After a tragic car accident that kills his wife, a man discovers he can communicate with the dead to con people. However, when a demonic spirit appears, he may be the only one who can stop it from killing the living and the dead.
Michael J. Fox,
Hideous Kinky is the story of two sisters (seven and five years old) traveling with their hippie mother from London to Morocco. They encounter many adventures, new experiences, and ... See full summary »
Ruth's been brainwashed by a guru in Delhi, India. Her parents in Sydney hire a specialist in reversing this. Ruth is tricked to return to Australia and is isolated in an outback cabin with the specialist. It gets messy.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Massachusetts.
Pauline Parker and Juliet Hulme met in school during the 1950s. Instant best friends, they proceeded to spend every minute possible together, often writing about a fantasy land of their own invention. More and more estranged from their respective families, the two girls realise that they are extremely different from most other people, and agree to take any steps necessary to ensure that they are not seperated. The two families are increasingly concerned about the girls' friendship in a strictly moralistic era.Written by
Murray Chapman <email@example.com>
Before the murder, Juliet is seen pacing nervously around Pauline's bedroom, saying "Your mother is rather a miserable woman...I think she knows what's going to happen. She doesn't appear to bear us any grudge." This line was paraphrased from a statement by the real Juliet to her psychologist prior to the trial, when the two girls were being evaluated for an insanity plea. See more »
Pauline and Juliet sit on a bench during P.E., reading 'Biggles of 266' by Capt. Johns. The scene is set in 1952; the book was published in 1956. See more »
[Director Peter Jackson opens with the scene that should, logically, end the film: that is, the moments immediately following the murder. The girls Juliet and Pauline run screaming up the hill-path to the tea-house, sobbing and covered in blood. The scene is intercut with b&w visions of the two running across a ship deck to meet Dr. and Mrs. Hulme, whom they both refer to as their mother, as the first three exclamations of "Mummy!" demonstrate]
[...] See more »
Special thanks to the brave Borovnian extras. See more »
An extended version of Pauline's "The Ones That I Worship" poem includes several brief scenes different from the theatrical release. When the Borovinian Nicholas is murdered by Diallo, there is a split-second shot of his clay body cut in half. Immediately following this is an extra, omitted verse of the poem where Pauline and Juliet are shown dressed as Borovinian princesses. They toast with glasses of wine, then transform into clay models of themselves. See more »
"The next time I write in this diary, mother will be dead. How odd, yet how pleasing."
This early writing and directorial effort by Peter Jackson and starring a young Kate Winslet is an odd one to pin down. Especially odd, since it's based on a true story (which I didn't know until the film was over). It's about the intense friendship between two girls living in New Zealand. One is sullen and withdrawn, the other, a wealthy transplant from England, is outspoken and draws attention with her very presence. Both are intelligent, imaginative, and share a similar casual darkness in their personalities.
As their friendship blooms and grows more and more intense, their parents (this being set in the 50's) begin to suspect an unwholesome aspect to their relationship. When the threat of separation arises, the girls swiftly and resolutely settle on a grisly solution to their forced division: murder.
The movie shifts in tone often, from a sort of coming of age story, to the fanciful world of the girls' imaginations, to their rage and heartbreak at their parents. Kate Winslet was pretty good, but you could tell that she was still finding her way and confidence as an actress. I found the plot to be rather dull at the start, but it grew more interesting as it continued on to a rather abrupt ending.
Interesting is a good word to use describe Heavenly Creatures, as a whole. It held my attention, even during the parts where I was a little less than entertained. It's unflinchingly dark in some aspects, and innocent and childlike in others. I'd recommend it to most just based on the fact that it's something different, and there's merit in that. It's well-made, also, I just found my interest fluctuating too often to give the movie a higher score.
And how does Kate Winslet look almost exactly the same today as she did in 1994? Now that's a topic that's interesting enough to make a movie about.
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