6.5/10
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13 user 9 critic

Imaginary Crimes (1994)

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A recently widowed, small-time hustler struggles to raise his two teenage daughters on his own, and still make a dishonest living in 1950s Indiana.

Director:

Anthony Drazan

Writers:

Sheila Ballantyne (book), Kristine Johnson (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
Harvey Keitel ... Ray Weiler
Fairuza Balk ... Sonya Weiler
Kelly Lynch ... Valery Weiler
Vincent D'Onofrio ... Mr. Webster
Diane Baker ... Abigail Tate
Chris Penn ... Jarvis
Amber Benson ... Margaret
Elisabeth Moss ... Greta Weiler
Richard Venture Richard Venture ... Judge Klein
Seymour Cassel ... Eddie
Tori Paul Tori Paul ... Young Sonya
Melissa Berntsen ... Gigi Rucklehaus
Annette O'Toole ... Ginny Rucklehaus
Bill Geisslinger Bill Geisslinger ... Bud Rucklehaus
William G. Schilling ... Mr. Garrity
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Storyline

Coming-of-age story set in the 1950's stars Harvey Keitel as a small-time hustler/dreamer, recently widowed, who tries his best to care for his two daughters, 17-year-old Sonya, and 12-year-old Greta, while Sonya's rapid disulisionment with her father puts her at odds with him more times than nessessary. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

When a father doesn't live up to his dreams... a daughter has to stand up for hers.

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG for theme and some very mild language | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

14 October 1994 (USA) See more »

Also Known As:

Crimes Imaginários See more »

Filming Locations:

Portland, Oregon, USA See more »

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Box Office

Gross USA:

$89,611
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Fairuza Balk was called back to re-shoot some scenes and had to wear a wig, since she had already dyed it blonde for Tollbooth (1994). See more »

Quotes

Sonya Weiler: Me with a father who has the audacity to buy ice cream on the coldest night of the year.
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Soundtracks

All In My Mind
Performed by Maxine Brown
Written by Freddy Johnson, Maxine Brown & Leroy Krikland
Courtsey of Goldisc Records
By Arrangement with Timeless Entertainment Corp.
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User Reviews

 
Introspective Performances by Keitel, Balk
18 December 2001 | by jhcluesSee all my reviews

Is the wish for love greater than the need to hate? An interesting question posed by, and the complexity of which is examined in this film about the effects of the decisions we make during the course of our lives, and how those decisions ultimately affect our families and loved ones. Based on the semi-autobiographical novel by Sheila Ballantyne, `Imaginary Crimes,' directed by Anthony Drazan, stars Harvey Keitel as a widowed father raising two young daughters in 1950s Oregon. Ray Weiler (Keitel) is no role model for fathers, however. In fact, in the words of the author, `Never has a man less equipped for parenthood tried so hard.' And failed, she should have added. Ray is not a `bad' man, per se, but he's a dreamer and a schemer, following one deal of a lifetime after another that, up until the day she died, kept Valery (Kelly Lynch) and their daughters, Sonya (Fairuza Balk) and Greta (Elisabeth Moss) living in a one room basement apartment. To the very end, Valery was always a `technicality' away from what she wanted most: A home of her own. And when she died, that dream apparently died with her. Ray's dreams, however, continued; as did the dark clouds his lifestyle cast over the Weilers, beneath which they were forced to live every day without hope or respite. A dreary life, indeed, for two young girls with nowhere to turn.

Told through the reminiscences of Sonya (with Balk providing effective voice-over narration), the story unfolds with the help of flashbacks which reflect the turmoil of young Sonya and Greta's lives with Ray. The sequences involving Valery are especially poignant, and presented with such care and subtly that it enables you to feel and share her every disappointment-- and there were many. You also share her joy at winning a simple raffle at the neighborhood movie theater, where she would escape with Sonya every Wednesday night. And when Sonya points out the fact that her mother cried at every film, no matter what it was, it says volumes about Valery's state of mind and the despair and unhappiness with which she lived, yet masked so convincingly in front of Sonya. It's also easy to understand the bond between the sisters, formed as a means of steeling themselves against the unconscionable neglect of their father. Though not physically abusive, the pain he inflicted on his daughters psychologically was immeasurable. Yet they stood by him; perhaps because they had nowhere else to go and no one to whom they could turn.

Filmed on location in Oregon, the film has a wistful, almost dreamlike quality that successfully reflects the era it depicts, as well as the overall mood of the story, aided in no small part by the atmosphere director Drazan creates. He renders a touching sense of injustice that keeps the viewer acutely aware of the helpless and seemingly inescapable situation in which the girls are forced to remain, and he makes the girls so readily accessible that it is easy to emphasize with them. And it makes you realize that even as big as the world is, everybody lives within their own little part, and it's different for every individual. The world of your next door neighbor may not resemble the world in which you live in any way, shape or form; and because of that, need often goes undetected and want thrives.

As Ray, Harvey Keitel is outstanding, giving a restrained and understated performance that allows you to like him and hate him at the same time. This is a complex character that Keitel develops extremely well, showing you the schemer and the con-man, but also giving you something of an indication of what lies beneath. This is a man capable of disciplined introspection, yet too selfish to do what he must know is the right thing by his family. He's a man who is past believing in himself, but has actually fallen victim to his own con and is unable to let loose of his irresponsible dreams. It's a strong performance, through which he paints the picture of a desperate man, who has no idea of just how desperate he is until it's too late. And the saddest thing about it is the effect it has on Sonya and Greta.

Giving an affecting performance, as well, is the young Fairuza Balk, whose dark beauty and intensity make her perfect for the role of Sonya. She has such expressive eyes that they veritably serve as a window into the soul of her character, which nevertheless seems to emerge from a very private place, and one that gives it definition. Like Keitel, Balk's performance is rather restrained, which gives even more power to her already mesmerizing screen presence. She makes you understand how her circumstances have affected her, which she subtly conveys in the way she relates to those around her, including Greta. There's a sense of the exceptional about Balk, who in an industry filled with young actors seemingly just off the production line, remains unique and has served herself and her career well by exploring some diverse characters in such films as `American History X,' `Things To do In Denver When You're Dead,' `The Waterboy' and possibly her most definitive role, as that of the young witch in `The Craft.' Sonya is one of her more down-to-earth characters, and she delivers her quite well.

The supporting cast includes Vincent D'Onofrio (Mr. Webster), Diane Baker (Abigail Tate), Chris Penn (Jarvis), Amber Benson (Margaret), Annette O'Toole (Ginny) and Seymour Cassel (Eddie). Thought provoking and emotionally involving, `Imaginary Crimes' will take you to a dark place, and it's one that may be all too familiar to some who see this film. This is no happily-ever-after fairy tale, but a very real look at some hard facts about the world in which we live and the people who surround us, and the necessity of reaching out to those who just may be in need. 9/10.


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