The first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. 'Blue' is the story of Julie who loses her husband, an acclaimed composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew, free of personal commitments, belongings, grief or love. She intends to numb herself by withdrawing from the world and living completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heal Julie and draws her back to the land of the living.Written by
When Olivier has tracked down Julie but is then ignored by her, there is a close-up of Julie allowing a sugar cube to soak up her coffee. Deeming that the sugar cube had to soak up the coffee in precisely 5 seconds, Krzysztof Kieslowski had his assistant director test multiple brands (which soaked with coffee anywhere from 3 to 11 seconds) to find one that took just the correct time. See more »
When Julie meets her husband's mistress in the restaurant's toilet, the mistress is at least 8 months pregnant. She says she didn't know she was pregnant when the man died, but it's been winter all the time so evidently not such a long time has passed since the accident. See more »
The subject(mourn,lost)is so interesting and profound that this film is a real treasure. It is very difficult to write about 'Bleu' because this film has so many intense scenes,with many details.Juliette Binoche's vulnerability is in every scene, every gesture, every moment. She plays an enigmatic woman,'Julie,' we're witness to her terrible loss(her husband who was a famous composer and her daughter died in a car crash)She is the survivor,not only of the accident,but of herself too.The film doesn't show us how her life was before the tragedy,but' Bleu' focuses on her personal journey to healing.
Julie seems stoic,she did not criy hysterically or stay in bed totally depressed,her grief is intimate and touching.In one scene when Julie is near the blue crystal mobile(which belonged to her daughter) just notice her reaction.Another poignant scene is when Julie is in that swimming pool,suddenly,she stops and she can hear her husband's symphony(all in her head).
Bleu also approaches a philosophical question-when you lose everything can you start all over again?,life is a series of events and choices,Julie moves to another place from the country to a city.She did not want to see her friends,she wants to be alone but is this possible?,her past will haunt her.
Another interesting aspect of this film is the use of music instead of dialogue,her silence is a reference of her terrible loss and pain,she is not depressed but sad. Also the meaning of the unfinished symphony of her husband is very profound (is connected with her grief and healing)
The photography of the film and the beautiful and delicate face of Binoche contribute to the impact of BLEU.
Kieslowski was one of the most talented directors, I really admired his 'Trois couleurs' trilogy but I think,'Bleu' was his most powerful film.
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