What's Love Got to Do with It

Honestly this movie deserves more praise and attention! Of all the biopics i have seen in my life, this one stands out as one of the best and most memorable!

I am a huge fan of Tina Turner, but I don't think you have to be to enjoy this movie! The movie is so much more than the music! IIs a great drama with some amazing performances and some dark dramatic scenes that are more disturbing than you may think!

Angela Basset and Laurence fishburne were amazing! They really became the characters they were playing to the point where you almost forget you are watching actors and not the real Ike and Tina!

The music were great and since I never got to experience Tina this movie is the closest i can get and it does a great job at it!

Tina had a huge influence on music, me and all of us! Incredible artist that will never be forgotten! May she rest in peace!

It was gratifying to see rock legend Tina Turner earn the coveted Kennedy Center honor last month, certainly reason enough to revisit this wonderful biopic based on her 1987 self-affirming autobiography, "I, Tina" co-written with Rolling Stone editor Kurt Loder. Directed by the late Brian Gibson in an appropriately feverish manner, the 1993 movie still burns brightly thanks to the electrifying performances of Angela Bassett and Laurence Fishburne. There have been several fine performances in biopics of late - Jamie Foxx in "Ray", Joaquin Phoenix and Reese Witherspoon in "Walk the Line" - but I still feel Bassett and Fishburne maintain the high watermark as they seem to inhabit the roles of Ike and Tina completely in this film.

Adapting probably the most melodramatic parts of Tina's book, Gibson and screenwriter Kate Lanier built a dramatic framework about the former Anna Mae Bullock that is somewhat standard-issue and probably biased, but it works on a visceral level as a story of personal triumph punctuated by some of the most gut-wrenching scenes of domestic violence captured on film. Playing one of the most recognizable and enduring celebrities in the rock world, Bassett manages to capture the physical mannerisms, vocal patterns, and onstage energy of the real Tina, even though her voice obviously had to be dubbed. With her almost distracting musculature, she convincingly rips into all her musical performances with unabated fire, but it's really in her dramatic scenes, especially when she becomes an increasingly degraded victim of her husband's demons, that she soars. Fishburne has an extremely tough role, as he has to transcend the inherent villainy of Ike by displaying the bravado and talent that brought the pair the spotlight in the early years. He brilliantly manages to imbue a spirit that is at once frightening and pitiable.

With a relatively sparse filmography, Gibson provides surprisingly sturdy direction here, often using an effective faux-combination of grainy home movies and TV programs to make the movie feel like a "Behind the Scenes" rock documentary. I particularly liked how he edited the inevitable "Proud Mary" - complete with gyrating Ikettes and Tina in her classic cave woman mini - to show the passage of time between the late sixties to the mid-seventies. Unsurprisingly, no one else makes nearly the impression of the two stars, though Jenifer Lewis has a few funny moments as Tina's mother Zelma, and Vanessa Bell Calloway does what she can in her switch from hard-bitten back-up singer to becalming Buddhist. Regardless, see it for two actors - sadly underutilized since this movie was released, the wondrous Bassett in particular - giving all they have into this memorable movie. The DVD has no significant extras other than the original trailer.

I really loved Ike and Tina Turner. then I got to love Tina Turner. I remember I was so sad way back when they split up but,,... after seeing this movie SO SO,,, many years later, I see why. Maybe Ike was a driving force for the group, but Tina made it happen and as far as I can tell, Ike didn't like that he was then along for the ride... and couldn't accept it. It is Too bad he didn't know/or understand at the time what was or would've been best for for his kids and himself. Famous or not, til people understand it's FAMILY that matters, nothing will ever be right. I know this is a Hollywood-ish type-style movie, but I'm proud Tina did what she has done for herself, and I'm glad I got to grow up Knowing Both Ike and Tina, and then Tina Turner.... This is...history in the making.

Tina Turner is a great and influential performer, and many of her songs are classics for a reason. When hearing that there was a biographical drama, based on Turner's autobiography 'I, Tina', the first feeling that came into my head was intrigue, but also the worry as to whether it would do her justice.

On the most part, 'What's Love Got To Do With It' does. Sure, 'What's Love Got To Do With It' is a little obvious and over-simplified dramatically and a few of the musical scenes stop the flow at times that slows the film down. With that being said, 'What's Love Got To Do With It' has got a lot to recommend it.

Its biggest asset is the lead performances, two lead performances that one would describe as powerhouse. Angela Bassett gives a beautifully observed and deeply felt performance in the title role, her performance feels incredibly real and does not fall into the trap of being an impersonation. Every bit as good is Laurence Fishburne as Ike, on terrifying form. Both characters are very much convincing and have strong chemistry together.

'What's Love Got To Do With It' is nicely filmed and designed, as well as sympathetically directed. As predicted, the songs are terrific and well staged and performed. The script on the most part is heartfelt and avoids falling into making the characters clichéd caricatures or descending into over-heated melodrama. The story also mostly grips and can be very touching and illuminating.

On the whole, intriguing and very well done with powerhouse lead performances that carry the film faultlessly. 8/10 Bethany Cox

Angela Bassett, as Tina Turner asks the musical question "What's Love Got to Do with It" in this 1993 film also starring Laurence Fishburne, Jenifer Lewis, and Khandi Alexander. The film tells the story of Tina Turner's childhood as Anna Mae Bullock her move to St. Louis after her grandmother's death to live with her mother, her meeting Ike Turner at a nightclub, her subsequent singing with Ike's band, their marriage and divorce.

By necessity, biopics have to leave out people and incidents, often combining several incidents into one or skipping several steps. In no way does a knowledge of Tina Turner''s life detract from the impact of this film. It's a story of a woman's determination, beating the odds, suffering, perseverance and ultimate success.

Ike's and Tina's marriage was pretty much a horror show. Ike was always controlling, to the detriment of his own career, and as he turned to drugs, his abuse of Tina escalated. The most stunning scene in the film (besides the performances, which are fantastic) occurs when the couple fights in a limo en route to a hotel. Ike becomes physical; Tina has discovered Buddhism and finally gets the courage to fight back. A bloody mess, she runs away from him with only 36 cents in her purse.

Angela Bassett gives a searing, electrifying performance as Turner. Her sinewy body is a great match for Turner's, and she uses it to perfection in replicating Turner's performances (Turner's voice is used on the soundtrack). She shows the star's vulnerability, fear, and internal strength throughout.

Bassett is matched by Laurence Fishburne's terrifying performance as Ike. Fishburne seethes with manipulation and anger, even in scenes where he's being "nice." When Ike loses his temper, you can see how he can't stop and the violence just gets worth. A brilliant performance.

A must see. The latter part of Turner's life is not explored, but while she always remained popular in Europe, it was a long time before she could get a recording contract here after some failed recordings. Today she remains one of the greatest singing stars ever. But there were lots of valleys in between.