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Title: Crooklyn (1994)
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| Cast overview, first billed only: | |||
| Alfre Woodard | ... | Carolyn | |
| Delroy Lindo | ... | Woody | |
| David Patrick Kelly | ... | Tony Eyes / Jim | |
| Zelda Harris | ... | Troy | |
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Carlton Williams | ... | Clinton |
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Sharif Rashed | ... | Wendell |
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Tse-Mach Washington | ... | Joseph |
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Christopher Knowings | ... | Nate |
| José Zúñiga | ... | Tommy La La (as José Zuniga) | |
| Isaiah Washington | ... | Vic | |
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Ivelka Reyes | ... | Jessica |
| Spike Lee | ... | Snuffy | |
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N. Jeremi Duru | ... | Right Hand Man |
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Frances Foster | ... | Aunt Song |
| Norman Matlock | ... | Clem | |
Spike Lee's vibrant semi-autobiographical portrait of a school teacher, her stubborn jazz musician husband and their five kids living in Brooklyn in 1973.
The distortion doesn't complement anything...and certainly doesn't communicate the blatant literal attempt it tries to. It just takes away from the wonderfully acted and designed set that captures living in the midwest 1970s so well...that now the distortion takes away from it.
The distortion is a really bad idea because your audience is immediately distracted by the first thought as to 'What is wrong with the projectionist?" Next thought is you are now well aware you are in a theatre watching a possible technically error. Thanks for reminding me I'm in a movie...watching a movie....because that's the goal of all filmmakers. At that point, your train of thought has taken you away from the action happening in wonderful detail in the actors expression and set design you fail to miss this "blatant literal" attempt to tell your audience that they can't possibly understand this change in the character's environment so now "I'm going to help you because you are too stupid by the 40 minutes of Brooklyn living to see the difference between the two environments!" Either Spike felt his actors were so bad or his audience to stupid to get it. Sorry Spike...most of us were exposed to slumber parties in other households as children where the culture and environment was vastly different from our own. We didn't need distortion glasses then to know our environment changed...trust me..your audience get's it and would've better appreciated your art departments, wardrobe's work and the actors performance better without the distortion. Do you really need to be that literal? Are Brooklynites that stupid to get and you put it in there for them? Or do you think people in the suburbs would be too stupid to get it? Really? Any chance of releasing a "Fixed Crooklyn" version so that every time I see that scene....I don't feel like I'm being spoon-fed a narrow viewpoint of a Brooklynite that never got out of their house for a slumber party in the 70s or couldn't fathom other lifestyles? I'm sorry..I don't know about the Brooklyn school system but we had geography and social studies in Middle School. We were taught about other cultures way back in the 70s. I would have expected you would've known about the other world outside your neighborhood by the time you made this movie.
The distortion effect is an epic fail on really one of your best family drama films. It's like a turd in the middle of this great Brooklyn experience of a story.
Other than that...it's a great movie with a lot of replay value. If you ever watch Soul Train back in the 70s or been to a slumber party.....this movie captures the period in a very realistic way! Too bad the distortion takes away from the reality of the suburb scene. I wonder why he didn't distort any of the reality of the Brooklyn scenes? I would think someone coming to Brooklyn from the burbs would expect to see all their movies shot in Brooklyn to have a distorted effect in their local theatres. Hmmm...call me stupid!!!