A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
The film follows the fortunes of Charles and his friends as they wonder if they will ever find true love and marry. Charles thinks he's found "Miss Right" in Carrie, an American. This British subtle comedy revolves around Charlie, his friends and the four weddings and one funeral which they attend.Written by
Originally scheduled to be filmed one or two years earlier, but was held back. When it finally got the green light, PolyGram cut the original budget of eight million dollars to six million. See more »
At the second wedding, Angus and Laura, the couple married in the first wedding, are nowhere to be seen and their absence is not explained. Given that the bride at the second wedding (Lydia) was a bridesmaid at their wedding, it would be reasonable to expect to see them in attendance. See more »
[wakes up and looks at his bedside clock]
Oh... *fuck*! Fuck!
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The list of credits is presented as "Cast (almost in order of appearance)". See more »
The filmmakers were under contract to produce a version suitable for American TV. So instead of overdubbing, EVERY scene with harsh language - no matter how complex - was re-shot and less offensive words substituted. Most noticeable are the following (among others): 1) the beginning, where "bugger" has replaced "fuck" (and does so for the duration of the film); 2) George, the reader at the first wedding, is talking to Charles about having gone to school with the groom's brother, "Bufty" (which is slang for homosexual). His theatrical "Buggered me senseless" line has been toned down to "Beat me till my bottom turned blue"; and 3) the scene during Carrie's wedding, where "fuck-a-doodle-doo" has been replaced with Charles sighing and saying, "Well, that's that, then". There is much more alternate footage used. See more »
Wonderful Movie...except for that insipid Andie MacDowell
This movie is brilliant, funny, charming, witty, touching. It has two problems, both of them related to the lead female character, Carrie (played by Andie MacDowell).
The first is that the character is not written to be at all likeable. She is engaged to a rich older man she clearly doesn't really love (I think we're supposed to infer that she's a golddigger) and cheats on him with someone she doesn't really care about either (Hugh Grant). Later we learn that she's a slut and a homewrecker (see her appearance at wedding #4--don't tell me it wasn't conniving!). What would make us want this woman to win our beloved Charlie (Hugh Grant) (who is also something of a cad, but a loveable one)?
Carrie might not have been so unpalatable if they'd found an actress who could actually ACT to play her, but instead, they hired Andie MacDowell, who may be pretty, but is as stiff and lifeless as the scenery. Maybe she thinks that's what's called for in a British movie. I wonder that the people casting movies haven't realized that Andie MacDowell simply plays the same character in every movie she's in. By the end of this film, you're incredibly frustrated. You want to adore this movie, because everything about it is so perfect, except for the fact that you hate Andie MacDowell' s character with a passion and wish that she would die so that Charlie could find happiness with a woman who can act.
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