Bruno Monsaingeon signs a new masterpiece. He decided to talk about the question of Gould's genius in its totality. Based on dialogues between Gould (through the voice of Mathieu Amalric) ... See full summary »
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill ... See full summary »
Alice parvient à réunir sur un voilier les deux hommes de sa vie, son père et son amant. Ce qui devait n'être qu'une brève escapade se transforme en une longue balade qui prendra une bien mauvaise tournure.
As the title suggests, this dramatised documentary about the eccentric Canadian pianist Glenn Gould is broken up into thirty-two short films (mirroring the thirty-two part structure of Bach's 'Goldberg Variations', the recording that Gould made famous), each giving us an insight into some aspect of Gould's life and career. Out of respect for the music lead actor Colm Feore is never seen playing the piano, merely reacting to Gould's own recordings, which are extensively featuredWritten by
Michael Brooke <email@example.com>
The structure of the film is based on the structure of the piece that Glenn Gould is most famous for playing, Johann Sebastian Bach's "Goldberg Variations", which are 32 short pieces of music that are usually played together. See more »
My mother tells me that by five years old I had decided definitively to become a concert pianist. I think she had decided some time earlier. The story goes that while I was in the womb she played the piano continuously to give me a head start, and evidently it paid off. My mother was my first teacher, and I've never doubted her methods. After all, she introduced me to Bach.
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I enjoyed this film considerably, however, I am also a die hard Glenn Gould fan. The film captures the genius and eccentricity of Gould with vignettes scored with Gould's interpretations of Bach and Beethoven weaved with glimpses of his autistic, or Asperger's, personality. Some of the negative or neutral critics listed here are not completely inappropriate. The film tends to cater to the classical music devotee as opposed to developing a narrative for the casually disinterested viewer. However, anyone with superficial knowledge of Gould, but with an interest in Bach or Beethoven, will enjoy this film, if anything, for it's choices in musical scores.
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