Three Colors: Blue (1993)

A woman struggles to find a way to live her life after the death of her husband and child.

Director:

Krzysztof Kieslowski

Writers:

Krzysztof Kieslowski (scenario), Krzysztof Piesiewicz (scenario)

Stars:

Juliette Binoche, Zbigniew Zamachowski, Julie Delpy

Nominated for 3 Golden Globes. Another 21 wins & 14 nominations.

Cast

Cast overview, first billed only:
Juliette Binoche	...	Julie Vignon (de Courcy)
Benoît Régent	...	Olivier (as Benoit Regent)
Florence Pernel	...	Sandrine
Charlotte Véry	...	Lucille (as Charlotte Very)
Hélène Vincent	...	La journaliste (as Helene Vincent)
Philippe Volter	...	L'agent immobilier
Claude Duneton	...	Le médecin
Hugues Quester	...	Patrice (Mari de Julie)
Emmanuelle Riva	...	La mère
Florence Vignon	...	La copiste
Daniel Martin	...	Le voisin du dessous
Jacek Ostaszewski	...	Le flutiste
Catherine Therouenne	...	La voisine
Yann Trégouët	...	Antoine (as Yann Tregouet)
Alain Ollivier	...	L'avocat

Storyline

The first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. 'Blue' is the story of Julie who loses her husband, an acclaimed composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew, free of personal commitments, belongings, grief or love. She intends to numb herself by withdrawing from the world and living completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heal Julie and draws her back to the land of the living.

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Plot Keywords:

liberty | first part of trilogy | trauma | telling a joke | mourning | 

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Genres:

Drama | Music | Mystery | Romance

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Motion Picture Rating (MPAA)

Rated R for some sexuality

Details

Official Sites:

Juliette Binoche: The Art of Being - Official Fansite

Country:

France Poland Switzerland

Language:

French Romanian Polish

Release Date:

8 September 1993 (France)

Also Known As:

Three Colors: Blue

Filming Locations:

Piscine Pontoise - 19 Rue de Pontoise, Paris 5, Paris, France

Box Office

Opening Weekend USA:

$6,413, 5 December 1993

Gross USA:

$1,324,974

Cumulative Worldwide Gross:

$1,324,974

Company Credits

Production Co:

MK2 Productions, CED Productions, France 3 Cinéma

Technical Specs

Runtime:

94 min

Sound Mix:

Dolby SR

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

A woman trying to throw a bottle into a glass container is visible at the beginning of the movie. This seems to be the same woman seen doing this in "Three Colors: White", probably suggesting a parallel action of the movies. In "Three Colors: Red" the same woman can be seen again, this time, however, it is night and she receives help from Valentine, thus finally succeeding in throwing the bottle into the glass container.

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Goofs

When Oliver tells Julie he will not incorporate her changes into the musical score, a boom mic is visible briefly as Julie puts down the phone.

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Quotes

Julie Vignon: Why are you crying?
La servante: Because you're not.

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Crazy Credits

The final credit says in French, "We thank Alfa Romeo who allowed the scene of the accident to the Alfa 164 whose dynamics are of course purely imaginary."

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Connections

Referenced in Fringe: Transilience Thought Unifier Model-11 (2012)

User Reviews

Impressive

Often times when viewing an intelligent film like this I have to really contemplate what the implications the film maker making mean to me. This film was no exception. Kieslowski, with his background in non-fiction film making, is applying the french political value of liberty to a personal situation. He is, in essence, studying the human condition through fiction. The meaning of "liberty" takes on a very different meaning for Julie in this film. She tries to gain liberty from her memories and her emotions only to find that it is an impossible task. This is not a film to casually throw on after supper. This film requires a commitment by the audience to really consider Kieslowski's implications, for he is telling us (throughout this trilogy) what he thinks makes a "good" person. The score is beautiful and has a character of its own in the plot. A must see for true film lovers but perhaps a little too much for someone expecting a casual encounter.