Joseph K. (Kyle MacLachlan) awakens one morning to find two strange men in his room, telling him he has been arrested. Joseph is not told with what he is charged, and despite being "...
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Joseph K. (Kyle MacLachlan) awakens one morning to find two strange men in his room, telling him he has been arrested. Joseph is not told with what he is charged, and despite being "arrested" is allowed to remain free and go to work. But, despite the strange nature of his arrest, Joseph soon learns that his trial, however odd, is very real, and he tries desperately to spare himself from the court's judgement.Written by
Mike Myers <email@example.com>
Beautiful film, subtle exploration of Kafka's masterpiece nuances, slices of novel's atmosphere but only an ordinary adaptation.
In fact, a film about one of Franz Kafka's texts are an Utopian gesture. The sense of pages, the shadows of characters, the angst, fear or illusions, the magnificent style of one of best writers are crushed by vision of any director or art of actor. And the images are pieces of cold beauty without soul or honesty.
For "The Trial" adaptation is always present a trap: the image of Joseph K. as avatar of Kafka. Franz Kafka is only a Kakania's citizen, civil servant in a large empire, with small ambitions and desires, toy of his doubts and hesitations, dreads and lures.
Kyle MacLachlan is a correct interpret of character but, the fundamental error is the ambition to be a perfect Joseph K.. So, his acting is barren and empty.
Alfred Molina as Titorelli is charming but the interpretation of character is exercise of one type incarnation, the same in many nuances. Same situation for great Jason Robards.
The important virtue of film is the presence of Anthony Hopkins and the colors, shadows, illusions and accents gives to parable. It is not example of brilliant art but the science of words sense description. The words- medusa, words- ash, words- sand, words- velvet. In this small text is the crux of novel and film.
A splendid film, a acceptable adaptation.
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