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Crooklyn (1994)

PG-13 | | Comedy, Drama | 13 May 1994 (USA)
Spike Lee's vibrant semi-autobiographical portrait of a school teacher, her stubborn jazz musician husband and their five kids living in Brooklyn in 1973.

Director:

Spike Lee

Writers:

Joie Lee (story) (as Joie Susannah Lee), Joie Lee (screenplay) (as Joie Susannah Lee) | 2 more credits »
3 nominations. See more awards »

Photos

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Cast

Cast overview, first billed only:
Alfre Woodard ... Carolyn
Delroy Lindo ... Woody
David Patrick Kelly ... Tony Eyes / Jim
Zelda Harris ... Troy
Carlton Williams Carlton Williams ... Clinton
Sharif Rashed Sharif Rashed ... Wendell
Tse-Mach Washington Tse-Mach Washington ... Joseph
Christopher Knowings Christopher Knowings ... Nate
José Zúñiga ... Tommy La La (as José Zuniga)
Isaiah Washington ... Vic
Ivelka Reyes Ivelka Reyes ... Jessica
Spike Lee ... Snuffy
N. Jeremi Duru N. Jeremi Duru ... Right Hand Man
Frances Foster Frances Foster ... Aunt Song
Norman Matlock ... Clem
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Storyline

Spike Lee's vibrant semi-autobiographical portrait of a school teacher, her stubborn jazz musician husband and their five kids living in Brooklyn in 1973.

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian | Spanish

Release Date:

13 May 1994 (USA) See more »

Also Known As:

Crooklyn See more »

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Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend USA:

$4,209,475, 15 May 1994

Gross USA:

$13,642,861

Cumulative Worldwide Gross:

$13,642,861
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

After the years of hard work and controversy surrounding Malcolm X (1992), Spike Lee wanted to a make a film with a smaller scale and lighter tone which led him to this project. See more »

Goofs

In the store, Troy buys a bag of chips, lemon heads, bazooka gum, licorice, fireballs and Boston baked beans. When she gets home all of the boys pull out all of the candy from the bag and Troy is seen eating a candy necklace, obviously something she did not buy. See more »

Quotes

[Clinton, Wendell and Nate watching the Knicks game at Troy's room, Carolyn comes into her room]
Carolyn: Surprise, boys!
[turns off the television set]
Clinton: What's wrong with you? I'm watching the Knicks!
Carolyn: Boy, I'll knock you out.
Wendell: Yeah, what's the big deal?
Carolyn: The big deal is I said no TV on a school night, damn it! The Knicks got a job! You need an education or I will throw this idiot box out the window!
See more »

Crazy Credits

The closing credits play over old footage of several episodes of "Soul Train". See more »

Connections

Referenced in Family Guy: Don't Make Me Over (2005) See more »

Soundtracks

Hey Joe
Written by Billy Roberts
Performed by The Jimi Hendrix Experience
See more »

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User Reviews

 
Underrated gem from Spike Lee
16 September 2003 | by davidalsSee all my reviews

CROOKLYN isn't Spike Lee's greatest, but it comes very close. Parts of the film hit so close to home with me - the sense of community so vividly depicted, and the 70s soul music (which is nearly ubiquitous through CROOKLYN) makes this film something much like a musical, with the grit and intimacy of Lee's visual realism constantly balanced against the idealism and romanticism of the music. As slice-of-life Americana, this is about as good as it gets. I disliked the scenes with the Aunt & Uncle - I felt that they were being ridiculed mercilessly, for no good reason (they are the living embodiment of the idealism contained in at least some of the music heard at other times in the film, whether they know it or not), and I wished those scenes were handled with more subtlety - Lee, like his NYC bretheren Martin Scorsese and Woody Allen has major issues with suburban types (this hits a peak in Lee's later BAMBOOZLED - an almost brilliant, but also almost cruel expression of rage at the excesses of the entertainment industry that also aimed merciless fury at uncritical audiences - audiences of any and every race and class).

But this scene aside, the remainder of CROOKLYN is so strong, and very well-made - I'd still offer a recommendation.


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