A musical based on the New York City newsboy strike of 1899. When young newspaper sellers are exploited beyond reason by their bosses they set out to enact change and are met by the ruthlessness of big business.
Mia Thermopolis has just found out that she is the heir apparent to the throne of Genovia. With her friends Lilly and Michael Moscovitz in tow, she tries to navigate through the rest of her sixteenth year.
Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
Louisa May Alcott's autobiographical account of her life with her three sisters in Concord, Massachusetts in the 1860s. With their father fighting in the American Civil War, sisters Jo, Meg, Amy and Beth are at home with their mother, a very outspoken women for her time. The story tells of how the sisters grow up, find love and find their place in the world.
It remains a mystery why this movie was rated PG and not G. The MPAA description describes "two scenes of strong language"; but there are no swears in this movie; or anything that is not appropriate to a family audience. Rumor has it the studio pressured the MPAA to rate this PG for box office and marketing reasons; so this could be sold to a girl teenage audience; so the MPAA complied; even though this is obviously a G rated movie. (Curiously, the 2018 version of Little Women was also rated PG-13; but that had a scene of a woman given birth topless from behind). See more »
When Laurie spots Amy painting in Europe, he drops his
cigarette twice. See more »
Leïla! Leïla! Dieu puissant
from opera "Les pêcheurs de perles", Acte 2. No 9
Composed by Georges Bizet
Performed by Barbara Hendricks and John Aler with Orchestre du Capitole de Toulouse
Conducted by Michel Plasson
Courtesy of EMI Classics
Under license from CEMA Special Markets
(P) 1989 EMI Pathé Marconi S.A. See more »
There are many, many reasons why I love this version of Little Women. The main one - or at least the most immediate - is the way the film looks. I love the soft lighting, the hair and costumes (I was astounded this year when I bought the DVD to hear on the commentary that Winona Ryder's hair was not her own but a wig! I never would have guessed it at all.) The male characters as much as the females, I do love the period costumes, and I'm impressed by the efforts the wardrobe department made to get everything so accurate. The girls were in impoverished circumstances, so the clothes they wear aren't new and look just as though they've been handed down from one sister to another.
There are a few subtle touches in this film that I sometimes find a bit jarring, such as when Marmee is talking with John Brooke in front of Meg and mentions her disagreement with the idea of women wearing restrictive corsets, but that is really the only bit that I don't feel is quite right, and it is there to demonstrate Marmee's liberal attitude.
I love the way the characters interact, although there perhaps isn't enough demonstration of why Laurie and old Mr. Laurence disagree. Jo and Amy act just like real sisters - they fight and provoke each other into arguments and disputes, and generally have a chance to make little digs at the other. Meg is the pretty - but yet also virtuous - one, and clearly the most socially at ease with the upper classes of the time, for instance reminding Jo "Don't shake hands with people. It isn't the thing any more", and in the end - although she has to wait for a period of time that would seem endless today before marrying the man she loves - she opts for a poorer but obviously happier life. It would be very easy to simply say that Beth is not given anything dramatic or interesting to do, but that is the whole point of her character. She watches those around her do great and exciting things, and there is a sense that she herself is happy with that. Susan Sarandon's Marmee clearly holds this family together - the ideal mother figure, she is comforting, incredibly wise (I wonder if anyone has ever met anyone with all the wisdom she seems to have) and always on hand to encourage her girls in their quest to do as they please.
The male characters are also interesting. John Brooke is stable and compassionate and sensible. Laurie (also known as Teddy just occasionally) can be quite an intense figure and I was amazed to find that Christian Bale was only about twenty when this film was released. It is as interesting to see the changes his personality goes through as it is to see those the girls go through. The Professor is a slightly unorthodox character and yet he complements Jo perfectly.
I have watched this film many, many times now (so many, in fact, that I have sometimes been known to say the lines along with the characters as they say them) and I know I will watch it many more times in the future. It might perhaps be a bit of a holiday film but it's certainly worth watching for the feel-good factor it generates.
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