Francis Urquhart calls the election but the party is down 13 points in the polls and he will obviously have a hard slog ahead if he is to be reelected. A gas explosion in a block of flats gives the ...
Francis Urquhart is too experienced a politician not to know that everything must end, even his long career as British prime minister. In order to secure his retirement and establish ... See full summary »
A documentary on the making of the three Godfather films, with interviews and recollections from the film makers and cast. This feature also includes the original screen tests of some of ... See full summary »
Francis Ford Coppola,
THE GODFATHER LEGACY goes deep inside Francis Ford Coppola's epic saga about the Corleone crime family and reveals how the Academy Award-winning film and its sequels became one of the most ... See full summary »
The Right Honorable James Hacker has landed the plum job of Cabinet Minister to the Department of Administration. At last he is in a position of power and can carry out some long-needed reforms, or so he thinks.
Some elements feel a bit familiar but it remains enjoyably cynical and droll in its writing
Following his appointment as Prime Minister of the United Kingdom, Francis Urquhart is rather plagued by guilt over the actions that got him there, while at the same time lacking a challenge to stimulate him in the way his political rivalries once did. This changes as the new King of England decides to throw his social conscience into the political ring, and as FU takes on a new 'slave' to inspire him and to tutor. The King's simplistic sentimentalizing of the plight of the poor leads FU to perhaps underestimate him, while he also remains unaware of the presence of a tape of his rooftop meeting that ended the previous series.
There is a certain meanness and cynicism in this BBC film that is perhaps lacking in the US version, and this second part of the House of Cards trilogy continues with that. The viewer remains drawn into FU's world and decisions in a way where we are confronted by his cold maneuvering, and this continues throughout the episodes. This time the opponent is the new King – a very thinly veiled version of Prince Charles; the reality of this power struggle is perhaps not totally convincing, but to be fair the previous episodes were fine to play up the cynicism in return for giving up a bit of realism. The plot plays out quite nicely, although it must be said that the show does benefit from only having 4 episodes and not the longer run that the US version has.
Outside of this, the series does rather repeat the model of the previous serial in that it places a young woman in FU's circle, sees an influential Afro-Caribbean woman playing a key role and also has a vulnerable male press role. It does have a certain familiarity to it, although mostly it does work on its own rights. The various plot twists and turns do not always convince; in particular the frequent bombings and the fate of some characters and devices go a little further than fits even the internal logic, but these are held together by the consistent spirit of meanness it has. A big part of that is Richardson's performance, which is attractive while also being repellant – much like his to-camera discussions which challenge the viewer to judge him. Equally good are Kitchen, Aldridge, King, and Farrrell – albeit that they have shadows of the previous series in their characters. Jeavons plays it well so that he builds from his position gradually and in a way that makes sense.
Generally the series works well because of how nicely scripted it is with a cynicism that applies across the political spectrum of all those involved. This is delivered with a certain drollness and a narrative that engages even if aspects of it feel repeated from the previous series.
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