Suspecting foul play, Kay Egan goes undercover to work in a suspicious sex clinic where her sister went to therapy before killing herself. And Kay is not the only one watching the sinister married couple who runs the place.
John Henry Richardson,
A woman attempts suicide when she suspects her husband doesn't love her and is having an affair. Now she's wheelchair-bound, and her husband, who indeed doesn't love her and is having an ... See full summary »
Fred Olen Ray
Sheena grew up in the African wild, raised by a mystical witch woman. When her foster mother is framed for a murder Sheena is forced to flee, helped by her ability to talk to animals and her knowledge of the jungle.
A sex farce about a woman with an infertile husband who is desperate to get pregnant. She enlists the help of her neighbor and an in-law. Meanwhile her husband begins an affair with the ... See full summary »
In the Los Angeles of the future, police are forbidden to carry weapons and must use stun guns (called "stingers") instead. A maverick detective ignores those restrictions in his pursuit of... See full summary »
A man gets turned on watching his wife with other men as long as she plays by the rules. When she brings home a a new stranger who likes to play his own games, the husband finds his marriage in jeopardy.
Sara Suzanne Brown,
A young musician with a talent for all things electrical spies on his sexy neighbor with a penchant for skinny dipping in the pool in broad daylight and her obviously violent husband. He is so violent that in the opening sequence he murders a man for talking with his mouth full of food. As the soft-core sex film advances, she gets involved sexually with the much younger man, all the while luring him into a trap involving the murder of her husband.Written by
John Sacksteder <firstname.lastname@example.org>
Lisa Rhoden, who never read for the part, never played the part, and has absolutely nothing to do with the film, is nevertheless credited as Holly. It is believed that the credits were prepared with reference to an old casting sheet or potential talent listing from the film's pre-production period. See more »
Probably the most unusual of the Tanya Roberts "erotic thrillers," "Deep Down" is more a quirky character study and portrait of desperation and deception in low-income housing than anything usually found in your standard-issue, made- for-video potboiler. Essentially an electronic "Rear Window" set in L.A.'s San Fernando Valley, it's certainly a far cry from the cheapo crap ("Sins of Desire," "Night Eyes") for which the fallen Charlie's Angel is known, and occasionally seems to actually be saying something about voyeurism and violence.
From the unnecessary flashbacks and strained sexuality, the "erotic" aspect, in fact, seems almost to have been tacked on. It's as if soft-core queen Roberts and/or shady exploitation producers got their paws on a decent, Hitchcockian- type mystery/thriller story, and decided to turn it into a typically sleezy "Sins of Desire"-type trash entertainment.
If that's what happened here, it's too bad. Because even though this film may not be great, the basic concept certainly had potential -- most notably in the electronic voyeurism angle. Also interesting is the odd relationship between the wannabe musician who falls for Roberts (Chris Young), and his roommate-from- hell (overactor Kristoffer Tabori).
Other casting decisions aren't as successful. Aging '70s actor George Segal is completely miscast as the heavy -- a violent, gun-obsessed older guy married to Roberts; other parts are filled out by veteran actors who have seen better days and better films.
Roberts does her usual raspy-voiced attempt at acting (though is more neurotic and affected than usual) playing the supposedly sultry femme fatale who lives next door -- but (disastrously) sports a dikey, peroxide-blonde hairdo, and is utterly devoid of sexuality or sympathy of any kind.
Music is of the lame, synthesized "Body Heat" variety, while the flat lighting and uninspired camerawork give no sense of the claustrophobic, low-rent apartment environment, or the sweltering summer heat that is spoken of but never felt.
A few potentially dramatic scenes seem to have been sabotaged by bad editing. Nonexistent production values lend the movie the unmistakable look of an ultra- low budget, straight-to-video-hell cheapie.
The story itself contains some interesting twists and turns -- but the real mystery is why a 20-something dude would be attracted to a 40+ spinster like Roberts in the first place. Perhaps if someone sexy or voluptuous -- even another B- actress like Shannon Tweed -- had played the part, the film might have worked; at least the premise would have made sense. Still, worth a look if it ever pops up again on Cinemax.
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