a good majority of the time, are completely and totally incomprehensible. That coupled with the good sum of this movie being already very confusing, and you've got a cinematic peyote trip. I kid you not. You'll laugh out loud at some of the insane subtitles.
But, it wasn't all bad. It's far from the worst CAT III film out there. Had some scenes which mounted tension nicely, some good squibs, a very mean edge to the whole affair... It just could of been a whole lot more if there was some actual direction in the project.
That's my two cents. Spend them wisely! A 6, maybe a 6.5 out of 10 if I was feeling generous.
Highly recommended film. It's very never wracking and realistic. Unlike most of the category III genre.
The film seems to be made with pretty large budget because the film doesn't seem dull or low budgeted. The film looks very gorgeous because the camera angles and movements are very inventive and the director is definitely a talented one. The shadows and sunbeams in the forest look magnificent and the film is very beautiful at times. Also, the action scenes are over the top well made with incredible editing and feel of danger. It is incredible what these Oriental film makers can make with edits and fierce use of camera. Even mediocre films from Hong Kong are exciting to watch because of the intensity of the films and originality when compared to Western movies. So even though this film is pointless in my opinion, it is still very great viewing experience because of the visuality and creativity of the film.
The violence is brutal and often off putting, and these things would never be shown in American movies or mainstream movies. There is one particular stabbing scene in this film that is very disturbing and I could actually feel the blade going into my flesh and inside the back. This film can be recommended only for experienced viewer and fans of challenging Oriental cinema. In fact, this is one of the most violent films I've witnessed for a some time. I wonder how this film succeeded in box office. I've read couple of reviews and all the reviewers hated this and gave it as bad ratings as possible. This is pretty hard to like because the imagery is so off putting and there are no particular explanations for the mayhem we see. The tone is little apocalyptic but there definitely should have been some point or message in this film. But due to wonderful look of the film, this is not a bad film, it is just empty in content.
Simon Yam is pretty wimpy here and fans of his won't tolerate it. He is not hero here or not even psycho. He is guided by a strong female character who tries to help Yam get over his traumas. The way, how they kill the main gangster at the end, is again something that can be found in HK cinema only. Over the top is perhaps the right phrase to describe the finale, and also the whole movie. The film runs also pretty long (approximately 110 minutes, I think) but I didn't feel myself bored because the film has all the time something going on, and there are no chances to rest or take a breath. This is pretty much like the superb Big Heat (by Andrew Kam and Johnnie To), without its message and infernal tone. But as a "mayhem films", these two are pretty close to each other, and as achievements of "mayhem cinema" these two films are pretty unmatchable and only seldom equaled. Just watch some Die Hard and compare it to Big Heat, A Day Without Policeman, Long Arm of the Law or Full Contact and you'll see what is the difference between Eastern and Western film makers and contents in their films.
I give a Day Without Policeman 7 out of 10 due to the visual style and the non-stop, brutal, grisly and horrific nature, action and insanity presented in the film. Unforgettable, but many will only hate this for the reasons described and mentioned above. This would have probably been one of the greatest achievements in Hong Kong action cinema ever, if they only had added some point, theme and message here. But as I mentioned, I'm not disappointed, even though this is not a masterpiece like the mentioned Big Heat, for instance.
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