After being cut from the USA softball team and feeling a bit past her prime, Lisa finds herself evaluating her life and in the middle of a love triangle, as a corporate guy in crisis competes with her current, baseball-playing beau.
Dede is a sole parent trying to bring up her son Fred. When it is discovered that Fred is a genius, she is determined to ensure that Fred has all the opportunities that he needs, and that ... See full summary »
When Nicole met David; handsome, charming, affectionate, he was everything. It seemed perfect, but soon she sees that David has a darker side. And his adoration turns to obsession, their dream into a nightmare, and her love into fear.
Matt Hobbs is a talented but unsuccessful actor. When estranged (and strange) ex-wife Beth dumps their daughter Jeannie on Matt, father and daughter have a lot of adjusting to do. His budding relationship with attractive production assistant Cathy Breslow is made complicated, while the precocious child is overly accustomed to getting her own way. Matt eventually faces the choice of family vs career in a particularly difficult way. Written by
In the beginning of the film, we see a reference to Powers Boothe showing up at the Emmy Awards ceremony to collect the award he had won for playing Jim Jones in the middle of a Screen Actors Guild strike. Although Nick Nolte was not nominated for an Emmy that year, everything else shown about the incident really happened in September, 1980. See more »
Washington? Washington, boy, that must have been a big adjustment.
It wasn't that bad. Both places have a lot in common: Over-privileged people, crazed by their fear of losing their privileges. Alcoholism. Addiction. Betrayal. The near total degradation of what once were grand motives. The same spiritual blood-letting. I kind of do miss the seasons, though.
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This movie has really got the "Brooks Touch" and that's a very good thing. I can't understand why this has got such a low ratings on the IMDB, or why it is so little known. Like AS GOOD AS IT GETS and the even better, but overall largely underrated TERMS OF ENDEARMENT, this again is a wonderful story about real people. And when Brooks is in the director's seat, you know this film isn't going to take the easy way. I can only recommend this movie, especially because of the many lovely moments and the excellent dialogue. My only complaint is that some of the dialogue is a bit too smart for its own good and that it doesn't always ring true. The actors are very good too, especially Nick Nolte, Joely Richardson and the young Whittni Wright(who is wonderful). They're not the really big names, like in the two aforementioned movies, but they did a very good job. Also look out for the character played by Albert Brooks, which is very familiar with Jack Nicholson's character in AS GOOD AS IT GETS. It almost seems a trademark of James L. Brooks, who keeps delivering the goods with his original and always fresh romantic comedies. Don't miss this one! 8/10
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