A young boy is bequeathed the ownership of a professional baseball team.A young boy is bequeathed the ownership of a professional baseball team.A young boy is bequeathed the ownership of a professional baseball team.
- Awards
- 2 nominations total
Featured reviews
If the story of Andrew Scheinman's Little Big League were ever to come true, and an eleven-year-old boy through some circumstance managed to inherit a baseball team and the stadium they play in, the results would likely look similar to this film. That's certainly saying something, given the fact that Little Big League is a PG- rated film set in the 1990's, and one would ostensibly assume it would be full of mediocre comedic value and redundant gags about an eleven-year-old, well, inheriting a baseball team and their stadium.
Through miraculously gifted and careful writing by Gregory K. Pincus, and sensitive but firm direction by Scheinman, Little Big League surprises with its level of competence and maturity about this cockamamie idea. It takes itself about as seriously as its eleven-year-old protagonist takes the game of baseball, and not in the way where groans are induced, and doesn't settle for cheap humor that is forgotten as soon as the credits roll. It takes a fantasy and sketches it in reality, providing a "what if?" tale almost believable enough to encourage young kids and fill them with optimism about them owning their favorite sports team.
The film concerns Billy Heywood (Luke Edwards), who lives with his single-mother Jenny (Ashley Crow) and possesses an infinity and vast understanding of baseball. The love for the game is pushed along in an encouraging manner by Thomas Heywood (Jason Robards), Billy's grandfather who owns the Minnesota Twins team and their ballpark. When his grandfather dies, Billy views a filmed will that turns the team and ballpark over to him, despite his young age and lack of business experience. Billy replies to this by saying in a heartbreaking tone, "I'd rather have my grandfather."
It isn't long before Billy becomes the center of attention, at school, in public, and in the neighborhood, as the youngest team owner in the history of sports. Billy must manage to bring the average Minnesota Twins up to commendable playoff level, connecting with Twins players Lou Collins (Timothy Busfield) and Jerry Johnson (Duane Davis), his personal idol, while also learning more about the game than he thought he could by viewing it up close. The downside to all of this is, inevitably, as the owner, Billy must make tough managerial decisions, and through that makes the mistakes that even the adult owners do. However, in a motivational speech that avoids the trappings of sentimentality, talks about how even when the chips are down that a player shouldn't lose their direction. "Who cares?," he replies when the ideas of striking out or making an error are suggested, and all is forgiven if the love of the game can still be embraced by its players. After all, "baseball was made for kids; it's the grownups who screwed it up," Billy states at one point in the film.
Little Big League was released in the summer of 1994, about a year after another baseball film for kids hit the scene, Rookie of the Year. The latter received a great deal of recognition and financial success, while Little Big League found itself more-or-less eclipsed by an overblown genre and a more serious story, failing to resonate with an audience until years after its release. This is an understandable shame, as while both Little Big League and Rookie of the Year bear narratives that occasionally intersect or merge in my mind, the latter is far more littered with crude humor and mawkishness that fails to impress on the thematic level of its successor.
There may not be a lot in Little Big League for a lot of adults, who miss the numbers crunching and the business look at baseball, but there is a serene little spark of magic that shines through the film and its ideas about a kid taking a boatload of responsibility all at once and handling it to the best of his abilities. It's a quietly positive film, but a boldly realistic one all the more, which makes it a commendable exercise in a tired genre.
Starring: Luke Edwards, Ashley Crow,, Timothy Busfield, John Ashton, and Kevin Dunn. Directed by: Andrew Scheinman.
Through miraculously gifted and careful writing by Gregory K. Pincus, and sensitive but firm direction by Scheinman, Little Big League surprises with its level of competence and maturity about this cockamamie idea. It takes itself about as seriously as its eleven-year-old protagonist takes the game of baseball, and not in the way where groans are induced, and doesn't settle for cheap humor that is forgotten as soon as the credits roll. It takes a fantasy and sketches it in reality, providing a "what if?" tale almost believable enough to encourage young kids and fill them with optimism about them owning their favorite sports team.
The film concerns Billy Heywood (Luke Edwards), who lives with his single-mother Jenny (Ashley Crow) and possesses an infinity and vast understanding of baseball. The love for the game is pushed along in an encouraging manner by Thomas Heywood (Jason Robards), Billy's grandfather who owns the Minnesota Twins team and their ballpark. When his grandfather dies, Billy views a filmed will that turns the team and ballpark over to him, despite his young age and lack of business experience. Billy replies to this by saying in a heartbreaking tone, "I'd rather have my grandfather."
It isn't long before Billy becomes the center of attention, at school, in public, and in the neighborhood, as the youngest team owner in the history of sports. Billy must manage to bring the average Minnesota Twins up to commendable playoff level, connecting with Twins players Lou Collins (Timothy Busfield) and Jerry Johnson (Duane Davis), his personal idol, while also learning more about the game than he thought he could by viewing it up close. The downside to all of this is, inevitably, as the owner, Billy must make tough managerial decisions, and through that makes the mistakes that even the adult owners do. However, in a motivational speech that avoids the trappings of sentimentality, talks about how even when the chips are down that a player shouldn't lose their direction. "Who cares?," he replies when the ideas of striking out or making an error are suggested, and all is forgiven if the love of the game can still be embraced by its players. After all, "baseball was made for kids; it's the grownups who screwed it up," Billy states at one point in the film.
Little Big League was released in the summer of 1994, about a year after another baseball film for kids hit the scene, Rookie of the Year. The latter received a great deal of recognition and financial success, while Little Big League found itself more-or-less eclipsed by an overblown genre and a more serious story, failing to resonate with an audience until years after its release. This is an understandable shame, as while both Little Big League and Rookie of the Year bear narratives that occasionally intersect or merge in my mind, the latter is far more littered with crude humor and mawkishness that fails to impress on the thematic level of its successor.
There may not be a lot in Little Big League for a lot of adults, who miss the numbers crunching and the business look at baseball, but there is a serene little spark of magic that shines through the film and its ideas about a kid taking a boatload of responsibility all at once and handling it to the best of his abilities. It's a quietly positive film, but a boldly realistic one all the more, which makes it a commendable exercise in a tired genre.
Starring: Luke Edwards, Ashley Crow,, Timothy Busfield, John Ashton, and Kevin Dunn. Directed by: Andrew Scheinman.
I thought this was a perfectly nice family film and almost canned it after the first 15 minutes, but I was glad I didn't because it turned to be a good movie.
The first 15 minutes including two GDs by Dennis Farina and some uncalled-for vulgarity by Jason Robards, but everything settled down after those two exited the film soon after and it wound up being a "cute" baseball movie and very impressive in its realism.
The last comment about "realism" was the most impressive aspect of the film to me. I had grown up seeing every baseball movie and never seeing any actors who knew what they were doing until Kevin Costner came along with his "Field Of Dreams" (and later with "For Love Of The Game"). So I appreciate the more modern-era of movie-making where at least we see actors who can throw and hit. This movie is about as close to seeing real baseball as you're going to get: very realistic diamond action.
The story was outlandish - an 11-year-old managing a Major League baseball team, but the baseball was so good and a good mix of comedy and drama made it turn out to be a satisfying film to watch. There are some nice shots of Fenway Park and Yankee Stadium in here, too.
Luke Edwards, as the kid, was just fine and a kid you could root for, not a wise- guy. He was aided by adults John Ashton and Timothy Busfeld. This is a nicer role for Ashton ("Midnight Run") and Busfeld, couldn't have played a more likable ballplayer. He was great to watch.
This a good film for adults, not just kids, and especially if you enjoy baseball.
The first 15 minutes including two GDs by Dennis Farina and some uncalled-for vulgarity by Jason Robards, but everything settled down after those two exited the film soon after and it wound up being a "cute" baseball movie and very impressive in its realism.
The last comment about "realism" was the most impressive aspect of the film to me. I had grown up seeing every baseball movie and never seeing any actors who knew what they were doing until Kevin Costner came along with his "Field Of Dreams" (and later with "For Love Of The Game"). So I appreciate the more modern-era of movie-making where at least we see actors who can throw and hit. This movie is about as close to seeing real baseball as you're going to get: very realistic diamond action.
The story was outlandish - an 11-year-old managing a Major League baseball team, but the baseball was so good and a good mix of comedy and drama made it turn out to be a satisfying film to watch. There are some nice shots of Fenway Park and Yankee Stadium in here, too.
Luke Edwards, as the kid, was just fine and a kid you could root for, not a wise- guy. He was aided by adults John Ashton and Timothy Busfeld. This is a nicer role for Ashton ("Midnight Run") and Busfeld, couldn't have played a more likable ballplayer. He was great to watch.
This a good film for adults, not just kids, and especially if you enjoy baseball.
Young Luke Edwards is one lucky kid. His grandfather Jason Robards is the owner of the Minnesota Twins and he and grandpa are close. At the age of 12
Edwards is a walking encyclopedia of baseball. It's a trio with mother Ashley
Crow at the third end of that equilateral triangle.
The scenes between Robards and Edwards are really special and sad that Robards part calls for him to die. But that's part of the basis of the plot. Robards dies and leaves the team to his grandson. I don't know about you, but I would love to have been Colonel Jacob Ruppert's son and have him the leave the New York Yankees of 1939 to me.
But being the juvenile baseball maven he is Edwards soon enough questions whether he's got a good manager in irascible Dennis Farina. The pubescent owner fires Farina and takes over the management of the team itself.
As one of his friends says the Twins are in the American League with the designated hitter rule so half of managing is taken out of your hands. Not so as the lad soon finds out. Complicating things is the fact that one of the players Timothy Busfield is dating his mother.
For me Robards character is based on the former owner of the Twins Cal Griffith who in the tradition of his uncle and adopted father Clark Griffith ran the Twins and formerly the old Washington Senators as a mom and pop operation. After free agency came into being Griffith tried to hang on, but couldn't and he sold the Twins to Carl Pohlad in 1984.
What gives it away is Robards character saying how as a lad he missed the opportunity to see Walter Johnson pitch. It establishes the team with its former home and identity.
Little Big League is a really great both baseball and family film that kids of all ages can appreciate.
The scenes between Robards and Edwards are really special and sad that Robards part calls for him to die. But that's part of the basis of the plot. Robards dies and leaves the team to his grandson. I don't know about you, but I would love to have been Colonel Jacob Ruppert's son and have him the leave the New York Yankees of 1939 to me.
But being the juvenile baseball maven he is Edwards soon enough questions whether he's got a good manager in irascible Dennis Farina. The pubescent owner fires Farina and takes over the management of the team itself.
As one of his friends says the Twins are in the American League with the designated hitter rule so half of managing is taken out of your hands. Not so as the lad soon finds out. Complicating things is the fact that one of the players Timothy Busfield is dating his mother.
For me Robards character is based on the former owner of the Twins Cal Griffith who in the tradition of his uncle and adopted father Clark Griffith ran the Twins and formerly the old Washington Senators as a mom and pop operation. After free agency came into being Griffith tried to hang on, but couldn't and he sold the Twins to Carl Pohlad in 1984.
What gives it away is Robards character saying how as a lad he missed the opportunity to see Walter Johnson pitch. It establishes the team with its former home and identity.
Little Big League is a really great both baseball and family film that kids of all ages can appreciate.
Between 1993-1995, many baseball movies such as Little Big League, The Sandlot, and Rookie of the Year came out, but I think that Little Big League was the most clever of them all. There were plenty of funny scenes that adults, rather than children, could relate to. It was well done and well acted. I enjoyed this movie and I have owned it since it came out.
Touching, if improbable film about a young boy who inherits a major league baseball team after his grandfather passes away. Robards makes a nice turn as the grandfather. The film is pleasant enough for families and for true fans of the game.
Storyline
Did you know
- TriviaScott Patterson, who played Twins pitcher Mike McGrevey, had actually been a professional baseball player, pitching on the Minor League level in four Major League organizations during the 1980s prior to becoming an actor.
- GoofsAt the beginning of the film when Billy's three teammates are on third base, the umpire calls everyone out and then is corrected by Billy. However, none of the runners were tagged by the defense so at that time, no one was out. The runner who was standing on the base could have run back to second base and the batter-runner could have run back to first base (touching second) on the way. In essence, all three runners could have been safe at the end of the play if they had returned to other bases.
- Quotes
Billy Heywood: If Joe can paint a house in three hours and Sam can paint the same house in five hours, how long will it take to paint it together?
Mac: Now wait a minute, you never said this was a word problem.
- Crazy creditsAfter the end credits, there's a quick scene with one of the players looking at the chalkboard with all the work concerning Billy's confusing word problem, saying he still likes 8, his guess as to the answer.
- How long is Little Big League?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Giải đấu lớn cho đứa trẻ
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $12,267,790
- Opening weekend US & Canada
- $3,105,618
- Jul 4, 1994
- Gross worldwide
- $12,267,790
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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