A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
What is going on here?!? French director, Michel Blanc (as Himself), just doesn't understand why his life is suddenly falling apart. This nightmarish comedy-thriller is all about identity. ... See full summary »
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters--an aged song-and-dance team from the days of Fred Astaire--to rescue him.
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and ... See full summary »
Paris 1577 - King Henri III gives famous couturier Pic Saint Loup a crucial diplomatic mission. He must go to Spain to make a magnificent gown for the wedding of the King's nephew to the ... See full summary »
After his successful `Une époque formidable', a comedy about homeless people, Gérard Jugnot came back with another, even more ambitious, comedy, about the Balkanic wars (though the place is left unnamed). A group of French tourists, vacationing in a Mediterranean island, is caught in the middle of a war they didn't even know about. In a few hours, they learn to set aside their former troubles (pending divorce, loneliness, ageing) so that they can cope with important matters, like avoiding to get killed or fishing corpses in a swimming pool. While the movie is not entirely satisfying (every character learns the usual lesson about what's really important in life, and the war they're in is too theoretical to be convincing), it explores a few new themes, like our (Western Europeans) ambiguous feelings about the Yugoslavian tragedies (and foreign tragedies in general), or the idea that we (Western Europeans) tend to live in a bubble that's bound to explode. Jugnot has certainly to be credited for taking comedy out of its usual tracks.
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