Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
After her father, mother, older sister and little brother are killed by her father's employers, the 12-year-old daughter of an abject drug dealer is forced to take refuge in the apartment of a professional hitman who at her request teaches her the methods of his job so she can take her revenge on the corrupt DEA agent who ruined her life by killing her beloved brother.Written by
J. S. Golden
A perfect assassin. An innocent girl. They have nothing left to lose except each other. He moves without sound. Kills without emotion. Disappears without trace. Only a 12 year old girl... knows his weakness. See more »
In a 2014 Playboy interview, Gary Oldman said his screaming of the now iconic line 'Bring me everyone!' was improvised to make director Luc Besson laugh "in previous takes, I'd just gone, "Bring me everyone," in a regular voice. But then I cued the sound guy to slip off his headphones, and I shouted as loud as I could." The yelled take is the one used in the film. See more »
When Matilda burns the drugs using alcohol as an accelerant, it burns with a bright orange flame. Alcohol burns with a light blue flame that is nearly invisible in bright light. See more »
Allora, come stai, Leone?
[Tony puts out his cigarette in an ashtray]
OK. OK. Let's talk business.
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Under the "SPECIAL THANKS" heading you will find: Chevalier KAMEN (Prince of the Mash Potatoes) Byblos Bill (King of Saint Tropez) Princess Trudy (Queen of Hearts) See more »
When I first watched this film at the cinema, I wasn't aware of IMDb. I've since watched it probably 4 or 5 times, and have recently bought the Directors Cut. Having used IMDb a lot recently, I checked out Leon. It was kind of heart warming, having a great deal of my memories of this movie from the previous 15 years being revisited upon me so eloquently whilst reading the comments.
It is a glorious film. One that I've not been able to forget for all the best reasons. I think you could probably choose any sub category art that forms a movie i.e., editing or cinematography, and you'd be hard pushed to find fault.
What makes this film Extra Special however, is the emotional 'ballet' taking place throughout the film.
My emotions were pretty much assaulted by a gang of joy/sadness/hate/fearful anticipation/love/empathy/shock/horror/hope.
It's one of those films.
I adored/respected/loved Leon (I still watch nearly every film with Jean Reno in).
I fell in love with Matilda. I've watched everyone of Natalie Portman's films since too.
I was already a fan of Gary Oldman. This film just added extra glue to that bond. He made a brilliant sociopath, in direct contrast to Leon's (anti-)sociopath.
I occasionally feel for a character (or two if it's a great romance), but it's very rare for me to be drawn into three so very different people's intimate lives so easily.
It's a shame there are too few films of this calibre.
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