A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
When the daughter of a psychiatrist is kidnapped, he's horrified to discover that the abductors' demand is that he break through to a post traumatic stress disorder suffering young woman who knows a secret...
Sexual harassment is the theme, but here it is the man who is harassed by his new female boss. A high-flying executive, Meredith, is out to ruin her former lover, who she's just beaten to the top job in an electronics company, using every trick in the book.Written by
Tom is trying to secure Disneyland tickets for a man with the last name Jafar. Of course, Jafar is the name of a Disney character in the 1992 hit Disney film, Aladdin. Jafar also appears at Disneyland theme park. See more »
The first time, when Meredith Johnson and Tom Sanders are meeting in her office, when Meredith's secretary comes to ask her boss if she could leave earlier right after Meredith grants her wish, the secretary leaves and locks the office door. But when Tom Sanders leaves after he is harassed by Meredith, he opens the door, as if it was not locked. See more »
I wonder if Clifford 43, from Oz, may have missed the point.
This is a psychological thriller, which neatly plots a few days in the life of an technical executive in a computer company and his interaction with his colleagues, all as ambitious as he is himself. The film improves on Michael Crichton's novel by showing us how manipulative modern management is, when the bottom line is a big bonus to the bosses. Donald Sutherland, is excellent as the Boss who wants an important merger to work. And he thinks he has the person to make it do just that - the Demi Moore character, equallly excellent in a difficult role. Michael Douglas (excellent too)finds himself sidelined,being unaware of the bigger issues at stake. The plot becomes complicated by his being sexually harassed by Demi Moore's character - an issue which upset The Feminist Sisterhood - and possibly lost the film support from female viewers? But the plots and counter plots are clever. The end is not signalled in any obvious way and the use of the advanced computer system is absolutely central to the development of the story. The plot could be used as a blueprint for any story about corruption; backstabbing; corporate malpractice & legal manipulation. Cast your mind back to the Arbitration sessions - watch the by-play of the two attorneys. This is powerful cinema. I give it 9.5.
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