A drama about the awakening of painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
Because of his eccentric habits and bafflingly strange films, director Edward D. Wood Jr. is a Hollywood outcast. Nevertheless, with the help of the formerly famous Bela Lugosi and a devoted cast and crew of show-business misfits who believe in Ed's off-kilter vision, the filmmaker is able to bring his oversize dreams to cinematic life. Despite a lack of critical or commercial success, Ed and his friends manage to create an oddly endearing series of extremely low-budget films.Written by
When Ed Wood talks to film backer Old Man McCoy in the meat packing scene, Mr McCoy says "I got a son, he's a little slow, but a good boy." In real-life, Rance Howard's son is Producer and Director Ron Howard. See more »
At the start of the world war two theater production Ed can be seen miming the dialog in the background, however when the camera moves to a close up position of him, his left hand has changed positions. See more »
[pointing to a "Jacob's Ladder" on the set of Bride of the Atom]
I'm not getting near that goddamn thing. One of them burned me in "The Return of Chandu".
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In the opening credits, Johnny Depp's name appears in capital letters, followed by the title - both of them alternating in black and white, as though being illuminated by lightning - and the rest of the main cast are credited on tombstones. Supporting cast and crew names appear in white against dark, rainy sets featuring meant-to-look-low-budget effects such as a giant tentacle and flying saucers in outer space. See more »
Although I had never heard of Ed Wood before hearing of this film, I now understand why anybody would even consider making a film about him. Even though branded as "the worst director of all time," Wood was refreshingly passionate about what he did. Of course, I can't really judge his work, but from what I saw in this movie I'm pretty sure that the critics are right about him.
But that's not the point of Ed Wood. Not at all. My favorite scene in the whole movie is the conversation between Wood and Orson Welles. One perhaps the best filmmaker of his time, the other a young, struggling filmmaker without experience or talent, but each knows what the other is going through. They have the same problems and the same ambitions. The fact that one is a genius and the other a total failure is only secondary.
The performances are all first-rate, starting with Depp and Landau and going all the way to the supporting cast which includes a great performance by Bill Murray. Opposing Ed Wood's statement that "filmmaking is not about the tiny details," Tim Burton gave us another great film filled with wonderful details.
The film does not go into detail about Wood's experiences prior to and after making his first films which is understandable when you make a little research on this very website.
This film made me curious about Ed Wood's work and maybe I'll get over myself and check out Plan 9 from Outer Space or Glen or Glenda.
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