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Chungking Express (1994)

Chung Hing sam lam (original title)
PG-13 | | Comedy, Crime, Drama | 8 March 1996 (USA)
Two melancholy Hong Kong policemen fall in love: one with a mysterious female underworld figure, the other with a beautiful and ethereal server at a late-night restaurant he frequents.

Director:

Kar-Wai Wong (as Kar Wai Wong)

Writer:

Kar-Wai Wong (as Kar Wai Wong)
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Popularity
4,115 ( 86)

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8 wins & 19 nominations. See more awards »

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Cast

Complete credited cast:
Brigitte Lin ... Woman in blonde wig (as Ching-hsia Lin)
Tony Chiu-Wai Leung ... Cop 663 (as Tony Chiu Wai Leung)
Faye Wong ... Faye
Takeshi Kaneshiro ... He Zhiwu, Cop 223
Valerie Chow ... Air Hostess
Jinquan Chen Jinquan Chen ... Manager of 'Midnight Express'
Lee-Na Kwan Lee-Na Kwan ... Richard (as Guan Lina)
Zhiming Huang Zhiming Huang ... Man
Liang Zhen Liang Zhen ... The 2nd May
Songshen Zuo Songshen Zuo ... Man
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Storyline

Wong Kar-Wai's movie about two love-struck cops is filmed in impressionistic splashes of motion and color. The first half deals with Cop 223, who has broken up with his girlfriend of five years. He purchases a tin of pineapples with an expiration date of May 1 each day for a month. By the end of that time, he feels that he will either be rejoined with his love or that it too will have expired forever. The second half shows Cop 663 dealing with his breakup with his flight attendant girlfriend. He talks to his apartment furnishings until he meets a new girl at a local lunch counter. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Plot Synopsis

Taglines:

If my memory of her has an expiration date, let it be 10,000 years...


Motion Picture Rating (MPAA)

Rated PG-13 for some violence, sexuality and drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Hong Kong

Release Date:

8 March 1996 (USA) See more »

Also Known As:

Chungking Express See more »

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Box Office

Gross USA:

$600,200
See more on IMDbPro »

Company Credits

Production Co:

Jet Tone Production See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (international)

Sound Mix:

4-Track Stereo | Dolby SR

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Although the film says it's "introducing" Faye Wong, her first film role was actually in "Beyond's Diary". See more »

Goofs

The woman in the blonde wig had no apparent opportunity to get the beeper number except from Cop 223 himself the night before, and he wouldn't have started to abandon his beeper as useless if he had just given someone new the number. See more »

Quotes

Air Hostess: [kiss-off letter] Change of flight. Your plane cancelled. Here's your key. Bye.
See more »

Alternate Versions

The original Hong Kong release ran 98 minutes. 'Kar Wai Wong' made several changes to the international version, bringing the running time to 102 minutes:
  • The international version expands the scenes where The Blonde prepares for the smuggling trip and later searches for the smugglers.
  • Indian music plays during the smugglers' arrival at the airport in international prints; in the Hong Kong version, the title theme plays.
  • The international version includes the kidnapping of an Indian girl, which does not occur in the Hong Kong version.
  • The sequence with Zhiwu loitering outside his girlfriend's window appears earlier in international edit.
  • In the Hong Kong version, the Faye Wong cover of "Dreams" plays over the shot of 663 drinking coffee. The international version strips out the music (leaving only ambient noise), although "Dreams" still appears at the end of the film. The international cut is Wong's preferred version and has been used for most home video releases. The Hong Kong cut was released on VHS/laserdisc by World Video and on VHS/LD/DVD by Mei Ah.
See more »

Connections

Referenced in Posutoman burusu (1997) See more »

Soundtracks

Dream Person
Written by Dolores O'Riordan and Noel Hogan
Performed by Faye Wong
(cover of "Dreams" by The Cranberries)
See more »

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User Reviews

 
A midst pining, sometimes a second chance is right in front of our eyes.
30 March 2013 | by gabriel-john-strangeSee all my reviews

WARNING: SMALL SPOILERS MAY BE GIVEN BELOW

Today being a lazy Sunday, I finally got around to watching Chungking Express. This film is something which has always been on my lengthy cinema bucket list.I am joyous that I took the the time viewing into this film as it was both uplifting and meditative amongst the chaos.

The film's plot revolves around two separate narratives regarding two policemen working within Chungking,both of whom have gone through recent break ups. Their stories are told sequentially and are both running in chagrin until they encounter a new woman.

For the first story, we become acquainted with He Qiwu, a man who pines over his most recent relationship with a girl called May. Whilst the May of which his relationship recently ended with has no screen time, there is plenty of monologue spoken from He Qiwu and interaction with other characters regarding her that as an audience we can feel his pain. (I mean, who hasn't been there before?) He Qiwu goes on the rebound and seeks out a girl after much self pity. It is at bar that he encounters a certain femme fatale.

The femme fatale is not issued a name in this story segment however it just adds to the sense of mystery she aesthetically displays by the "costume" of which she wears: A Blonde Wig and Glasses. It becomes quickly evident within the first fifteen minutes of the film that she is a dangerous presence as we see her organizes an illegal drug smuggling operation.

When He Qiwu and the woman with the blonde wig cross paths, it is not because he is after her. It is because he found himself out at a bar on the prowl and as we as viewers are sure of, the ineluctability of them meeting together is certain. They are not united together as lovers, however there is a slither of hope given to He Qiwu after their encounter and in his current position, a morale booster.

In the second story, the unnamed Cop 663 is going through the motions post break up with an air stewardess. We see that the stewardess had decided to visit a snack counter which he frequents and gave a letter to the owner regarding her wishes to break up and keys to the apartment.

This is all caught by the exuberant Faye, a worker at the counter. As Cop 663 does not wish to look at the envelope being fully aware of what the letter will detail, Faye falls him for and uses the keys to start rearranging the house while he is at his day-shift unaware. From there, the story builds around the meetings between of both Faye and Cop 663.

Throughout both stories there are reoccurring motifs that we take in such as expiry dates, the name of May, a model airplane, California Dreamin' by The Mamas & Papas, a Garfield stuffed toy and more which have been omitted from this review. The symbolism behind these help build the strength of both stories and also slightly relate them.

The setting of Chungking is a multicultural place and in being so it is interesting to hear dialog hear dialog in Mandarin, Cantonese, Japanese and Indian throughout the film.

It is hard for the setting to not draw you in. However, despite the streets being as flooded with populace as they are, we are left with the contrast of the characters usually being in isolated locations. Taciturn and with a running self monologue.

The soundtrack should be a key player in any film watched and in The Chungking Express it is not something which is not to be ignored. Most notably the soundtrack is dominated by California Dreamin' during the second half of the movie. The highlight song for me personally is a delightful Cantonese cover version of the song "Dreams" originally performed by the Cranberries sung by no other than Faye Wong, main actress of the second segment.

In regards to the cinematography, it is hard to believe that shots being taken are not being done so under natural lighting. In a scene where the Indians are assembling clothes and toys, we get various cutaway shots and amazing editing. (In particular one shot of shoes filled with cocaine/heroin being put away is shot upside down which for unknown reasons I really love) The editing is quick and fast paced, rarely lingering.

Through the use of shaky held hand camera during chase scenes and the busy streets we feel disorientated and just as lost as the characters on screen.

I believe this film is an equally a comfort to those in love as to those who are out of love. Don't give up.


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