Robgen industries newest security system is "The J Series Automatic", an android model designed and programmed to protect humans from violent attacks. But one night, an Automatic named J269...
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Robgen industries newest security system is "The J Series Automatic", an android model designed and programmed to protect humans from violent attacks. But one night, an Automatic named J269 discovers a Robgen executive trying to rape a female employee named Nora Rochester. While trying to stop the crime, he inadvertently kills the executive. At this point, J269 then calls Goddard Marx (his creator and a Robgen chairman) to inform him of the incident. Marx tells the android to stay there with Rochester until help arrives, but Marx is intent on sweeping the fiasco under the rug by sending mercenaries to eliminate both J269 and Rochester. Now the two are fugitives on the run from a para-military hit squad.Written by
Patrick D. Rockwell <email@example.com>
The 2nd science fiction film in which Olivier Gruner has played a cyborg. The 1st film was "Nemesis". [Technically speaking Nemesis was a cyborg (=cybernetic organic, i.e. part human), Automatic was an android, not human at all.] See more »
Olivier Gruner is miscredited as Oliver Gruner on the box art. See more »
In the old days, I would have raped and tortured you for hours. There's just no time for life's simple pleasures anymore. Oh, well. Goodnight.
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AUTOMATIC is a low-rent sci-fi B-movie starring French martial artist Olivier Gruner, a guy who had all the acting ability of a hunk of cheese but who knew how to kick when it came to the fight scenes. This is an incredibly cheap-looking movie that sees Gruner playing an android who rebels against his corrupt creators and is forced to defend himself from a hit squad.
The entire film takes place in a dimly-lit building with the characters prowling the corridors and engaging in some low-rent fight scenes. The choreography is poor and the script worse, and it doesn't help that the cast is filled with actors giving laissez-faire performances which hardly fill the viewer with confidence.
Throughout AUTOMATIC, the scriptwriter rips off many other, better movies. The single-location stalking sequences are reminiscent of the basic premise of DIE HARD, while of course THE TERMINATOR hangs over everything with the presence of androids (although the movie doesn't feature much of the cool robotic effect stuff you saw generally in '90s B-movies). There are also lots of scenes inspired by ALIENS. Inevitably, this movie can't hold a candle to any of those classics and is a completely forgettable piece of popcorn fare.
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