Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill ... See full summary »
Bruno Monsaingeon signs a new masterpiece. He decided to talk about the question of Gould's genius in its totality. Based on dialogues between Gould (through the voice of Mathieu Amalric) ... See full summary »
Alice parvient à réunir sur un voilier les deux hommes de sa vie, son père et son amant. Ce qui devait n'être qu'une brève escapade se transforme en une longue balade qui prendra une bien mauvaise tournure.
Set at the Newport jazz festival in 1958, this documentary mixes images of water and the town with performers and audience. The film progresses from day to night and from improvisational ... See full summary »
As the title suggests, this dramatised documentary about the eccentric Canadian pianist Glenn Gould is broken up into thirty-two short films (mirroring the thirty-two part structure of Bach's 'Goldberg Variations', the recording that Gould made famous), each giving us an insight into some aspect of Gould's life and career. Out of respect for the music lead actor Colm Feore is never seen playing the piano, merely reacting to Gould's own recordings, which are extensively featuredWritten by
Michael Brooke <firstname.lastname@example.org>
My mother tells me that by five years old I had decided definitively to become a concert pianist. I think she had decided some time earlier. The story goes that while I was in the womb she played the piano continuously to give me a head start, and evidently it paid off. My mother was my first teacher, and I've never doubted her methods. After all, she introduced me to Bach.
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I have never really been taken in by classical music. When I first saw this film, I thought, oh! THAT'S why people like it. So I went and bought a few Gould CD's, listened to them a few times, and went back to jazz and punk shortly thereafter.
This film is an exceptional piece. The music is certainly the most important aspect of the film, but it so strongly highlights the character of Gould (who was one wacky Canuck), and the cinematography, that as a package, I found it a moving experience that superceded the music.
Basically a series of vignettes, with no coherent plot, but rather snippets of docu-drama, interviews, and a couple of animated sequences (one quite good, the other detracts entirely from the whole), this is a film meant probably not for fans of classical, but an introduction to the possibilities and drama of the virtuoso for media-children.
Although primarily another "crazy genius" film, it is truly a stunning piece overall. I strongly recommend this for any collection, no matter one's musical inclinations.
Although primarily another "crazy genious" film, it is truly a stunning piece overall. I strongly recommend this for any collection, no matter ones musical inclinations.
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