A sinister corporation loses control of a house cat infected with a genetically engineered virus. The death toll rises during the mutant feline's rampage and, eventually, it finds its way on board the yacht of a criminal kingpin.
From the director of the highly acclaimed "Body Chemistry," comes a frightening excursion into terror. Alex is caught in a web of distrust between his brother, his best friend, a beautiful ... See full summary »
The town of Leffert's Corners has been plagued by unearthly beings for decades, and now there is only a few people left, including the local priest and a woman traumatised by the death of ... See full summary »
This might be the only Lovecraft movie sequel to actually adapt a Lovecraft story ("The Statement of Randolph Carter," which actually preceded "The Unnamable") and is a superior sequel. Well, I think it is superior since I can't remember liking THE UNNAMABLE that much (outside of some nice make-up). Stephenson is an unusual lead, a very intense nerd totally focused on his task at hand. Klausmeyer, who inexplicably sees his character renamed from Howard Damon to Eliot Damon Howard, is good as well. Completely underutilized David Warner slipped in for one day to shoot a scene as the college chancellor and Rhys-Davies might have been there for a couple of days. The film offers lots of gore and, again, the creature design is pretty damn spiffy. The real star, however, is b-movie actress Maria Ford. This might actually be her strongest acting role as the displaced 17th century girl (and I'm not saying that because she spends 50% of her screen time nude). Sadly, I decided to look her up online and she has had some horrific plastic surgery in the ensuing years.
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