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The Mask (1994)

PG-13 | | Comedy, Fantasy | 29 July 1994 (USA)
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Bank clerk Stanley Ipkiss is transformed into a manic superhero when he wears a mysterious mask.

Director:

Chuck Russell (as Charles Russell)

Writers:

Michael Fallon (story), Mark Verheiden (story) | 1 more credit »
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484 ( 228)
Nominated for 1 Oscar. Another 6 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jim Carrey ... Stanley Ipkiss
Peter Riegert ... Lt. Mitch Kellaway
Peter Greene ... Dorian
Amy Yasbeck ... Peggy Brandt
Richard Jeni ... Charlie Schumaker
Orestes Matacena ... Niko
Tim Bagley ... Irv (as Timothy Bagley)
Nancy Fish ... Mrs. Peenman
Johnny Williams ... Burt
Reg E. Cathey ... Freeze (as Reginald E. Cathey)
Jim Doughan Jim Doughan ... Doyle
Denis Forest ... Sweet Eddy
Cameron Diaz ... Tina Carlyle
Joseph Alfieri ... Police Officer
B.J. Barie B.J. Barie ... Alley Punk #1
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Storyline

Stanley Ipkiss (Jim Carrey) is a bank clerk that is an incredibly nice man. Unfortunately, he is too nice for his own good and is a pushover when it comes to confrontations. After one of the worst days of his life, he finds a mask that depicts Loki, the Norse night god of mischief. Now, when he puts it on, he becomes his inner, self: a cartoon romantic wild man. However, a small time crime boss, Dorian Tyrel (Peter Greene), comes across this character dubbed "The Mask" by the media. After Ipkiss's alter ego indirectly kills his friend in crime, Tyrel now wants this green-faced goon destroyed. Written by Ian Pugh <skypilot@ezaccess.net>

Plot Summary | Plot Synopsis

Taglines:

From zero to hero See more »

Genres:

Comedy | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for some stylized violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | Swedish

Release Date:

29 July 1994 (USA) See more »

Also Known As:

Maska See more »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$23,117,068, 31 July 1994

Gross USA:

$119,938,730

Cumulative Worldwide Gross:

$351,583,407
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (workprint)

Sound Mix:

DTS | Dolby (Dolby Stereo)| Dolby Digital (Dolby 5.1)

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Jim Carrey bears a strong resemblance to Dick York who also played a mild banker in The Twilight Zone: A Penny for Your Thoughts (1961). See more »

Goofs

Dorian's limousine changes from a Cadillac to a Mercury and back to a Cadillac when he captures Tina and they travel to the club. See more »

Quotes

Lieutenant Mitch Kellaway: Drop it, Tyrell!
Dorian Tyrell: Hey, Kellaway!
Lieutenant Mitch Kellaway: Drop it!
Dorian Tyrell: A'right.
[drops gun]
Dorian Tyrell: So, you got a warrant this time? Or'd you just stop by for a nightcap?
Lieutenant Mitch Kellaway: What I got is probable cause. A couple of your boys was spotted knocking over Edge City Bank.
Dorian Tyrell: [to Doyle] Easy, junior, you're giving me a Woody.
Lieutenant Mitch Kellaway: And one of 'em was wearing a big green mask.
Dorian Tyrell: You know, for once, Kellaway, you're right. Except it wasn't one of my boys. Maybe if you tried a little actual police work...
[...]
See more »

Crazy Credits

When all the credits have finished some jazz drumming is heard. Then the familiar sounds of The Mask are heard saying "Yo-ho-ho-ho" (in a very drawn voice) then the sound of The Mask spinning away is heard straight after. See more »

Alternate Versions

New Line Home Video released a "Family Edited Edition" on VHS. This PG version has some obscenities and profanities removed. See more »


Soundtracks

Bounce Around
Written by Dwayne Wiggins, Raphael Wiggins, and Timothy Riley
Performed by Tony! Toni! Toné! (as Tony, Toni, Tone)
Courtesy of Wing/Mercury Records
A Division of Polygram
See more »

Frequently Asked Questions

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User Reviews

 
How to cast Jim Carrey
19 December 1999 | by SpleenSee all my reviews

It's hard to use Jim Carrey in a movie. He's very good at his rapid-fire mimicry routine, but how can it ever be anything other than a diversion from both character and story? (Very rarely is it a pleasant diversion. `Ace Ventura' was unendurable.) And yet, what else can you do with him?

The `Mask' solves the problem so neatly it almost cheats. The story is ABOUT someone with a double life - so by day, Carrey does all the character and story stuff, and by night, wearing the mask, he does his stand-up schtick. The two are as integrated as they need to be. It's pulled off with such an air of innocence I can't possibly complain. SOME of the clichés (those to do with the police especially) are so very worn out that even the most thorough of movie-goers is surprised to find them still alive; but the writer seems to have been honestly unaware that they were clichés, so that's okay.

I was told that the film is saturated with animation in-jokes. I couldn't spot very many. Stanley-with-the-mask has the soul of a Tex Avery cartoon character: I suspect that's all there is to it. The computer animation, or the computer-enhancement of Carrey's animation, is tastefully done. It never looks pasted over the top of the footage the way so much computer animation does. (`The Mask' failed to win an Oscar in the special effects category - like so many other more deserving films, it was beaten by `Forrest Gump'.) The Cuban dance numbers are irresistible, as is Stanley's pet dog. Sure, `The Mask' is no masterpiece, but it's a clever, charming film that richly deserved its runaway success.


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