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Heavenly Creatures (1994)

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1:33 | Clip

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Two teenage girls share a unique bond; their parents, concerned that the friendship is too intense, separate them, and the girls take revenge.

Director:

Peter Jackson

Writers:

Fran Walsh (screenplay) (as Frances Walsh), Peter Jackson (screenplay)
Reviews
Popularity
3,945 ( 377)
Nominated for 1 Oscar. Another 17 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Melanie Lynskey ... Pauline Parker
Kate Winslet ... Juliet Hulme
Sarah Peirse ... Honora Parker Rieper
Diana Kent Diana Kent ... Hilda Hulme
Clive Merrison ... Dr. Henry Hulme
Simon O'Connor Simon O'Connor ... Herbert Rieper
Jed Brophy ... John / Nicholas
Peter Elliott ... Bill Perry
Gilbert Goldie Gilbert Goldie ... Dr. Bennett
Geoffrey Heath Geoffrey Heath ... Rev. Norris
Kirsti Ferry Kirsti Ferry ... Wendy
Ben Skjellerup Ben Skjellerup ... Jonathan Hulme
Darien Takle Darien Takle ... Miss Stewart
Elizabeth Moody Elizabeth Moody ... Miss Waller
Liz Mullane ... Mrs. Collins
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Storyline

Based on the true story of Juliet Hulme and Pauline Parker, two close friends who share a love of fantasy and literature, who conspire to kill Pauline's mother when she tries to end the girls' intense and obsessive relationship. Written by Alexander Lum <aj_lum@postoffice.utas.edu.au>

Plot Summary | Plot Synopsis

Taglines:

From a secret world no one could see...came a crime no one could believe. See more »


Motion Picture Rating (MPAA)

Rated R for a chilling murder and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

New Zealand | Germany

Language:

English | French

Release Date:

14 October 1994 (New Zealand) See more »

Also Known As:

Heavenly Creatures: The Uncut Version See more »

Filming Locations:

Canterbury, New Zealand See more »

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Box Office

Budget:

$5,000,000 (estimated)

Gross USA:

$3,049,135
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (uncut)

Sound Mix:

Dolby

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Before the murder, Juliet is seen pacing nervously around Pauline's bedroom, saying "Your mother is rather a miserable woman...I think she knows what's going to happen. She doesn't appear to bear us any grudge." This line was paraphrased from a statement by the real Juliet to her psychologist prior to the trial, when the two girls were being evaluated for an insanity plea. See more »

Goofs

When Honora brings Pauline a tray of breakfast into her room, she gives Pauline the tray, then talks to her for a while. A crew member's face is clearly reflected in the window. Afterward, two hands holding the long pole of a boom mic are reflected in the window. See more »

Quotes

[first lines]
[Director Peter Jackson opens with the scene that should, logically, end the film: that is, the moments immediately following the murder. The girls Juliet and Pauline run screaming up the hill-path to the tea-house, sobbing and covered in blood. The scene is intercut with b&w visions of the two running across a ship deck to meet Dr. and Mrs. Hulme, whom they both refer to as their mother, as the first three exclamations of "Mummy!" demonstrate]
Juliet Hulme: Mummy!
Pauline Parker: Mummy!
Juliet Hulme: Mummmmy!
[...]
See more »

Crazy Credits

Preceding the opening credits: "During 1953 and 1954 Pauline Yvonne Parker kept diaries recording her friendship with Juliet Marion Hulme. This is their story. All diary entries are in Pauline's own words." See more »

Alternate Versions

The region 1 uncut DVD includes many new scenes not included in the video, including a scene right before the Port Levy, Easter scene in which the Hulmes and Pauline sing "How Much is that Doggie in the Window". Followed by a more fleshed out beach scene in which Mrs. Hulme refers to Pauline as her "foster" daughter. See more »

Connections

References Sands of Iwo Jima (1949) See more »

Soundtracks

The Loveliest Night of the Year
Written by Irving Aaronson (as Aaronson) / Paul Francis Webster (as Webster) / Juventino Rosas (as Rosas)
By Permission of EMI Music Publishing
Performed by Mario Lanza
Courtesy of BMG/Arista/Ariola Limited
See more »

Frequently Asked Questions

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User Reviews

 
Not just for teens, this is...well...awesome...
16 January 1999 | by pgreyySee all my reviews

I understand why teenage girls would like this movie--the thrilling rush of new found deep friendship tied together with nascent sexuality and all that comes with it...the defying of the confines of the world around them...the incredible power of unfettered creativity and self-delusional belief...

What's amazing is that a jaded thirty-something man like myself would consider it to be his favorite film of all time. Peter Jackson shows a deftness in handling interpersonal characterizations and blending in amazing special effects in a way that seems so natural...so fluid...that you while you're awed by what you see, you're not so aware of the process that you're distracted. The oh-so-1993 effect of "morphing" is used better here than any other film (save, perhaps, Terminator 2--but in that movie, the morphing WAS the film...when here, it is merely one element.)

The direction is exemplary. The cinematography is awe inspiring. The script is sharp. The acting...down the line...is superb. Melanie Lynskey delivers a brave performance--giddy, childish, frightening, sexual, clouded... She's everything Christina Ricci pretends to be. Kate Winslet--hyper-bright and wonderful...her performance here reminds you that her "Titanic" performance was "sunk" (sorry!) by the extremely poor dialogue she was given. Her character's overly cheerful demeanor is a mask that covers her disappointment in her parents--but it's extended so far that it no longer seems like a mask...it seems to be a force of nature that drags Lynskey's Pauline along for a dangerous ride...a ride that Winslet's Juliet is in no position to control. There are crisp performances from all of the supporting cast as well.

Jackson should be listed with Gilliam and even Lynch when it comes to directors who can achieve a glorious, if dark, vision. The fact that Jackson's movies (save for "Meet the Feebles") are mainstream accessible--in ways that Lynch, especially, could barely consider (although "The Frighteners" was painfully overlooked by the US market)--makes me wish that he'd try his hand at more mainstream material.

Imagine what a Peter Jackson "Titanic" would have been like...and compare that to what a James Cameron "Heavenly Creatures" would have been like and you get my point.


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