Paulina Escobar is a political activist whose husband is a prominent lawyer in an unnamed South American country just out of a dictatorship. One day a storm forces her husband to ride home with a neighbor. That chance encounter brings up demons from her past, as she is convinced that the neighbor (Dr. Miranda) was part of the old fascist regime that tortured and raped her, while blindfolded. Paulina takes him captive to determine the truth. Paulina is torn between her psychological repressions and somber memory, Gerardo is torn between his wife and the law, and Dr. Miranda is forced to endure captivity while husband and wife seek out the uncertain truth about the clouded past.Written by
Henry G. Herron <email@example.com>
The source play states as its setting in the introduction as: "A beach house in a country that is probably Chile, but could be any country that has given itself a democratic government just after a long period of dictatorship. The Present." See more »
Dr. Miranda's moustache changes inconsistently throughout the movie. See more »
In this movie, Sigourney Weaver is thoroughly believable with her trademark edge, rarely seen in other women actors. The doctor, although obviously with selfish motives, kept me guessing until the end as to whether he was guilty of the crimes of torture she claimed he committed against her, having not seen the face of, but only having heard the voice of the man she remembered. You don't know the truth until the end. It is very riveting. Her relationship with her husband is very realistic, as well, and very revealing about both of their characters. All three roles were depicted as intensely real. I enjoyed this thriller from the moment it began to the very end. You are immediately engaged in her reality, rather than experiencing a slow build up seen with most movies. Very satisfying because no character was one-sided, but they were multi-dimensional, with each having a unique history. Bravo!
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