Pauline Parker and Juliet Hulme met in school during the 1950s. Instant best friends, they proceeded to spend every minute possible together, often writing about a fantasy land of their own invention. More and more estranged from their respective families, the two girls realise that they are extremely different from most other people, and agree to take any steps necessary to ensure that they are not seperated. The two families are increasingly concerned about the girls' friendship in a strictly moralistic era.Written by
Murray Chapman <email@example.com>
When Pauline visits Juliet at the hospital, she admires the red knitting on which Juliet is working. Juliet tells her "it's for you." Several scenes later, when Juliet and Pauline are seated on the bus during the "The Ones That I Worship" poem, Pauline is wearing the now-complete red sweater. See more »
[Director Peter Jackson opens with the scene that should, logically, end the film: that is, the moments immediately following the murder. The girls Juliet and Pauline run screaming up the hill-path to the tea-house, sobbing and covered in blood. The scene is intercut with b&w visions of the two running across a ship deck to meet Dr. and Mrs. Hulme, whom they both refer to as their mother, as the first three exclamations of "Mummy!" demonstrate]
[...] See more »
Special thanks to the brave Borovnian extras. See more »
The original New Zealand version ran 108 min. Peter Jackson then cut 9 minutes from the film for the international release. (he has mentioned that the 99 min. cut is the one he prefers.) See more »
How Much Is That Doggie in the Window
Written by Bob Merrill (as Merrill)
By Permission of Golden Bell Songs/J. Albert & Sons See more »
A Beautiful Haunting Story Of Teenage Obsession
Lesbian murderers ? I'm sort of guessing that I might not like this movie very much . No doubt we'll be seeing some polemical do gooder film maker with zero talent making a movie where anyone who gets murdered by the gay girls probably asked for it because they were a rabid homophobe
That was my abstract opinion of HEAVENLY CREATURES when it was released to some critical acclaim ten years ago , with much of the acclaim going to writer/director Peter Jackson whose previous gory horror comedies I'd enjoyed . Yeah the guy was talented I remember thinking , but in a liberal climate we'd no doubt be hearing a myriad of excuses via the film for the girls crime and it was this attitude that stopped me from watching the movie until it was broadcast on BBC 2 tonight
I was fooling myself if I thought Jackson was going to make a bad movie . This is another piece of heart melting , intelligent movie making from the Kiwi genius and I'm sorry for doubting Jackson for a moment . What Jackson has done has made a movie where it's difficult to think of the two protagonists as " lesbian lovers " , Pauline Reiper and Juliet Hulme are two teenagers who love each other full stop and the screenplay doesn't once make any excuses for anything that happens , we're not supposed to feel disgusted by their relationship , we're not supposed to feel that they are victims in any way and we're not supposed to feel that a conservative , homophobic society is to blame for what happened . Jackson deserves much credit for making an amoral movie without an agenda , it's up to the free thinking audience to make up their own minds on the case. Take for example the murder of Mrs Rieper who kindly takes the girls to a tea house then for a walk in the countryside . It's difficult not to notice that if she'd been an uncaring cruel dragon with absolutely no conscience the girls wouldn't have had an opportunity to murder the woman .
It's also a movie that captures the spirit of being a teenager in love . When for whatever reason you have to say goodbye to your first love it's the end of the world . You'll do anything to stop it happening - ANYTHING - and you won't forgive anyone who caused it to happen . Fantasy sequences similar to the ones shown here are also a staple diet of the teenage mind and if you disagree with me you're either being dishonest or you're under twelve years of age . Believe me this movie reminded me , perhaps a little too much , of my own teenage angst
Jackson also deserves credit for his casting Melanie Lynskey and ( A then totally unknown ) Kate Winslet as Pauline and Juliet . Neither of them can be described as strikingly attractive and you do have to worry who we would have got instead if this was a Hollywood production , but they play the star crossed lovers with absolute conviction , as indeed do the rest of the cast
HEAVENLY CREATURES is beautiful , haunting , thoughtful and incisive . With the exception of Martin Scorsese I rate Peter Jackson as the world's greatest living film maker and HEAVENLY CREATURES is the first movie that showed the true greatness Jackson is capable of
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