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71 Fragmente einer Chronologie des Zufalls (1994)

Not Rated | | Drama | 26 October 1995 (USA)
71 scenes revolving around a recent immigrant, a couple that has just adopted a daughter, a college student and a lonely old man.

Director:

Michael Haneke

Writer:

Michael Haneke

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4 wins. See more awards »

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Cast

Credited cast:
Gabriel Cosmin Urdes Gabriel Cosmin Urdes ... Marian Radu (Romanian Boy)
Lukas Miko Lukas Miko ... Max
Otto Grünmandl Otto Grünmandl ... Tomek
Anne Bennent ... Inge Brunner
Udo Samel ... Paul Brunner
Branko Samarovski Branko Samarovski ... Hans
Claudia Martini Claudia Martini ... Maria
Georg Friedrich ... Bernie
Alexander Pschill ... Hanno
Klaus Händl Klaus Händl ... Gerhard
Corina Eder Corina Eder ... Anni
Dorothee Hartinger Dorothee Hartinger ... Kristina
Patricia Hirschbichler Patricia Hirschbichler ... Sabine Tomek
Barbara Nothegger Barbara Nothegger ... Fürsorgerin
Rest of cast listed alphabetically:
Sebastian Stan ... Kid
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Storyline

71 scenes revolving around a recent immigrant, a couple that has just adopted a daughter, a college student and a lonely old man.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Austria | Germany

Language:

German | Romanian | English

Release Date:

26 October 1995 (USA) See more »

Also Known As:

71 Fragmentos de uma Cronologia do Acaso See more »

Filming Locations:

Austria See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Third part of Michael Haneke's "Glaciation Trilogy" also including Der siebente Kontinent (1989) and Benny's Video (1992). See more »

Connections

Follows Benny's Video (1992) See more »

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User Reviews

 
Forces us to think about the violence we see every day
8 February 1999 | by Victoria-2See all my reviews

An excellent movie that took my breath away. Haneke forces us to view television like we view film. He has no answers but throws us many questions. One of many things this movie shows us is how we stop to listen to the violence the news presents for us every day. We has almost come to the point that we need the films storytelling to get involved, but even then do we act?


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