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Bullets Over Broadway (1994)

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In New York in 1928, a struggling playwright is forced to cast a mobster's talentless girlfriend in his latest drama in order to get it produced.

Director:

Woody Allen
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Won 1 Oscar. Another 20 wins & 24 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Cusack ... David Shayne
Dianne Wiest ... Helen Sinclair
Jennifer Tilly ... Olive Neal
Chazz Palminteri ... Cheech
Mary-Louise Parker ... Ellen
Jack Warden ... Julian Marx
Joe Viterelli ... Nick Valenti
Rob Reiner ... Sheldon Flender
Tracey Ullman ... Eden Brent
Jim Broadbent ... Warner Purcell
Harvey Fierstein ... Sid Loomis
Stacey Nelkin ... Rita
Malgorzata Zajaczkowska ... Lili (as Margaret Sophie Stein)
Charles Cragin Charles Cragin ... Rifkin
Nina von Arx Nina von Arx ... Josette (as Nina Sonya Peterson)
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Storyline

1920s Broadway. Playwright David Shayne considers himself an artist, and surrounds himself with like minded people, most struggling financially as they create art for themselves, not the masses. David, however, believes the failure of his first two plays was because he gave up creative control to other people who didn't understand the material. As such, he wants to direct his just completed third play, "God of Our Fathers", insider scuttlebutt being that it may very well make David the toast of Broadway. With David having no directing history, David's regular producer, Julian Marx, can't find any investors,... until a single investor who will finance the entire production comes onto the scene. He is Nick Valenti, a big time mobster, with the catch being that his dimwitted girlfriend, non-actress Olive Neal, get the lead role. A hesitant David and Julian, who are able to talk Nick into them giving Olive one of the two female supporting roles instead, go along with the scheme hoping ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

A killer comedy! See more »

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated R for some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

24 February 1995 (USA) See more »

Also Known As:

Coups de feu sur Broadway See more »

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Box Office

Budget:

$20,000,000 (estimated)

Gross USA:

$13,383,737
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Stereo (Mono)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This was the first film directed by Woody Allen not to feature Louise Lasser, Diane Keaton or Mia Farrow. See more »

Goofs

When David stands in the street and argues with Sheldon Flender in the apartment above, a powerful floodlight on a technical-looking stand is reflected in the open window. See more »

Quotes

Sheldon Flender: Hey, look who's here. The big Broadway success. I don't write hits. My plays are art. They're written specifically to go unproduced.
See more »

Connections

Referenced in Gilmore Girls: You've Been Gilmored (2006) See more »

Soundtracks

Toot, Toot, Tootsie (Goo' Bye!)
Written by Dan Russo, Ernie Erdman and Gus Kahn
Performed by Al Jolson with the Vitaphone Orchestra
Courtesy of Academy Sound and Vision Ltd.
See more »

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User Reviews

 
Intelligence and humour
2 October 2004 | by valadasSee all my reviews

Woody Allen is a genius indeed. Once more in this movie he presents us with a mixture of intelligence and humour conveyed by his famous witty dialogues where the characters seem to play with serious things but are indeed giving us through humour an image of what people think and feel about life nowadays and about the relationships that spring among them. This story mix up with considerable success two ingredients that "a priori" seem not to combine very well: the world of theatre with the world of mafia and gangsterism in the crazy twenties of last century. All the characters are very typical and greatly performed: the young playwright looking for a place in the sun, the ham actress who overacts a lot even in real life, the mafia boss who imposes his girlfriend on the playwright as an actress, the Greenwich Village intellectuals and so on. In my opinion however the feeblest character is the one of the gangster who becomes also playwright from a certain moment on. Some of his interventions lack authenticity. But this is only a minor flaw in the whole. Like all the other Woody Allen's movies this one seems superficial at first sight but it's well made and deep enough to amuse us and simultaneously make us think and feel life in it.


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