5.2/10
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2 user 1 critic

Saturday Night Special (1994)

R | | Thriller
Country music sensation Billy Burnette (Fleetwood Mac) makes his movie debut in this sexy suspenseful thriller in the tradition of body heat. Travis (Burnette) arrives like a hot wind on a ... See full summary »

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Cast

Cast overview, first billed only:
Billy Burnette ... Travis
Rick Dean ... T.J.
... Darlene
Robert Van Luick ... Sheriff Cain
... Reno
... Cliff
J.R. Kuykendall ... Junior
Will Huston ... Tommy (as William Edwards)
... Biker
Jeff Burr ... Doctor
... Painter
Gary Bonary ... Minister
Amy Lewis ... Waitress
Carla Olson ... Band Member (as Carla Olsen)
Rocky Burnette ... Band Member
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Storyline

Country music sensation Billy Burnette (Fleetwood Mac) makes his movie debut in this sexy suspenseful thriller in the tradition of body heat. Travis (Burnette) arrives like a hot wind on a steamy summer night, he's a mystery man who sings his passion at the local road house. The stakes are rising and someone is bound to lose. It's an erotic game of cat and mouse, that will keep you guessing until the final, sizzling scene. Written by Concorde - New Horizons (with permission).

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Thriller

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R
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Featured in Some Nudity Required (1998) See more »

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User Reviews

 
Interesting Original Los Angeles Setting Ineffectively Replaced In A Wearying, and Warmed-Over Story.
17 December 2006 | by See all my reviews

This is essentially a note for note remake of producer Roger Corman's interesting 1991 Marcus De Leon directed film, KISS ME A KILLER, the work's setting unhappily transposed from its original East Los Angeles background to a semi-rural location in Texas, a switch that reveals in the main its inferiority when compared with the earlier piece. Shooting takes place in the environs of Vera Cruz, Mexico, intended to depict a small town north of the Border, and it has been reported that those engaged in the production had a very pleasant time during the making of it; unfortunately, the same will not be the case for most viewers, whose interest is apt to be flagging from the very start of the film. Pop "rockabilly" singer Billy Burnette plays here as Travis, a wandering singer and guitarist who arrives at the community, evidently made up largely of line dancers, where he enters a local redneck roadhouse, promptly offered by the bar owner employment as entertainer and impressing the citizenry to whom his performing skills prove to be irresistible. Darleen (Maria Ford), wife of roadhouse proprietor T.J. (Rick Dean), has taken a fancy to the stranger who in turn becomes enthralled with her very obvious physical charms, and the pair must soon decide what they should do with T.J. The curious and cynical local sheriff also desires to know what indeed may become of T.J., since he and others have noticed the fires of lust burning within and binding Travis and Darleen. An additional source of potential trouble for the illicit lovers appears when a former prison mate of mysterious Travis comes into the roadhouse, and it would seem that only the Fates will be able to rescue Travis from the dangerous situation that he has created for himself. The film's hackneyed treatment of its slender themes of sexual betrayal and desperation are smothered by tepid direction, generally lacklustre playing, and scoring that could have been most improved by being replaced with white noise. Corman's penchant for reuse of his own past production material is here plainly employed as a marketing device for singer Burnette's cinema debut, since all ten cuts from one of his recent albums are heard, including three music videos following the feature film. He has scant talent as a Thespian while Ford, who has at times expressed a wish to receive more challenging roles than have been hers, will have to display improved acting chops over those seen here, with hopefully less footage of an undernourished frame. This is a drab potage all round, but notice shall be made of Rick Dean's turn, cast as a cuckold and dominating each of his scenes, as is customary for this talented player.


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