Farinelli (1994)

Farinelli, is the artistic name of Carlo Broschi, a young singer in Handel's time. He was castrated in his childhood in order to preserve his voice. During his life he becomes to be a very ... See full summary »

Director:

Gérard Corbiau

Writers:

Andrée Corbiau (original scenario), Gérard Corbiau (original scenario)

Stars:

Stefano Dionisi, Enrico Lo Verso, Elsa Zylberstein

Nominated for 1 Oscar. Another 6 wins & 3 nominations.

Cast

Cast overview, first billed only:
Stefano Dionisi	...	Carlo Broschi (Farinelli)
Enrico Lo Verso	...	Riccardo Broschi
Elsa Zylberstein	...	Alexandra
Caroline Cellier	...	Margareth Hunter
Marianne Basler	...	Countess Mauer
Jacques Boudet	...	Felipe V
Graham Valentine	...	Prince of Wales
Pier Paolo Capponi	...	Broschi
Renaud du Peloux de Saint Romain	...	Benedict Hunter
Delphine Zentout	...	Young admirer
Omero Antonutti	...	Nicola Porpora
Jeroen Krabbé	...	Georg Friedrich Händel
Richard Reeves
Jonathan Fox
Jo Betzing	...	(as Josef Betzing)

Storyline

Farinelli, is the artistic name of Carlo Broschi, a young singer in Handel's time. He was castrated in his childhood in order to preserve his voice. During his life he becomes to be a very famous opera singer, managed by his mediocre brother (Riccardo).

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Plot Keywords:

bare chested male | male protagonist | secret | brother castrates brother | italy | 

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Taglines:

Où s'arrête le pouvoir de sa voix?

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Genres:

Biography | Drama | Music

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Motion Picture Rating (MPAA)

Rated R for depiction of adult themes and sexuality

Details

Official Sites:

Sony Pictures Classics

Country:

France Italy Belgium

Language:

French Italian

Release Date:

17 March 1995 (USA)

Also Known As:

Farinelli (Il castrato)

Filming Locations:

Bayreuth, Bavaria, Germany

Box Office

Gross USA:

$2,122,948

Company Credits

Production Co:

Stéphan Films,MG,Italian International Film

Technical Specs

Runtime:

111 min

Sound Mix:

Dolby Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Belgium's official submission to the Best Foreign Language Film category for the 67th Academy Awards.

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Goofs

LIGHTING. In scenes that show stage lights and chandeliers, the focus on them is softened, but it can still be seen that the "lamps" and "candles" are in fact far too steady, and too smokeless, to be or to contain live flame. Gaslight was not brought into theatres until just after 1800 (in England), and limelight -- with real quicklime -- around 1820. Also, some outdoor lighting -- outside palaces, etc. -- is obviously too bright, blue- or green-shaded, smokeless, and sharp-edged to come from a bonfire.

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Quotes

Carlo Broschi: [on Riccardo's opera "Orpheo"] You'll never finish it!

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Connections

Featured in Siskel & Ebert: Outbreak/Candyman: Farewell to the Flesh/Bye Bye Love/Losing Isaiah/Farinelli (1995)

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Soundtracks

Alto Giove (Instrumental)
Arranged By Christophe Rousset
Composed By Nicola Porpora
Performed By Ensemble Les Talens Lyriques, conducted by Christophe Rousset

User Reviews

Enchanting to the senses, but short on content...

'Farinelli' is a film well worth seeing for its memorable visual imagery and its unique soundtrack. Mid-film scenes set against the decadence of 17th-century European court life make for charming costumes and sets. Contrasting visuals of rural Italy provide their own pastoral allure that is no less charming. Moreover, the film rises admirably to the daunting technical and artistic task of reproducing the tone of a castrato voice, considering that the musical world has not seen or heard a castrato singer for more than a century.

'Ah,' you say, 'sounds gorgeous...but what's it about?' Enter Carlo and Riccardo Broschi, Italian brothers who share musical aspirations: Riccardo composes, and Carlo sings what he writes. Carlo is a gifted castrato, but Riccardo is a mediocre composer at best. In time, Carlo becomes the renowned Farinelli while Riccardo struggles with his lack of talent/recognition as well as the troublesome fact that Carlo is his meal ticket.

The simple story line masks rich potential (think 'Amadeus'), but 'Farinelli' is hampered by shallow character development and its inexplicable tendency to substitute all-too-frequent sex scenes for emotional power. Without the full realization of the characters or the ramifications of the plot, the film struggles to keep a viewer engaged, at least in my own case. The beautiful pageantry of 'Farinelli' fails to compensate for its hollow dramatic core.

In short? Not bad, but a better music movie is 'Amadeus'(among others), and a better movie with beautiful Italian visuals is 'A Room With A View' (among others).