In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
A young lion prince is cast out of his pride by his cruel uncle, who claims he killed his father. While the uncle rules with an iron paw, the prince grows up beyond the Savannah, living by a philosophy: No worries for the rest of your days. But when his past comes to haunt him, the young prince must decide his fate: Will he remain an outcast or face his demons and become what he needs to be?Written by
In the German dub, Uwe Paulsen was originally cast as Zazu. Shortly before the premiere, Zazu's lines were re-dubbed by Eberhard Prüter. See more »
During the 'Be Prepared' sequence, Scar knocks a bone out of Ed's jaws, making him sit bolt upright, his tongue hanging out. In the very next shot, it's gone. See more »
[Scar catches a mouse]
Life's not fair, is it? You see, I... well, I shall never be king. And you... shall never see the light of another day. Hmm-hmm-hmm, adieu.
Didn't your mother ever tell you not to play with your food?
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When the movie was released on DVD in October 2003, it offered two versions of the film: The "Special Edition" (the 2002 IMAX re-release), and the "Original Theatrical Release". The "Original Theatrical Release" is actually identical to the 2002 IMAX/"Special Edition" re-release, except that it opens with the memorial card to Frank Wells, following the Walt Disney Pictures logo. The Original Theatrical Release on the 2003 Platinum Edition DVD release omits the blue Walt Disney Pictures opening and closing logos and it uses the same opening and closing logos as the 2002 IMAX/Special Edition re-release. This includes the pouncing lesson scene. The Original Theatrical Release on the 2003 Platinum Edition DVD release omits the original scrolling end credits sequence and it uses an edited version of the same end credits from the 2002 IMAX/Special Edition re-release purporting to be the end credits from the Original Theatrical Release. All of the other edits that were made to the 2002 IMAX re-release (the cleaned-up animation, etc.) are also present in this version. See more »
Released Christmas Day in 2002 to IMAX and large format screens, The Lion King makes a triumphant return to the screen after eight years. Its every bit as majestic and great as it has been before.
The Lion King Mufasa (James Earl Jones) just had a baby cub named Simba. All of the animals come to the ceremony, except for Mufasa's brother Scar (Jeremy Irons). Scar desperately wants to be King, but can't. As long as Mufasa and Simba are there. Soon Simba is able to walk and talk and is voiced by Jonathon Taylor Thomas. After hearing about an elephant graveyard from Scar, he and his friend Nala (Niketa Calame) visit it. They meet three bumbling hyenas: Banzai (Cheech Marin), Shenzi (Whoopi Goldberg), and Ed (Jim Cummings), but they manage to leave unhurt. Scar is upset that the hyenas didn't do the job, so he orders a stampede to wipe out both of them, but it only takes care of Mufasa. Scar convinces Simba that he killed Mufasa, not Scar. So Simba flees into exile.
The Lion King really benefits from the larger screen. Its lavish landscapes will be able to capture you more, and you can really savor the animation. Disney didn't need any humans, so they could spend all of the time on a great story and lush landscapes. In fact, its camera movement was so majestic that you actually felt like you were part of the pride of lions.
The music boomed and really created the atmosphere. Although I had seen this picture before, I still was tense because of the way the music played out. Most of the time, I would just roll my eyes at the attempt to make me nervous. But Hans Zimmer's music really bowled me over and made my heart do calisthenics. Unlike such new Disney pics like Lilo and Stitch, the songs actually did some good. They took you out of a somewhat dreary mood and put a smile on your face and made your feet want to tap along. There were only a few, but they were very entertaining. And the Circle of Life song at the beginning was beautiful, with its perfect pictures and perfect sound.
I really like James Earl Jones (he's pretty diverse), and this time was no exception. He seemed to act like he didn't want to do this role, but he couldn't contain his excitement for wanting to do voice-overs again (he had done some work in The Simpsons before). Matthew Broderick redeemed himself for me (after the atrocious Ferris Bueller's Day Off) by showing a strong voicing as the adult Simba. Cheech Marin, Whoopi Goldberg, and Jim Cummings really had good chemistry together, even though they didn't have much screen time. Irons was really good and creepy as Scar (one of those who you can't help but hate), and if that is him really singing, brava!
Be warned, The Lion King isn't really for youngsters. It had intense thematic elements that should have warranted a PG, instead of those that don't deserve it (Lilo and Stitch, again). The mood that the music and the script brought out could damper your day, so be warned.
This is one movie where you can feel for the characters. You don't say `haha, he's dead', you say `Gasp! I'm so sad!' If it weren't for the gifted scriptwriters, this movie would be kaput and a nothing, not the best Disney movie ever made.
The Lion King is a majestic movie, not without humor, that is for almost all to see.
My rating: 9/10
Rated G for intense thematic elements.
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