Spike Lee's vibrant semi-autobiographical portrait of a school teacher, her stubborn jazz musician husband and their five kids living in Brooklyn in 1973.
Spike Lee's vibrant semi-autobiographical portrait of a school teacher, her stubborn jazz musician husband and their five kids living in Brooklyn in 1973.
In the store, Troy buys a bag of chips, lemon heads, bazooka gum, licorice, fireballs and Boston baked beans. When she gets home all of the boys pull out all of the candy from the bag and Troy is seen eating a candy necklace, obviously something she did not buy. See more »
Quotes
Woody:
We got the car. We can go for a drive.
Carolyn:
Can we leave Brooklyn?
Woody:
Take you anywhere.
Carolyn:
Can we *please* leave Brooklyn?
Woody:
Yes, we can.
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Crazy Credits
The closing credits play over old footage of several episodes of "Soul Train". See more »
I'm Stone in Love with You
Written by Anthony Bell, Thom Bell, and Linda Creed
Used by permission of Warner-Tamerlane Publishing Corp.
Performed by The Stylistics
Courtesy of Amherst Records, Inc./PolyGram International Music B.V.
By arrangement with Original Sound Entertainment/Celebrity Licensing Inc. See more »
The distortion doesn't complement anything...and certainly doesn't communicate the blatant literal attempt it tries to. It just takes away from the wonderfully acted and designed set that captures living in the midwest 1970s so well...that now the distortion takes away from it.
The distortion is a really bad idea because your audience is immediately distracted by the first thought as to 'What is wrong with the projectionist?" Next thought is you are now well aware you are in a theatre watching a possible technically error. Thanks for reminding me I'm in a movie...watching a movie....because that's the goal of all filmmakers. At that point, your train of thought has taken you away from the action happening in wonderful detail in the actors expression and set design you fail to miss this "blatant literal" attempt to tell your audience that they can't possibly understand this change in the character's environment so now "I'm going to help you because you are too stupid by the 40 minutes of Brooklyn living to see the difference between the two environments!" Either Spike felt his actors were so bad or his audience to stupid to get it. Sorry Spike...most of us were exposed to slumber parties in other households as children where the culture and environment was vastly different from our own. We didn't need distortion glasses then to know our environment changed...trust me..your audience get's it and would've better appreciated your art departments, wardrobe's work and the actors performance better without the distortion. Do you really need to be that literal? Are Brooklynites that stupid to get and you put it in there for them? Or do you think people in the suburbs would be too stupid to get it? Really? Any chance of releasing a "Fixed Crooklyn" version so that every time I see that scene....I don't feel like I'm being spoon-fed a narrow viewpoint of a Brooklynite that never got out of their house for a slumber party in the 70s or couldn't fathom other lifestyles? I'm sorry..I don't know about the Brooklyn school system but we had geography and social studies in Middle School. We were taught about other cultures way back in the 70s. I would have expected you would've known about the other world outside your neighborhood by the time you made this movie.
The distortion effect is an epic fail on really one of your best family drama films. It's like a turd in the middle of this great Brooklyn experience of a story.
Other than that...it's a great movie with a lot of replay value. If you ever watch Soul Train back in the 70s or been to a slumber party.....this movie captures the period in a very realistic way! Too bad the distortion takes away from the reality of the suburb scene. I wonder why he didn't distort any of the reality of the Brooklyn scenes? I would think someone coming to Brooklyn from the burbs would expect to see all their movies shot in Brooklyn to have a distorted effect in their local theatres. Hmmm...call me stupid!!!
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The distortion doesn't complement anything...and certainly doesn't communicate the blatant literal attempt it tries to. It just takes away from the wonderfully acted and designed set that captures living in the midwest 1970s so well...that now the distortion takes away from it.
The distortion is a really bad idea because your audience is immediately distracted by the first thought as to 'What is wrong with the projectionist?" Next thought is you are now well aware you are in a theatre watching a possible technically error. Thanks for reminding me I'm in a movie...watching a movie....because that's the goal of all filmmakers. At that point, your train of thought has taken you away from the action happening in wonderful detail in the actors expression and set design you fail to miss this "blatant literal" attempt to tell your audience that they can't possibly understand this change in the character's environment so now "I'm going to help you because you are too stupid by the 40 minutes of Brooklyn living to see the difference between the two environments!" Either Spike felt his actors were so bad or his audience to stupid to get it. Sorry Spike...most of us were exposed to slumber parties in other households as children where the culture and environment was vastly different from our own. We didn't need distortion glasses then to know our environment changed...trust me..your audience get's it and would've better appreciated your art departments, wardrobe's work and the actors performance better without the distortion. Do you really need to be that literal? Are Brooklynites that stupid to get and you put it in there for them? Or do you think people in the suburbs would be too stupid to get it? Really? Any chance of releasing a "Fixed Crooklyn" version so that every time I see that scene....I don't feel like I'm being spoon-fed a narrow viewpoint of a Brooklynite that never got out of their house for a slumber party in the 70s or couldn't fathom other lifestyles? I'm sorry..I don't know about the Brooklyn school system but we had geography and social studies in Middle School. We were taught about other cultures way back in the 70s. I would have expected you would've known about the other world outside your neighborhood by the time you made this movie.
The distortion effect is an epic fail on really one of your best family drama films. It's like a turd in the middle of this great Brooklyn experience of a story.
Other than that...it's a great movie with a lot of replay value. If you ever watch Soul Train back in the 70s or been to a slumber party.....this movie captures the period in a very realistic way! Too bad the distortion takes away from the reality of the suburb scene. I wonder why he didn't distort any of the reality of the Brooklyn scenes? I would think someone coming to Brooklyn from the burbs would expect to see all their movies shot in Brooklyn to have a distorted effect in their local theatres. Hmmm...call me stupid!!!