7.9/10
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Three Colors: Blue (1993)

Trois couleurs: Bleu (original title)
Trailer
1:48 | Trailer
A woman struggles to find a way to live her life after the death of her husband and child.

Writers:

Krzysztof Kieslowski (scenario), Krzysztof Piesiewicz (scenario) | 3 more credits »
Nominated for 3 Golden Globes. Another 21 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Juliette Binoche ... Julie Vignon (de Courcy)
Benoît Régent Benoît Régent ... Olivier (as Benoit Regent)
Florence Pernel ... Sandrine
Charlotte Véry ... Lucille (as Charlotte Very)
Hélène Vincent ... La journaliste (as Helene Vincent)
Philippe Volter Philippe Volter ... L'agent immobilier
Claude Duneton Claude Duneton ... Le médecin
Hugues Quester ... Patrice (Mari de Julie)
Emmanuelle Riva ... La mère
Florence Vignon Florence Vignon ... La copiste
Daniel Martin Daniel Martin ... Le voisin du dessous
Jacek Ostaszewski Jacek Ostaszewski ... Le flutiste
Catherine Therouenne Catherine Therouenne ... La voisine
Yann Trégouët Yann Trégouët ... Antoine (as Yann Tregouet)
Alain Ollivier Alain Ollivier ... L'avocat
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Storyline

The first part of Kieslowski's trilogy on France's national motto: Liberty, Equality, and Fraternity. 'Blue' is the story of Julie who loses her husband, an acclaimed composer and her young daughter in a car accident. The film's theme of liberty is manifested in Julie's attempt to start life anew, free of personal commitments, belongings, grief or love. She intends to numb herself by withdrawing from the world and living completely independently, anonymously and in solitude in the Parisian metropolis. Despite her intentions, people from her former and present life intrude with their own needs. However, the reality created by the people who need and care about her, a surprising discovery and the music around which the film revolves heal Julie and draws her back to the land of the living. Written by Anonymous

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Poland | Switzerland

Language:

French | Romanian | Polish

Release Date:

8 September 1993 (France) See more »

Also Known As:

Three Colors: Blue See more »

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Box Office

Opening Weekend USA:

$6,413, 5 December 1993

Gross USA:

$1,324,974

Cumulative Worldwide Gross:

$1,324,974
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

A woman trying to throw a bottle into a glass container is visible at the beginning of the movie. This seems to be the same woman seen doing this in "Three Colors: White", probably suggesting a parallel action of the movies. In "Three Colors: Red" the same woman can be seen again, this time, however, it is night and she receives help from Valentine, thus finally succeeding in throwing the bottle into the glass container. See more »

Goofs

When Oliver tells Julie he will not incorporate her changes into the musical score, a boom mic is visible briefly as Julie puts down the phone. See more »

Quotes

Julie Vignon: Why are you crying?
La servante: Because you're not.
See more »

Crazy Credits

The final credit says in French, "We thank Alfa Romeo who allowed the scene of the accident to the Alfa 164 whose dynamics are of course purely imaginary." See more »

Connections

Referenced in Fringe: Transilience Thought Unifier Model-11 (2012) See more »

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User Reviews

 
Impressive
29 April 2004 | by clintswiftSee all my reviews

Often times when viewing an intelligent film like this I have to really contemplate what the implications the film maker making mean to me. This film was no exception. Kieslowski, with his background in non-fiction film making, is applying the french political value of liberty to a personal situation. He is, in essence, studying the human condition through fiction. The meaning of "liberty" takes on a very different meaning for Julie in this film. She tries to gain liberty from her memories and her emotions only to find that it is an impossible task. This is not a film to casually throw on after supper. This film requires a commitment by the audience to really consider Kieslowski's implications, for he is telling us (throughout this trilogy) what he thinks makes a "good" person. The score is beautiful and has a character of its own in the plot. A must see for true film lovers but perhaps a little too much for someone expecting a casual encounter.


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