A bright assistant D.A. investigates a gruesome hatchet murder and hides a clue he found at the crime scene. Under professional threats and an attempt on his life, he goes on heartbroken because evidence point to the woman he still loves.
Bridget Gregory has a lot going for her: she's beautiful, she's intelligent, she's married to a doctor. But all of this isn't enough, as her husband Clay finds out. After she persuaded him to sell medicinal cocaine to some drugdealers, she takes off with the money, almost a million dollars, and goes undercover in a mid-American smalltown. Because Clay has to pay off a loan shark who'll otherwise damage him severely, he keeps sending detectives after her, trying to retrieve the money. When Bridget meets Mike Swale, a naive local who is blinded by her beauty and directness, she devises an elaborate, almost diabolical scheme to get rid of Clay once and for all.Written by
Peter Zweers <firstname.lastname@example.org>
Linda Fiorentino was widely lauded by critics for her performance in this movie but was denied an Academy Award nomination because it came out on TV before a theatrical release. See more »
The ruffled look of Bridget's hair throughout her love scene with Mike is inconsistent. See more »
A friend needs advice. I'll set it up for you: A husband and wife do a one-time drug deal. The goal is a wholesome one.
College fund for the kids.
No. The wife wants new digs. Comes off without a hitch, only the wife decides that the new house would be happier without the husband.
Sharing was never her specialty.
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"The Last Seduction" was produced with theatrical distribution in mind, but it premiered on cable TV, thereby ensuring that Linda Fiorentino's sultry performance--the most acclaimed by a female in 1994--would be disqualified for Oscar consideration. Too bad. She would likely have claimed the prize for her smolderingly sexy turn as a promiscuous man killer. Other than Fiorentino, this film is strictly OK, a modern R-rated update of the kind of 1940's melodramas that offered Bette Davis, Joan Crawford, and Barbara Stanwyck some of their meatiest roles.
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