The life and times of Cazuza, Brazilian singer/poet/enfant terrible, from his start with rock group "Barão Vermelho", to his death from Aids, in 1990, showing his career, love affairs, and involvement with drugs.
Daniel de Oliveira,
In the '40s, three brothers decide to live a great adventure and enlisting in the Roncador-Xingu Expedition, which has a mission to tame the Central Brazil. The Villas Boas brothers: ... See full summary »
Boy tries to help his uncle, guilty of a murder case, to prove his innocence. He thinks the uncle has confessed the crime as a cover-up for his girlfriend, who was the wife of the dead man.... See full summary »
A trip to the mental institution hell. This odyssey is lived by Neto, a middle class teenager, who lives a normal life until his father sends him to a mental institution after finding drugs... See full summary »
André, relatively poor, falls in love with Silvia, a neighbor whom he spies with a telescope. Falling more and more in love with her, he begins to follow her around the city and realizes ... See full summary »
Renata de Lélis,
The story of a famous Brazilian criminal, called The Red Light Bandit because he always used a red flashlight to break in the houses during the night. Working alone, he also used to rape his female victims.
Brazilian baroque. The young son that ran from his dominant family, descends into decadence and then returns to the nest. With melodramatic themes of tyrannical fathers, incest, fierce ... See full summary »
In 1594 in Brazil, the Tupinambás Indians are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman (Arduíno Colassanti) is captured by the ... See full summary »
Nelson Pereira dos Santos
Ana Maria Magalhães,
Eduardo Imbassahy Filho
It was such a critical and commercial success in Brazil that it is often known as the movie that caused the resumption of Brazilian cinema, after the many years of limited productions made in the country in the early 1990's. See more »
This movie is awful in every single aspect. Gross and without humor, historically naive, bad acting, primitive cutting, inadequate soundtrack, everything in this movie looks and sounds wrong and cheap. The Spanish and European Portuguese accents sound fake to the point of hurting the ears. Moreover, what's this thing about having a Scot guy narrating the movie in English? What nonsense! Additionally, what's this thing about Carlota throwing shoes out of the boat into what is obviously a cheap fish tank? Hallo! Was it supposed to look like the seabed? If the intention was to be satirical, even if gross, they should have watched some Monty Python flicks and learn how to do it. Well, at least there were two interesting points in this movie. First, it shows how much Brazilian aesthetic production values are contaminated by extremely poor soap opera standards. Contrast this poor excuse for a movie with the excellent "Central do Brasil," and the point in mind reveals itself clearly. It's amazing that the two movies were big blockbusters in Brazil, considering that they are at the opposite extremes of the quality scale. Second, it is the ultimate proof of a Brazilian sociological phenomenon, that Brazilians are unable to accept and face their own failures, and need to systematically bring "deus ex machina" motives into play to explain the difficulties of the country. The bitter question that remains after watching this movie is: if the leaders of a nation, imposed or not, are so weak, mean, incompetent and stupid, what thereafter should one conclude about the character traits of the people that accept the rule of leaders like those? Intriguing, even if sad.
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