After a tragic car accident that kills his wife, a man discovers he can communicate with the dead to con people. However, when a demonic spirit appears, he may be the only one who can stop it from killing the living and the dead.
Michael J. Fox,
Hideous Kinky is the story of two sisters (seven and five years old) traveling with their hippie mother from London to Morocco. They encounter many adventures, new experiences, and ... See full summary »
What the "spider-pit" sequence from the original King Kong (1933) probably looked like (the original sequence was cut out of the original movie because it was deemed "too gruesome" and was subsequently lost).
Based on the true story of Juliet Hulme and Pauline Parker, two close friends who share a love of fantasy and literature, who conspire to kill Pauline's mother when she tries to end the girls' intense and obsessive relationship.Written by
Alexander Lum <email@example.com>
A picture on the wall in Pauline's bedroom is a photograph of the real Juliet Hulme. See more »
When Honora hangs sheets on the line, they have clear fold marks from the packets they were sold in. See more »
[Director Peter Jackson opens with the scene that should, logically, end the film: that is, the moments immediately following the murder. The girls Juliet and Pauline run screaming up the hill-path to the tea-house, sobbing and covered in blood. The scene is intercut with b&w visions of the two running across a ship deck to meet Dr. and Mrs. Hulme, whom they both refer to as their mother, as the first three exclamations of "Mummy!" demonstrate]
[...] See more »
Special thanks to the brave Borovnian extras. See more »
An extended version of Pauline's "The Ones That I Worship" poem includes several brief scenes different from the theatrical release. When the Borovinian Nicholas is murdered by Diallo, there is a split-second shot of his clay body cut in half. Immediately following this is an extra, omitted verse of the poem where Pauline and Juliet are shown dressed as Borovinian princesses. They toast with glasses of wine, then transform into clay models of themselves. See more »
Peter Jackson needs to go back and start making movies like this again
In retrospect, you'd never know this is a Peter Jackson film. Not after becoming familiar with his recent work, anyway. "Heavenly Creatures" contains all the subtlety and nuances that his later work desperately needs - the graceful arc of the "Lord of the Rings" trilogy, despite its critical lauding, doesn't hold a candle to this film.
Melanie Lynskey plays Pauline, a young girl who, along with her best friend Juliet (Kate Winslet), often envisions herself in fantasy worlds and alternate realities. The two girls' parents become so worried about their fantasies that they separate the two girls - but, in a fit of rage, Melanie and Juliet plan a dreadful revenge.
Most shocking of all is that this story sounds like some lame supernatural thriller that would be on a made-for-TV special, in which the girls share some kind of psychic connection - but it's not like that at all. It's a true story, and it's handled quite delicately.
The performances are, for the most part, very good. Winslet shines in one of her earlier performances and displays raw talent.
Overall, watching this I couldn't help but be reminded of how talented Peter Jackson used to be, and how lately he has succumbed to making, for lack of a better description, Hollywood shlock. I liked "Lord of the Rings." I liked "King Kong." But this is better.
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