Ashes of Time (1994)

A broken-hearted hit man moves to the desert where he finds skilled swordsmen to carry out his contract killings.

Director:

Kar-Wai Wong (as Kar Wai Wong)

Writers:

Louis Cha (novel), Kar-Wai Wong (screenplay) (as Kar Wai Wong)

Stars:

Brigitte Lin, Maggie Cheung, Leslie Cheung

9 wins & 16 nominations.

Cast

Complete credited cast:
Brigitte Lin	...	Mu-rong Yin / Mu-rong Yang
Leslie Cheung	...	Ou-yang Feng
Maggie Cheung	...	The Woman
Tony Chiu-Wai Leung	...	Blind Swordsman (as Tony Chiu Wai Leung)
Jacky Cheung	...	Hung Chi
Tony Ka Fai Leung	...	Huang Yao-shi
Li Bai	...	Hung Chi's Wife
Carina Lau	...	Peach Blossom
Charlie Yeung	...	Young Girl
Rest of cast listed alphabetically:
Joey Wang	...	(scenes deleted)

Storyline

Ou-yang Feng lives in the middle of a desert, where he acts as a middle man to various swordsmen in ancient China. One of those swordsmen is Huang Yao-shi, who has found some magic wine that causes one to forget the past. At another time, Huang met Mu-rong Yin and under the influence of drink, promised to marry Mu-rong's sister Mu-rong Yang. Huang jilts her, and Mu-rong Yin hires Ou-yang to kill Huang. But then Mu-rong Yang hires Ou-yang to protect Huang. This is awkward, because Mu-rong Yang and Mu-rong Yin are in reality the same person. Other unrelated plot lines careen about. Among them is Ou-yang's continuing efforts to destroy a band of horse thieves. Oy-yang recruits another swordsman, a man who is going blind and wants to get home to see his wife before his sight goes completely. The swordsman is killed. Ou-yang then meets another swordsman who doesn't like wearing shoes. Oy-yang sends this man after the horse thieves, with better results. We then find out what a man must give...

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Plot Keywords:

swordsman | desert | china | wuxia | vengeance | 

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Genres:

Action | Drama

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Motion Picture Rating (MPAA)

Rated R for some violence

Details

Official Sites:

Official site Official site [Spain]

Country:

Hong Kong Taiwan

Language:

Mandarin Cantonese

Release Date:

17 September 1994 (Hong Kong)

Also Known As:

Ashes of Time

Filming Locations:

China

Box Office

Budget:

HKD40,000,000 (estimated)

Opening Weekend USA:

$21,372, 12 October 2008

Gross USA:

$174,273

Cumulative Worldwide Gross:

$1,935,416

Company Credits

Production Co:

Jet Tone Production, Block 2 Pictures, Scholar Films Company

Technical Specs

Runtime:

100 min 93 min (Redux)

Sound Mix:

Dolby Digital (Redux version) Mono

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

This film had an exhausting effect on Kar-Wai Wong. While on hiatus during the editing process he wrote and shot Chungking Express (1994) (Chungking Express) to "clear his head".

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Quotes

Ou-yang Feng: People say, when you can't have what you want, the best you can do is not to forget.

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Alternate Versions

Wong Kar-wai revisited the film and created the Redux version which premiered at the Cannes Film Festival 2008. This version has alternative footage and changes in the order of scenes. The Redux version has new opening titles, and the season's fade-ins introducing each chapter are new. It also has a new color-scheme and a new soundtrack. Some scenes from the original version have been deleted, for example the two main character's introduction in the beginning. The overall run time of the Redux version is slightly shorter than the original theatrical version.

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Connections

Followed by East Meets West (2011)

User Reviews

Memories Cut Deeper Than Swords...

"Ashes of Time Redux" is Wong Kar Wai's venture into the martial arts genre. However, energetic action and narrative clarity take a backseat to the visual poetry that contemplates wounded hearts, loneliness and the memories of lost love that cut deeper than any sword. Best appreciated as a sensory experience, "Ashes of Time Redux" unfolds as a series of beautiful yet melancholic images like the soft brush strokes of a Chinese landscape painting. Even the sword fights are shot as swirling, hallucinatory dreamscapes. The haunting desert landscape gorgeously captured in saturated colors by cinematographer Christopher Doyle, a brooding cello score by Yo-Yo Ma and the beauty of the actors (an all-star Hong Kong cast) contribute to a movie experience that both pleases the senses and engages the heart.