Found inside a shining stalk of bamboo by an old bamboo cutter and his wife, a tiny girl grows rapidly into an exquisite young lady. The mysterious young princess enthralls all who encounter her, but ultimately she must confront her fate, the punishment for her crime.
Chloë Grace Moretz,
The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their teenage daughter, Arrietty, is discovered.
A 12-year-old girl is sent to the country for health reasons, where she meets an unlikely friend in the form of Marnie, a young girl with long, flowing blonde hair. As the friendship ... See full summary »
A dashing thief, his gang of desperadoes and an intrepid policeman struggle to free a princess from an evil count's clutches, and learn the hidden secret to a fabulous treasure that she holds part of a key to.
As the human city development encroaches on the raccoon dog population's forest and meadow habitat, the raccoon dogs find themselves faced with the very real possibility of extinction. In response, the raccoon dogs engage in a desperate struggle to stop the construction and preserve their home.Written by
Kenneth Chisholm <firstname.lastname@example.org>
As the tanuki fly off in a train of spirits and ghosts, immediately before beginning project "Poltergeist", images characters from other Ghibli works can be seen, including that of Kiki from Kiki's Delivery Service (1989), Porco Roso's Seaplane from Porco Rosso (1992), Totoro on his top from My Neighbor Totoro (1988), and young Taeko from Only Yesterday (1991) can be seen flying just above the winged skeleton. See more »
The English-dubbed version incorrectly refers to the tanuki as "raccoons". Tanuki are actually "raccoon dogs" - they are in the canid branch of mammals. See more »
They used their balls as weapons in a brave kamikaze attack.
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The English dubbed version censors all references to testicles. See more »
This is a Ghibli film by the studio's 'other', less famous, director, Takahata, who in Japan is still best known for doing the 'Heidi' television series in the 1970's, and who probably had his swan-song with Ghibli with the 1999 box-office disaster 'Tonari no Yamada-kun' ('My Neighbours the Yamadas').
Nevertheless, I think history will judge that his 'Pom Poko' is one of Studio Ghibli's finest works: breathtakingly imaginative and looney, wry, complex, sentimental but un-dogmatic, unapologetically Japanese in its outlook and references. I would in fact rate it higher than Miyazaki's highly-regarded 'Mononoke Hime,' which takes itself a bit too seriously and becomes slightly tiresome as a result.
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