This Masterpiece Theatre production, set at the cusp of the Industrial Revolution, chronicles the life, loves, foibles and politics of the fictional English town of Middlemarch. Adapted ... See full summary »
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1994  
6 wins & 5 nominations. See more awards »

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Cast

Series cast summary:
Juliet Aubrey ...  Dorothea Brooke / ... 7 episodes, 1994
Douglas Hodge ...  Dr. Tertius Lydgate / ... 7 episodes, 1994
Robert Hardy ...  Arthur Brooke 7 episodes, 1994
Peter Jeffrey ...  Bulstrode / ... 7 episodes, 1994
Trevyn McDowell ...  Rosamond Vincy / ... 7 episodes, 1994
Rufus Sewell ...  Will Ladislaw 7 episodes, 1994
Jonathan Firth ...  Fred Vincy 7 episodes, 1994
Julian Wadham ...  Sir James Chettam 7 episodes, 1994
Colum Convey Colum Convey ...  Mr. Hawley 7 episodes, 1994
Simon Chandler ...  Rev. Farebrother / ... 7 episodes, 1994
Stephen Moore Stephen Moore ...  Mayor Vincy 7 episodes, 1994
Rosemary Martin Rosemary Martin ...  Mrs. Bulstrode / ... 7 episodes, 1994
Caroline Harker ...  Celia Brooke / ... 7 episodes, 1994
Clive Russell ...  Caleb Garth 6 episodes, 1994
Ronald Hines Ronald Hines ...  Mr. Standish 6 episodes, 1994
Rachel Power Rachel Power ...  Mary Garth 6 episodes, 1994
Mary Hanefey Mary Hanefey ...  Lady Chettam 6 episodes, 1994
Elizabeth Spriggs ...  Mrs. Cadwallader 6 episodes, 1994
Jacqueline Tong ...  Mrs. Vincy 6 episodes, 1994
James Garbutt James Garbutt ...  Dr. Wrench 5 episodes, 1994
Patti Love Patti Love ...  Mrs. Plymdale 5 episodes, 1994
Cheryl Fergison Cheryl Fergison ...  Pritchard 5 episodes, 1994
Roger Milner Roger Milner ...  Pratt 5 episodes, 1994
Gabrielle Lloyd ...  Mrs. Garth 5 episodes, 1994
Patrick Malahide ...  Rev. Edward Casaubon 4 episodes, 1994
Fred Pearson ...  Mr. Bambridge 4 episodes, 1994
John Savident ...  Raffles 4 episodes, 1994
David Belcher David Belcher ...  Mr. Chicheley / ... 4 episodes, 1994
Fanny Carby Fanny Carby ...  Mrs. Kell 4 episodes, 1994
Michael Hordern ...  Peter Featherstone 3 episodes, 1994
Roy Holder ...  Hiram Ford 3 episodes, 1994
Pam Ferris ...  Mrs. Dollop 3 episodes, 1994
David Sibley David Sibley ...  Mr. Spooner 3 episodes, 1994
Richard Butler Richard Butler ...  Mr. Powderell 3 episodes, 1994
Emily Woof ...  Lydgate's Maid / ... 3 episodes, 1994
Freda Dowie ...  Mrs. Waule / ... 3 episodes, 1994
Ian Driver Ian Driver ...  Mr. Plymdale / ... 3 episodes, 1994
Ben Jeffery Ben Jeffery ...  Ben Garth 3 episodes, 1994
Susan Porrett Susan Porrett ...  Tantripp 3 episodes, 1994
Tony Rohr ...  Solomon Featherstone 3 episodes, 1994
Jeremy Sinden Jeremy Sinden ...  Captain Lydgate 3 episodes, 1994
Andrew Tiernan ...  Dagley 3 episodes, 1994
Nathan Valente Nathan Valente ...  Alfred Garth 3 episodes, 1994
Sally Mates Sally Mates ...  Mrs. Abel 2 episodes, 1994
Judi Dench ...  George Eliot 2 episodes, 1994
Robert Blythe Robert Blythe ...  Heckler 2 episodes, 1994
Ken Campbell Ken Campbell ...  Mr. Mawmsey 2 episodes, 1994
Jonathan Hackett Jonathan Hackett ...  Joshua Rigg 2 episodes, 1994
Jane Hollowood Jane Hollowood ...  Mrs. Dagley 2 episodes, 1994
Sophie Jeffrey Sophie Jeffrey ...  Letty Garth 2 episodes, 1994
Terry John Terry John ...  Mr. Sparks 2 episodes, 1994
Geoffrey Toone ...  Sir Godwin Lydgate 2 episodes, 1994
Geoffrey Wilkinson Geoffrey Wilkinson ...  Jenkins 2 episodes, 1994
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Storyline

This Masterpiece Theatre production, set at the cusp of the Industrial Revolution, chronicles the life, loves, foibles and politics of the fictional English town of Middlemarch. Adapted from the George Eliot classic of the same name, the plot centers on the socially conscious, but naive Dorothea Brooke, whose disastrous match to the pedantic Rev. Edward Casaubon sets in motion a chain of events that will change the face of Middlemarch forever. The efforts of the dashing young physician, Tertius Lydgate, to modernize the medical practices at the new hospital causes quite a stir, both in the political power structure, headed by the evil Mr. Nicholas Bulstrode, and the heart of sweet Rosamund Vincey, the town beauty. Smaller plots interweave the action and lead to reconciliation, resignation, remuneration and resolution. Written by Teresa B. O'Donnell <sun.moon.stars@worldnet.att.net>

Plot Summary | Add Synopsis

Genres:

Drama | History | Romance

Certificate:

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Parents Guide:

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Details

Country:

UK | USA

Language:

English

Release Date:

12 January 1994 (UK) See more »

Also Known As:

Apagorevmeno pathos See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The final score composed by Stanley Myers. He died shortly before the premiere. See more »

Quotes

Dr. Tertius Lydgate: The reason doctors prescribe so much medicine, Mr. Mawmsey, is because it's the only way they can make their money. If they could charge for their consultation then they wouldn't have to overdose the King's legion. And that's the worst kind of treason, eh?
See more »

Connections

Version of Middlemarch See more »

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User Reviews

Internals not Seen
22 March 2006 | by tedgSee all my reviews

TeeVee miniseries exist because of strange economic wrinkles. The nature of the medium is so episodic, so finely grained that it is forced to satisfy the needs created by the sameness and thinness. Its why MacDonalds' sells chicken.

So just as the main fare is perverted in a cartoonish simple sense, so is the antidote extreme in the other.

To feed this beast, you need to have stories that only have scope in the larger context and you must (a rule) be able to get that context only by watching more than one chunk, what in TeeVee land is called an episode. Its a strange term that belies its odd requirements.

Into this niche have long come soap operas, shaped by emotional bumpings and worries of extreme characters. And for a few decades the rich uncle of soap operas have flourished as well. These have to be lush, set in a romantic era. And if they come from a respected novel, so very much the better.

Its better because viewers think they are doing something intelligent, and also because writers don't have to thrash out the essential mechanics. But in reality it doesn't matter what the source material, these all go through more or less the same refining process and come out the other end much the same. Its a matter of market need.

If you actually read the books behind these you'll find a bewildering variety that isn't apparent in their small screen translations. Where Austen (for example) was all about the appearance, Eliot was about the internal holding of bonds. Where Austen was all about attaining a position, Eliot, writing in the next generation, was about the challenges of holding those positions.

In a way, Eliot's innovation was get inside, under the appearance. It doesn't matter what the doctor's house or service look like, only that some nitwit thinks the appearance is important. Its a bit scandalous that as we consume this product, what attracts us, at root, is the appearance of the thing. We are the enemy she writes about.

If you just glanced at this, you'd find it indistinguishable from any of the other such pretty things it is classified with. Its a true insult to the book. An absolute scandal. The creative team should be driven out of the village. Cinematic heathens!

Ted's Evaluation -- 2 of 3: Has some interesting elements.


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