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Stephen King's take on the masterpiece series by Lars von Trier. A great disaster threatens a haunted hospital in Lewiston, Maine, built on the site of a Civil War-era mill fire in which many children died.
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.
The Kingdom is the most technologically advanced hospital in Denmark, a gleaming bastion of medical science. A rash of uncanny occurrences, however, begins to weaken the staff's faith in science--a phantom ambulance pulls in every night, but disappears; voices echo in the elevator shaft; and a pregnant doctor's fetus seems to be developing much faster than is natural. At the goading of a spiritualist patient, some employees work to let supernatural forces rest.Written by
James Meek <firstname.lastname@example.org>
Helmer procures hot coffee, and enters the archive. Mogge returns, with Krogshøj, and they lock Helmer in - he's left standing with a cup of scalding coffee - he can't move with setting off the infra-red alarm sensors. He's left, statue-like, staring at his cup of steaming liquid. Cut to Drusse and Bulder. She says she has to perform a seance for some doctors, and tells Bulder that in 1 hour, they are to attempt to enter the archive. When they get there, they inadvertently liberate Helmer, who casts away his cup of still scalding, yet hour-old coffee. See more »
To me, this was the production that made Lars von Trier stand out as an extraordinary movie director and the movie, that finally pushed the Danish movie scene in the right direction!
It sort of founded the modern Danish dogma/dogme inspired movie style with its grainy colours, rash use of cutting and camera movement as well as strange, yet very realistic acting. All used to develop the perfect atmosphere around a good horror movie! There is just one thing you must remember when watching Riget/The Kingdom. It is a movie. It is entertainment. It is no comedy, yet nothing in the movie is serious. It uses sick and sometimes just weird ways of building up the horror. It doesn't have to make sense.
A lot of people may not like this because it is typically Danish, which may easily frustrate anyone who is only used to high budget Hollywood movies. The not-so-obvious deeper meaning between the lines as well as all the bold and underlined lines that have no meaning at all could confuse certain minds, but if you are prepared for a bunch of self-irony and sweet horror scenes, and if you like writers/directors such as David Lynch and Chris Carter, you are going to love this!
It is nice to see that mentally freaked out horror movies didn't die out with The Exorcist, and this definitely isn't any worse!
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