A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
The film follows the fortunes of Charles and his friends as they wonder if they will ever find true love and marry. Charles thinks he's found "Miss Right" in Carrie, an American. This British subtle comedy revolves around Charlie, his friends and the four weddings and one funeral which they attend.Written by
Subsequently in Love Actually (2003), also written by Richard Curtis, the song Love Is All Around is again featured quite predominately in the plot with Billie Mack covering the song but with a Christmas theme to make Billie Mack's big comeback. See more »
The image of Prince Charles is reversed. His medals are shown on his right side, however medals are always worn on the left. See more »
[wakes up and looks at his bedside clock]
Oh... *fuck*! Fuck!
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British Home Secretary Amber Rudd is credited as "Aristocracy Co-Ordinator" for the film as a way to be paid whilst working as an extra, who were otherwise mostly unpaid. See more »
Charles curses heavily each time he is late for a wedding. In the italian TV version he uses milder words for the first wedding, and switches to harsh language for the others. See more »
Droll romantic comedy showcases Hugh Grant in his best role.
Richard Curtis, author of Rowan Atkinson's sublime Blackadder TV series, here contributes a romantic comedy screenplay which is actually romantic AND actually funny. American hacks should take note: it's possible to write comedy based on the battle of the sexes that doesn't rely on misogyny and gross-out humor.
Hugh Grant at his most charming leads a talented ensemble cast in this warm-hearted tale of unrequited and requited love that so impressed stodgy Academy voters it actually got a Best Picture nomination. I won't quibble with those who say it was undeserving -- although some of the other user comments are ridiculously hostile to such a lightweight romp -- but I will defend its makers for crafting a genuine crowd-pleaser that relies on story, character and witty dialogue for its appeal.
The essence of good romantic comedy is what Curtis and director Mike Newell capture particularly well in this film (more effectively than Curtis' other Grant hit, NOTTING HILL) and it's this: love makes us do stupid things. We err in choice, we blunder in execution, we make utter fools of ourselves, and yet we don't give up. We still strive. We still search for that perfect someone. And the glory is -- sometimes we get lucky.
Going along on this quest with Grant and friends is as enjoyable an entertainment as you're lucky to find in your local DVD section.
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