The high-school student Matt Leland lives with his twin brother and sister and his father in a house by the lake. When the teenager Casey Roberts moves to the house on the other side of the... See full summary »
Jane is a night club singer, out of work. Robin is a quirky real estate agent looking for a ride-share to accompany her to California. Her advertisement is answered by Jane, who at first ... See full summary »
When saloon prostitute Cody Zamora rescues her friend Anita from an abusive customer by killing him, she is sentenced to hang. However, Anita and their two friends Eileen and Lilly rescue Cody and the four make a run for Texas, pursued by Graves and O'Brady, two Pinkerton detectives hired to track them. When Cody withdraws her savings from a Texas bank, the women believe they can now start a new life in Oregon. But Cody's old partner Kid Jarrett takes Cody's money when his gang robs the bank, and so the four so-called "Honky- Tonk Harlots" set out to recover the money, with the Pinkertons hot on their trail.Written by
Jim Beaver <firstname.lastname@example.org>
Tamra Davis started as director of this film, with a script written by Yolande Turner and Becky Johnston. A few weeks into filming, the production company became unhappy with the direction the film was taking. They shut down production, replaced Davis with Jonathan Kaplan, had the script rewritten and sent the four main actresses off to "cowboy camp" to learn how to shoot, rope and ride. See more »
A wad of hundred dollar bills seen briefly is obviously twentieth-century money. See more »
A decent enough film missing some key story and dramatic elements. The film takes no time getting into the meat of the matter, but the characters suffer because of it, ergo the film carries those same burdens.
Were given the background of the four characters in question, but budgetary considerations scale down what could've been an epic western with its characteristic sale's point being fully explored. Regrettably it's somewhat cliché both in terms of a western and female oriented film. Because of this the film strives for an A+ but winds up hitting moderate B territory.
A well shot pic with respectable acting, but not enough expose on the characters' origins, nor on how they developed into the outlaw clique they create for the film.
Minor quibble; it's been over thirty years since I picked up a weapon of any-kind, but seeing the four leads handle their weapons shows the director wasn't too concerned about "girlish" overtones intruding on a traditionally masculine venue. It's a minor point, but an important one because Nimrods of both sexes understand how to handle firearms, and it puts a wry grin on this viewer's face to see the lead characters intimidated by their own weapons (even though they get off spectacular hip shots, a la the tradition of many other westerns).
Acting and cinematography are respectable, as is the directing for what the shooting schedule allowed. Not an extraordinary film, but one that entertains on one level. That and the sexual component really didn't need the exposure it received in this film. In other words it could've been handled more tastefully, or axed altogether. Whoever thought seeing Barrymoore in a compromising position was way off base.
I bought the thing at K-Mart for seven dollars, and given what I saw I think I got my money's worth. But what turned out to be a minor savings could have been a really bargain had FOX just allowed full development of script and story for this film.
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