Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
After her father, mother, older sister and little brother are killed by her father's employers, the 12-year-old daughter of an abject drug dealer is forced to take refuge in the apartment of a professional hitman who at her request teaches her the methods of his job so she can take her revenge on the corrupt DEA agent who ruined her life by killing her beloved brother.Written by
J. S. Golden
Luc Besson: in the "International Cut", he's the guy shooting back at Léon and Mathilda, who Léon kills by using the 'ring trick'. See more »
When Leon tells Mathilda, at the very end, to "grab the ax off the wall", when she opens the glass door, you can see the director Luc Besson's reflection in the glass, behind the camera filming her. See more »
Allora, come stai, Leone?
[Tony puts out his cigarette in an ashtray]
OK. OK. Let's talk business.
See more »
Under the "SPECIAL THANKS" heading you will find: Chevalier KAMEN (Prince of the Mash Potatoes) Byblos Bill (King of Saint Tropez) Princess Trudy (Queen of Hearts) See more »
When I first watched this film at the cinema, I wasn't aware of IMDb. I've since watched it probably 4 or 5 times, and have recently bought the Directors Cut. Having used IMDb a lot recently, I checked out Leon. It was kind of heart warming, having a great deal of my memories of this movie from the previous 15 years being revisited upon me so eloquently whilst reading the comments.
It is a glorious film. One that I've not been able to forget for all the best reasons. I think you could probably choose any sub category art that forms a movie i.e., editing or cinematography, and you'd be hard pushed to find fault.
What makes this film Extra Special however, is the emotional 'ballet' taking place throughout the film.
My emotions were pretty much assaulted by a gang of joy/sadness/hate/fearful anticipation/love/empathy/shock/horror/hope.
It's one of those films.
I adored/respected/loved Leon (I still watch nearly every film with Jean Reno in).
I fell in love with Matilda. I've watched everyone of Natalie Portman's films since too.
I was already a fan of Gary Oldman. This film just added extra glue to that bond. He made a brilliant sociopath, in direct contrast to Leon's (anti-)sociopath.
I occasionally feel for a character (or two if it's a great romance), but it's very rare for me to be drawn into three so very different people's intimate lives so easily.
It's a shame there are too few films of this calibre.
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