A musical based on the New York City newsboy strike of 1899. When young newspaper sellers are exploited beyond reason by their bosses they set out to enact change and are met by the ruthlessness of big business.
A modern retelling of Louisa May Alcott's classic novel, we follow the lives of four sisters - Meg, Jo, Beth, and Amy March - detailing their passage from childhood to womanhood. Despite ... See full summary »
Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
Mia Thermopolis has just found out that she is the heir apparent to the throne of Genovia. With her friends Lilly and Michael Moscovitz in tow, she tries to navigate through the rest of her sixteenth year.
Louisa May Alcott's autobiographical account of her life with her three sisters in Concord, Massachusetts in the 1860s. With their father fighting in the American Civil War, sisters Jo, Meg, Amy and Beth are at home with their mother, a very outspoken women for her time. The story tells of how the sisters grow up, find love and find their place in the world.
The soldiers' uniforms in the various party scenes have both stripes on the sleeves and shoulder boards. In reality, stripes on the sleeves denote an enlisted man, and shoulder boards denote an officer. They are thus mutually exclusive and both would not have been worn by the same individual. See more »
You don't need scores of suitors. You need only one... if he's the right one.
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Leïla! Leïla! Dieu puissant
from opera "Les pêcheurs de perles", Acte 2. No 9
Composed by Georges Bizet
Performed by Barbara Hendricks and John Aler with Orchestre du Capitole de Toulouse
Conducted by Michel Plasson
Courtesy of EMI Classics
Under license from CEMA Special Markets
(P) 1989 EMI Pathé Marconi S.A. See more »
Though some may argue that the older classic versions of Little Women with Katherine Hepburn and June Allison may be better because it sticks to the book, this is the only version that captures the spirit of the book.
Though the filmmakers took license to cut away certain specifics, the end result is an absolutely gorgeous film that stands on it's own completely. One would be able to watch this film without ever having read or known the book and seen it as it's own film.
The film thrives on small scenes and nuances, moments of person to person contact, production design and cinematography, the all important score (which adds a great deal to the film). This delicate and complicated symbiosis between all aspects tactfully and poignantly creates the story, something missing from many movies these days which creates a tangible and effervescent emotional layer. Then the acting of one of the best ensembles to hit the screen in a long time. Keep an eye out for Susan Sarandon and Claire Daines in roles that ought to have been nominated along with Ryder. These actors create people that endear themselves to us, and make the film even more than it could have been.
It's a small scale masterpiece that will leave you in tears. The film is honest and true in it's portrayal of human emotion. It went from being an adaptation of the book to it's own story and portrayal of people and their lives. It's beautiful aesthetically and dramatically, and a real gem of a film.
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