Commissioner Schneider is back. Nineteen years after "00 Schneider - Jagd auf Nihil Baxter" the aging policeman now has to face the villain Jean-Claude Pillemann (aka the lizard man). A ... See full summary »
The life of a Jazzplayer: Teddy Schu (Helge Schneider) loves Jazz and plays nightly in a small pub with his two friends. Sadly, there is no audience and the owner can't pay them anything ... See full summary »
Otto, a young man from East-Frisia comes to the big city (Hamburg) to make his fortune. Most of all he is engaged with two problems: How can he impress Silvia, a rich young girl, and where ... See full summary »
Sky du Mont
Otto is the only one who is able to save his Frisian fatherland; but he needs the help of his brother, who is abroad. But his brother does not want to fulfill what he has sworn as a child. ... See full summary »
Marijan David Vajda,
Hans Peter Hallwachs
Otto loses his flat, because he could not pay the rent. To work off his rent arrears he is doing dirty work for the caretaker. Just now Gaby moves into the house and Otto falls in love, but Gaby has eyes only for Amboss the bodybuilder.
The action comedy is set in 1944. Hitler appears in it as physically and mentally destroyed person who takes the advice of Goebbels in the actor-teacher of Jewish concentration camp for ... See full summary »
Helmut Körschgen, who plays the role of Lt. Körschgen, was a parking lot watchman in Elspe, Germany when Helge Schneider discovered him while working on "Texas". He suffered from a severe stroke during the shooting of "00 Schneider - Jagd auf Nihil Baxter" and was not able to continue on the set. He attended the premiere in a wheelchair. See more »
Not only is this movie a twisted comedy that does not attempt to "bring home every punch line", but instead, offers an atmospheric, almost contemplative type of humor unparalleled by others. The storyline is coherent, unlike some movies by other comedians. Also, the camera is brilliant. One instance would be where Nihil Baxter's head is next to his lamp in the first portrayal of his house. Some shots are taken in an almost British film noir manner, seen in some detective movies from the seventies.
Even though there is an apparent distortion about the characters Helge plays, they are rather well observed, and satirical and heart-warming at the same time. Helge embraces his characters somehow, and a happily floating absence of cynicism makes the movie a treat you may want to watch more than once.
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