The plot couldn't be simpler or its attack on capital punishment (and the act of killing in general) more direct - a senseless, violent, almost botched murder is followed by a cold, ... See full summary »
Filip buys an eight-millimetre movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen... See full summary »
The first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. 'Blue' is the story of Julie who loses her husband, an acclaimed composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew, free of personal commitments, belongings, grief or love. She intends to numb herself by withdrawing from the world and living completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heal Julie and draws her back to the land of the living.Written by
After the opening screening of this film at the 2018 Visegrad Film Forum in Bratislava, cinematographer Slawomir Idziak described an unusual technique he used to shoot the scene where blue light glares appear superimposed over Juliette Binoche's character. It was apparently achieved by wrapping the camera in blue gels, opening its rear and flashing lights directly at the film negative. See more »
Julie mentions 'altos' as she describes the entrances of various instruments. The same word appears in the English subtitles as she speaks. The sound we hear, though, is not a group of female singers but a body of stringed instruments. In French the word 'alto' refers to a viola; the subtitle is a mistranslation. See more »
Now I have only one thing left to do: nothing. I don't want any belongings, any memories. No friends, no love. Those are all traps.
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The final credit says in French, "We thank Alfa Romeo who allowed the scene of the accident to the Alfa 164 whose dynamics are of course purely imaginary." See more »
Blue is one of those little movies that grows on you. The more you think about it the more you like it. That's not to say that it's not enjoyable to view; the cinematography and music are marvelous. But this is Juliette Binoche's movie. Everything revolves around her character, Julie, who, in the first scene, survives an automobile accident that claims the lives of her famous composer husband and her five-year-old daughter. Now alone the remainder of the movie delves into Julie's long emotional recovery. Not traumatic, or depressing as the subject matter may imply it is instead subtle, graceful, and beautiful.
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