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Ambitious but troubled movie director Edward D. Wood Jr. tries his best to fulfill his dreams, despite his lack of talent.

Director:

Tim Burton

Writers:

Rudolph Grey (book), Scott Alexander | 1 more credit »
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2,418 ( 290)
Won 2 Oscars. Another 23 wins & 28 nominations. See more awards »

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Cast

Cast overview, first billed only:
Johnny Depp ... Ed Wood
Martin Landau ... Bela Lugosi
Sarah Jessica Parker ... Dolores Fuller
Patricia Arquette ... Kathy O'Hara
Jeffrey Jones ... Criswell
G.D. Spradlin ... Reverend Lemon
Vincent D'Onofrio ... Orson Welles
Bill Murray ... Bunny Breckinridge
Mike Starr ... Georgie Weiss
Max Casella ... Paul Marco
Brent Hinkley ... Conrad Brooks
Lisa Marie ... Vampira
George 'The Animal' Steele ... Tor Johnson
Juliet Landau ... Loretta King
Clive Rosengren ... Ed Reynolds
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Storyline

Because of his eccentric habits and bafflingly strange films, director Edward D. Wood Jr. is a Hollywood outcast. Nevertheless, with the help of the formerly famous Bela Lugosi and a devoted cast and crew of show-business misfits who believe in Ed's off-kilter vision, the filmmaker is able to bring his oversize dreams to cinematic life. Despite a lack of critical or commercial success, Ed and his friends manage to create an oddly endearing series of extremely low-budget films. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

Movies were his passion. Women were his inspiration. Angora sweaters were his weakness. See more »


Motion Picture Rating (MPAA)

Rated R for some strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

7 October 1994 (USA) See more »

Also Known As:

Ed Vud See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$1,900,000, 2 October 1994

Gross USA:

$5,887,457
See more on IMDbPro »

Company Credits

Production Co:

Touchstone Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Scott Alexander and Larry Karaszewski wrote the screenplay in six weeks. See more »

Goofs

At Boardner's in 1953, when Ed's play is reviewed, a 1955 Chevrolet is parked at the front door. See more »

Quotes

Edward D. Wood, Jr.: Is something wrong, Bela?
See more »

Crazy Credits

Immediately preceding the final credits, the film features a "What Ever Happened To" and/or "Where They Are Now" sequence about Edward D. Wood Jr., Kathy Wood, Bela Lugosi, John Breckinridge, Dolores Fuller, Tor Johnson, Maila Nurmi, Paul Marco' , Conrad Brooks, Tom Mason, and Criswell. The commentaries include such statements as: "Bela Lugosi never rose from the grave, but after appearing in 103 films, he is more famous than ever. Today, his movie memorabilia outsells Boris Karloff's by a substantial margin" and "Dolores Fuller, after leaving Ed, went on to a successful songwriting career. Her compositions include the Elvis Presley hits 'Rock-a-Hula Baby' and 'Do the Clam.'" See more »

Connections

Referenced in Hewy's Animated Movie Reviews: Rango (2011) See more »

Soundtracks

SPRING FASHION
Written by Alan Braden
See more »

Frequently Asked Questions

See more »

User Reviews

 
More than merely a biography, or an homage
9 March 2004 | by editorbobSee all my reviews

I am a Johnny Depp fan, and this film only reinforced my enjoyment of his genuine talent. He's whatcha call a real actor. He's on record ("Inside the Actor's Studio" & elsewhere) as saying that his characterization of Wood was a mixture of "the blind optimism of Ronald Reagan, the enthusiasm of the Tin Man from 'The Wizard of Oz' (1939) and Casey Kasem." Well, I must add that either he left out channeling Jon Lovitz or that's where Lovitz got his inspiration, too. It is at moments positively eerie how well it works, and without feeling like Depp stole Lovitz's act--his overall character is so much more, so much else, that the Lovitz echo becomes a small part of a larger coherent whole, although it never disappears entirely.

Sarah Jessica Parker and Patricia Arquette as the principal women in Wood's life are each endearing and effective in their own separate ways. Bill Murray is fun as always, and the secondary and bit players are very well cast.

Martin Landau . . . well . . . Martin Landau simply left me awestruck. Depp is all over the screen doin' his best wacky movie guy and chewing the scenery, Parker, Arquette, Murray, and the rest are obviously having a real fun time backing him up, and Martin Landau is shuffling around in the foreground muttering in Romanian and writing a book called "How to Steal a Movie." Mind boggling performance, and absolutely deserving every award it got him in 1995, which included a Best Supporting Actor Oscar, Golden Globe and SAG Awards, and the American Comedy Award for Funniest Supporting Actor in a Motion Picture. (Incidentally, his daughter Juliet, better known to millions of Buffy the Vampire Slayer fans as the vampire Drusilla, is one of the supporting players.)

If I weren't already a Tim Burton fan this movie would have made me one. He here makes an almost perfectly crafted period piece (anachronisms noted--see the "goofs" page--and dismissed), half cheesy fake scifi B movie and half period noir thriller, as a cinematic biography about the quintessential cheesy fake noir scifi thriller B movie guy. This film goes beyond pastiche, and beyond homage to a genre, although it is both. With this film Burton genuflects--no, prostrates himself--before the gods of 1950s low-budget black and white, and the gods are pleased indeed. It seems like he must have watched every movie made in America for under a million dollars between 1948 and 1962. I lost count of the echoes and parodies and pastiches and mini-homages that fill, I think, every darn frame of the movie, and which by no means are mostly of Wood and his work.

As with, I think, every movie biography, there's the odd gratuitous fact changing (see the "goofs" page again)--you know, the "Why'd they do that when the truth wouldn't make any difference?" kind of stuff, and as glowing as this review obviously is I must also say that it is in some ways an imperfect film--it glosses over Wood's later career, for example. But it it so obviously a labor of love and joy for all involved that in my opinion its imperfections are inconsequential. Ed Wood stands proudly, with that slightly odd gleam in its eye, with the best movie biographies made.


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