A cowboy named Tuck Kirby seeks fame and fortune by capturing an Allosaurus living in the Forbidden Valley and putting it in a Mexican circus. His victim, called the Gwangi, turns out to have an aversion to being shown in public.
NYPD detectives Shepard and Powell are working on a bizarre case of a ritualistic Aztec murder. Meanwhile, something big is attacking people of New York and only greedy small time crook Jimmy Quinn knows where its lair is.
When Max Taylor wins the ancestral home of Callum Chance in a game of Poker, little does he realise that the game is far from over... One by one, Max's family are murdered by the Funny Man, a demonic jester with a varied and imaginative repertoire of homicidal techniques and an irreverent sense of humour. Meanwhile, Max's brother is on his way to the mansion with a bunch on hitchhikers who will be lucky to survive the night.Written by
During the credits a song called "Funny Man" is played, The Funny Man talks over the top of this song telling the audience to sing amongst other things. After the credits finish we see Funny Man standing in a garden. He looks at the camera and says "No rest for the wicked!" he then walks off camera. See more »
Uncut version is longer than the U.S. "R" rated version and contains extra scenes and gore (including a scene in which the Funnyman literally shoots a girls brains out of her head with her eyeballs still attached). See more »
"Funny Man" is most likely an abhorrent oddity to the more serious & 'intelligent' horror fan amongst the audience and pretty much a fun ride to those who enjoy a loose horror cannon with blood fodder every now and then. It's like Ken Russell's "Gothic" meets "Spookies" on acid without the monsters but with gore and a villain that's a cross between Leprechaun or Rumpelstiltskin (just pick your favorite ) and Freddy Krueger. Virtually no plot, but rather a rigging together of insane gags, with a few effectively gory bits thrown in the mix that would have been very suitable in early Peter Jackson/Sam Raimi movies. So, you may take that as a compliment. Obviously, the absurd - and often pretty dumb - humor is something you'll have to tolerate. Either you fly with it, or you'll get annoyed by it. Christopher Lee makes a cameo appearance that feels much like just a narrator's part in the wraparound story of some B-horror anthology film. And as nothing more than a cameo, his contribution oddly enough works like a silly charm, almost. Because, well, "Funny Man" is a British nonsensical B-horror flick made with enthusiasm, a fair amount of creativity and perfectly acceptable little rippings-off left & right. It's all not to be taken seriously at all. If you do, you're on the wrong track.
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