Chaank Armaments is experimenting with the ultimate fighting machine which is part human - part machine. So far, the Hardman project has been unreliable and has killed a number of innocent ...
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Billy Byrne is going to be the Next Big Thing - the next pop idol, the next art scandal, the next screen dream. Doors and worlds of possibility open up. Then it all goes wrong. The world doesn't care about his style, his voice, his thing.
An experimental submarine, the "Siren II", is sent to find out what happened to the "Siren I", which has mysteriously disappeared in a submarine rift. Things go awry when they begin to find... See full summary »
Robgen industries newest security system is "The J Series Automatic", an android model designed and programmed to protect humans from violent attacks. But one night, an Automatic named J269... See full summary »
When "American Psycho" was released early in 2000 it reaffirmed author Bret Easton Ellis as the controversial "bad boy" of contemporary American Fiction. "This is Not an Exit" reveals the world inhabited by Ellis. In HD.
Chaank Armaments is experimenting with the ultimate fighting machine which is part human - part machine. So far, the Hardman project has been unreliable and has killed a number of innocent people. The genius behind this project is Jack who lives in a world of models, toys and magazines. When he is fired by Cale for killing a few corporate officers, he unleashes the ultimate killing machine called the 'Warbeast' against Cale and those who would help her.Written by
Tony Fontana <firstname.lastname@example.org>
The character "Sam Raimi" is named after director Sam Raimi. In one scene, Raimi fires a missile at the Warbeast. The succeeding shot where the camera follows the homing missile in fast-forward is a likely homage to Raimi's The Evil Dead (1981) where a similar filming technique portrays an unspecified evil charging through the woods. See more »
Raimi kicks the warbeast into a cable drum and goes for the hoist. The warbeast takes a moment to recover and follows them. When the warbeast starts running from the cable drum you can see Raimis outstretched leg, proving this shot is a reversed re-use of the earlier kicking shot. See more »
One of the characters yells at his friend: "You just knew Ho-Ho was going to turn out to be the fat, sweaty, desperate psycho!" And of course, we all did too...
There is no question what this movie was. There are even characters named Scott Ridley, Sam Raimi, and John Carpenter. While the surface of the film is a long-corridor (Aliens) horror movie, what lies beneath is sort of a manic, director-oriented comedy that reminds me more of Evil Dead 2 than anything else. The hyper sound to dead silence, the overly dramatic lighting, the first-person Missile Cam, the cool line followed by backlit explosion... it all leans towards a wild but fun ride through all of the most common camp in these types of movies. It's a satire subtle enough to pass as just another bad horror movie, if you're not paying attention.
Brad Dourif (who was B-B-B-B-Billy Buh-Bibbit, a long time ago, and the voice of Chucky-- and might become a little more prevalent in film after being in the upcoming Lord Of The Rings trilogy) is the great shining spot in this film, and alternates from acting well (check out his outpouring at the end) to completely terrible (awful references to hacking... "Molebdenic composite"?). And all of the best subtle jokes are bad guy parodies-- my favorite example is his inability to get his threat right over the monitors: "Turning me off won't turn you off. No. Wait. Turning you off--" click.
But the real flair here is in the direction. None of this would work if it wasn't played half serious with the sights and sounds. As the climax builds, the ambient noise cuts out completely for the doors to chime "Welcome!" cheerily. The HUD from the machine's point of view displays 1P and Hi Score. The Robocop-style machine whirring in the Hardman gear as Raimi actually gets into a fistfight (!) with the machine... there is never any "set 'em up, knock 'em down" standard cue that *these* are the jokes... but there they are. Dig in.
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